Some stories don't just entertain—they show us how to grow up, challenging the limiting narratives we may have been told. Much like magic, a powerful story can bring us back to our true selves and help us discover who we might choose to be. The best stories become enduring classics, like Terry Pratchett's The Wee Free Men.

In this episode, we explore the world of fantasy novels and what it means to be a witch with Rhianna Pratchett and Gabrielle Kent, co-authors of Tiffany Aching’s Guide to Being a Witch, and Marieke Nijkamp, author of the popular Splinter and Ash series.

To celebrate Pratchett’s beloved novels, we immerse ourselves in worlds brimming with witches, politics, grief, and secrets.

To learn more about Terry Pratchett’s, Rhianna Pratchett’s, Gabrielle Kent’s, or Marieke Nijkamp’s books, visit

harpercollins.com/search?q=Terry+Pratchett

harpercollins.com/search?q=Rhianna+Pratchett

harpercollins.com/search?q=Gabrielle+Kent

harpercollins.com/search?q=Marieke+Nijkamp

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[3:30] The 20th anniversary of Terry Pratchett’s The Wee Free Men was the ideal time for Rhianna Pratchett and Gabrielle Kent to write Tiffany Aching’s Guide to Being a Witch.

[7:52] In The Wee Free Men, the character Tiffany Aching challenges traditions and finds her path as she embraces her power.

[14:59] Marieke Nijkamp wrote Splinter and Ash for readers who often struggle to connect with characters in fantasy.

[20:06] Terry Pratchett’s novels are admired for tackling complex political themes and refusing to present a simplified view of the world.

[24:08] Readers can expect more stories about death and what it means to be a witch from Rhianna and Gabrielle.

Continue Your Journey:

Rhianna Pratchett

Gabrielle Kent

Marieke Nijkamp

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

Shareables:

“We started working in video games in the ’90s when it was very rare for there to be women working in games.” — Gabrielle Kent, Co-author of Tiffany Aching’s Guide to Being a Witch

“I have a Witches Abroad quote tattooed on my arm.” — Mareike Nijkamp, author of Splinter and Ash novels

“One of the things I love about Pratchett’s books in general, I think, is just that Tiffany discovers that one of the tools she has to deal with the world is stories.” — Mareike Nijkamp, author of Splinter and Ash novels

“I love telling stories about people who maybe fall through the cracks a little bit, maybe just exist on the edges, maybe don’t quite feel, quite, feel at home or are seen as fully part of their homes.” — Mareike Nijkamp, author of Splinter and Ash novels

“One of the great things about my father’s work for younger readers is it can be enjoyed by anyone, right? He doesn’t pander to younger readers.” — Rhianna Pratchett, Co-author of Tiffany Aching’s Guide to Being a Witch, and daughter of Terry Pratchett

“We were basically reading the whole book to each other, and then we had to have whiskey for the hard chapters, then we were just sobbing at the end.” — Rhianna Pratchett, Co-author of Tiffany Aching’s Guide to Being a Witch

“Reading those books has helped me think very differently about death as well. Sounds so weird, but seeing that kind of positive side of it and that it’s not something to be feared.” — Gabrielle Kent, Co-author of Tiffany Aching’s Guide to Being a Witch

“Everyone should pick up at least one book. And I think Wee Free Men, if you’ve never read any Discworld books, is a great place to start.” — Mareike Nijkamp, author of Splinter and Ash novels

The holidays are a chance to connect with loved ones, share stories, and laugh. The enduring appeal of holiday books lies in their ability to connect with us on a deeply personal level. They invite us to see Christmas through a child’s eyes with their unmatched curiosity, and unfiltered honesty. And, the best Christmas stories transcend cultural boundaries.

In this episode, we explore the comedic, heartfelt genius of Barbara Robinson’s The Best Christmas Pageant Ever the eyes of Barbara's daughter Margie and the Director of The Best Christmas Pageant Ever movie, Dallas Jenkins. We also hear about the challenge of reinterpreting holiday classics like The Night Before Christmas and creating holiday books that reflect the diversity of people and the world we live in from illustrator Loren Long and author Joanna Ho.

To learn more about Barbara Robinson’s, Joanna Ho’s, or Loren Long’s books, visit

harpercollins.com/search?q=barbara+robinson

harpercollins.com/search?q=joanna+ho

harpercollins.com/search?q=loren+long

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[:54] The Herdman’s rotten charm evokes empathy and understanding.

[6:05] Inspired by those who may be unfamiliar with the nativity story, Barbara wrote The Best Christmas Pageant Ever.

[9:07] Illustrator Loren Long offers a modern take on the 200-year-old classic Christmas poem, The Night Before Christmas.

[13:24] Children internalize books and feel the gap when their ancestry is under-represented or not represented.

[18:25] Joanna Ho’s A City Full of Santas was inspired by a city full of Santas.

[26:38] Based on the nativity story, The Best Christmas Pageant Ever, is definitely not a church book.

Continue Your Journey:

Joanna Ho

Loren Long

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

Shareables:

“It’s a book about something that has traditionally been very holy and austere and I think humor kind of mixes that up a little bit.” — Margie Pinto-Leite, daughter of Barbara Robinson

“You can’t help but love the Herdmans. At the end of the story you just want more of them.” — Margie Pinto-Leite, daughter of Barbara Robinson

“It’s one of those things where you don’t know how much you’ve internalized about the messaging you are receiving from the world.” — Joanna Ho, author of A City Full of Santas

“Anyone who is trying so hard to create magic in this season is often actually just chaos and destruction. And part of that also, I hope, is that we can embrace that and see the beauty in just having that time together which I think is captured so beautifully in the story of the Herdmans.” — Joanna Ho, author of A City Full of Santas

“It's kind of promoted as a kids’ book but I’m telling you, you can read this as an adult.” — Dallas Jenkins, Director of The Best Christmas Pageant Ever movie

“It still impacts people around the world, this notion of sacrificial giving. And, some of us, believers and non, have lost that.” — Dallas Jenkins, Director of The Best Christmas Pageant Ever movie

“If I’m going to do this I wanna bring something new to it. Something contemporary.” — Loren Long, Illustrator of The Night Before Christmas

Books have the power to inspire young people to take action and make a difference in the world. They open doors to understanding, creating awareness of real-world challenges while fostering a deep, personal connection to these struggles.

In this episode, we explore stories that motivate and encourage action. Linda Sue Park and Salva Dut describe the journey that inspired A Long Walk to Water, Brian Pinkney returns to discuss the companion book, Nya's Long Walk: One Step at a Time, and Jasmine Warga emphasizes the connection between awareness and activism.

To learn more about Linda Sue Park’s, Jasmine Warga’s or Brian Pinkney’s books, visit

harpercollins.com/search?q=linda+sue+park

harpercollins.com/search?q=jasmine+warga

harpercollins.com/search?q=Brian+Pinkney

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[2:34] Believing young people should know Salva Dut’s journey, Linda Sue wrote A Long Walk to Water.

[7:10] In Houston, Texas, Jasmine Warga’s sixth-grade students had an immediate connection to Salva’s story.

[8:14] After eleven years of displacement, the chance to go to the U.S. presented Salva with new cultural challenges.

[12:40] In her book, Other Words from Home, Jasmine reveals the stark contrast between life in Syria before and after the war.

[17:30] Brian Pinkney discusses the challenge of depicting the emotional quality of caring for a younger sibling in his illustrations for the picture book, Nya’s Long Walk: One Step at a Time.

[19:13] Salva’s Water for South Sudan project educates Sudanese people to maintain the more than 600 wells drilled by the non-profit.

[24:10] In Gracie Under the Waves, Linda Sue raises awareness of an environmental issue and calls young people to action.

Continue Your Journey:

Linda Sue Park

Jasmine Warga

HarperCollins

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@ReadingPod on Twitter

Shareables:

“What meeting Salva did was turn The Lost Boys of Sudan from a news headline into something personal.” — Linda Sue Park, author of A Long Walk to Water

“Salva's readers have literally raised millions of dollars. You know, they are responsible for hundreds and hundreds of wells that are now serving hundreds of thousands of people.” — Linda Sue Park, author and Newbery Medal winner

“There is an activism component woven into Gracie's story because we only have one planet, and it's in big trouble.” — Linda Sue Park, author and Newbery Medal winner

“What would it be like for me if my cousins from Jordan had come to live with me when I was in seventh grade? Would I have been welcoming to them?” — Jasmine Warga, author of Other Words from Home

“A big part of the book is, do you see what I see? Have you found what I put there for you?” — Jasmine Warga, author of A Strange Thing Happened in Cherry Hall

“After you work that hard and come back the next year to see that the water has really changed life there, people are happy, and they are using it, and they are healthy.” — Salva Dut, Co-founder of Water for South Sudan

Harold and the Purple Crayon: Exploration and Play are Just a Stroke Away (ft. Chris Van Allsburg & Brian Pinkney)

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Do you remember reading Crockett Johnson's Harold and the Purple Crayon? To his friends and family Crockett was Dave Leisk. You might know him best for the bold purple line that gives shape to the spare illustrations of Harold and Purple Crayon, published in 1955.

In this episode, Chris Van Allsburg and Brian Pinkney reflect on the influence Harold and the Purple Crayon had on them, their work, and the value they believe it offers young readers.

To learn more about Chris Van Allsburg’s, or Brian Pinkney’s books, visit

https://www.harpercollins.com/search?q=chris+van+allsburg

https://www.harpercollins.com/search?q=brian+pinkney

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:55] Does loving Harold and the Purple Crayon as a child guarantee future artistic talent?

[5:47] Bad Day at Riverbend follows the style of a coloring book with a twist.

[10:44] Similar to Brandon's blanket in Brian's book Brandon and the Baby, Harold's purple crayon conjures magic at every turn

[14:17] Brian and Chris embrace play and experimentation in their creative process, albeit with distinct approaches.

[18:36] Artists like Crockett Johnson have a long tradition of mentoring, motivating, and celebrating younger generations’ work.

[23:57] Filmmakers have cracked the story and are bringing Harold and the Purple Crayon to the big screen.

[26:53] Maurice Sendak, Brian, and Chris believe Harold and the Purple Crayon offers value to young readers.

Continue Your Journey:

Brian Pinkney

HarperCollins

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@ReadingPod on Twitter

Shareables:

“The concept behind Harold and the Purple Crayon was so simple. Something so easily grasped by a child and yet so fruitful in terms of the kind of narrative opportunities. The story you can tell having embraced this simple, magical idea of a crayon that could be used to create the world that Harold moved through.” — Chris Van Allsburg, author and illustrator of Bad Day at Riverbend

“The conclusion I came to, and it might overlap slightly with Harold, but it was the idea that in our lives that fate can be as fickle as a 6-year-old with a yellow crayon.” — Chris Van Allsburg, author and illustrator of Bad Day at Riverbend

“You can create magic in any moment even when things seem like it’s perilous. You can still, you know, use your imagination to come up with a solution.” — Brian Pinkney, author and illustrator of Hey Otter! Hey Beaver!

“Sometimes I'll paint things before I know what they're going to be and I don’t see it until it’s already painted and then I can make, you know, changes and that’s when the play begins.” — Brian Pinkney, author and illustrator of Hey Otter! Hey Beaver!

“It was fascinating to see that the young artists were not only interested in how I taught them art but in me as a person and that I valued what they were making.” — Brian Pinkney, author and illustrator of Hey Otter! Hey Beaver!

“I love it when books become movies because I love seeing how a different format and a different eye and different creative process will envision something.” — Brian Pinkney, author and illustrator of Hey Otter! Hey Beaver!

Do you remember reading The Polar Express by Chris Van Allsburg? As its 40th anniversary approaches, the book is nothing short of a Christmas classic. Before winning the Caldecott Medal in 1986, before the animated movie, and the Polar Express train rides Chris Van Allsburg had already garnered quite a reputation. He’s the author and illustrator behind The Garden of Abdul Gasazi, Jumanji, Zathura, and many others.

In this episode, Chris Van Allsburg and Leo Landry discuss the moody illustrations and profound coming-of-age story that has fascinated holiday readers year after year since 1985.

To learn more about Chris Van Allsburg’s, or Leo Landry’s books, visit

https://www.harpercollins.com/search?q=chris+van+allsburg

https://www.harpercollins.com/search?q=leo+landry

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:59] The illustrations in The Polar Express were intentionally dark and moody to balance out the story’s Christmas cheer.

[11:48] Chris says his books are about a rite of passage as much as they are about magic.

[23:40] The Polar Express was Chris’ third book adapted into a feature film, but the first using motion-capture technology.

[30:18] Reigniting Santa Claus’s Christmas spirit is a lesser-known backstory of The Polar Express.

Continue Your Journey:

Polar Express

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

Shareables:

“There are decisions that you make as an illustrator that are stylistic considerations that have to do with what you think the emotional tone of the book is. So there was some intention in using this deeper palette.” — Chris Van Allsburg, author and illustrator of The Polar Express

“It's a coming-of-age story because there's a point in our lives where we must become rational human beings because it's very difficult to function as adults if you live in a world of make-believe.” — Chris Van Allsburg, author and illustrator of The Polar Express

“This was the first, you know, ambitious use of motion capture and to see Tom Hanks climb out of a train and to see that this was not reality, but really close to it. I said this is great.” — Chris Van Allsburg, author and illustrator of The Polar Express

“Like a lot of his [Chris Van Allburg] books, they have a little bit of tension in all of the artwork that is a little bit like you just don’t know what is going to happen when you turn the page. Even though it is seemingly like a nice Christmas story. ” — Leo Landry, author, illustrator, and bookseller

“There was that annual anticipation of his [Chris Van Allburg] new book — and what would it be? His art just had a really different quality than a lot of illustration that was out there at that time. And that combined with a Christmas story, his unusual perspectives, his lighting in his artwork — the shadow and the light — every spread was just so beautifully composed.” — Leo Landry, author, illustrator, and bookseller

“Sometimes I just wonder how can someone not already have this book, but then every year we sell another 25 +, 30‒40 copies. So that's really impressive to me because there are very few books where that happens, and this is definitely one of them.“ — Leo Landry, author, illustrator, and bookseller

There are many ways that we build our histories. Certain particulars might be largely out of our power, our parentage, or parts of our personalities, but how we choose to remember our histories tends to create something real and true, however fictional, like an old folktale. Our histories, whether real or imagined, memory or fiction, give us a greater understanding of who we are and our place in the world.

In this episode, Melissa Iwai joins Allen Say to celebrate the 30th anniversary of his classic, Grandfather’s Journey. In the last couple of decades, children's literature in the U.S. has become increasingly populated with diverse characters, authors, and illustrators. But 30 years ago, Allen was making diverse characters and stories when few authors and illustrators were. The broadened representation in children’s literature we see today is owed to artists like Allen and Melissa.

To learn more about Allen Say’s, or Melissa Iwai’s books, visit https://www.harpercollins.com/search?q=allen+say

https://www.harpercollins.com/search?q=melissa+iwai

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:26] Allen reflects on Grandfather’s Journey as a timeless, real-life story reminiscent of a folktale.

[6:54] Allen’s sense of outsiderness is the thread that creates a deep connection for Melissa.

[11:18] Melissa’s book, Gigi and Ojiji, was inspired by a childhood memory of a visit with her Japanese grandfather.

[13:42] Allen shares his journey, as both author and artist.

[25:38] Authors use illustrations for different purposes, as Melissa learned working on Marc Tyler Nobleman’s Thirty Minutes Over Oregon.

[30:11] What the ending of Kozo the Sparrow means to Allen.

[35:07] Allen shares his thoughts about memories and distinguishing fact from fiction.

Continue Your Journey:

Melissa Iwai

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

Shareables:

“I didn’t think that the book would sell at all when I was working on it. It was something I simply had to do. I had given up my long career, a 25-year career in photography and I just painted a picture. I realized that I'm really a painter, which I have been in denial of most of my adult, young-adult life because I got tired of poverty.” — Allen Say, author of Grandfather’s Journey

“I thought I was following the old Japanese tradition of a young boy going out into the world looking for a master… but that's not what I was doing… I was actually trying to replace my father with a man that I could admire and love, and I was lucky.” — Allen Say, author of Grandfather’s Journey

“Drawing it is a different thing. It’s coming straight out of your head, from your dream life. And, I find a story there.” — Allen Say, author of Grandfather’s Journey

“I have a hard time distinguishing between fiction and real life, to begin with. As I always had difficulty distinguishing my dream life from waking life. I much rather prefer to be in the fantasy world, of course.“ — Allen Say, author of Grandfather’s Journey

“Books were a refuge for me because I was shy and quiet and I loved to read. But even in my childhood books, I don’t remember having any books with Asian-American characters in them.” — Melissa Iwai, author of Gigi, and Ojiji

“I was raised in just a small town where there weren't very many Asian Americans at the time and I just always felt like I stood out and I was different.” — Melissa Iwai, author of Gigi, and Ojiji

“I think it's very important for kids to feel seen and I want to create the kind of books that I would have loved when I was a kid.”— Melissa Iwai, author of Gigi, and Ojiji

Fictional dystopias don’t create fear as much as they validate it. And isn’t that what we want as young people and even later as adults? To be validated, whether in our fears, our pain, or our happiness? Young Adult books let us explore, without the threat of rejection, what we most wish to understand or even accept, ourselves.

In this episode, we explore a new era of female protagonists and the dystopian world in which they exist. Authors Veronica Roth and Mindy McGinnis create stories that challenge the conventional role of young female characters in YA literature and set forth to expose how heroines see the world.

To learn more about Veronica Roth’s, or Mindy McGinnis’ books, visit harpercollins.com/blogs/authors/veronica-roth

harpercollins.com/blogs/authors/mindy-mcginnis

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:23] Veronica’s love of quizzes, tests, and categories inspired her to create a world of factions in Divergent.

[3:32] Growing up in the ’80s, Mindy remembers the influence Divergent had on her life.

[6:41] Exposure therapy was the driving force behind Veronica’s creation of Divergent’s fear-based virtual realities, as she explains.

[10:59] Mindy shares the fear that is the basis of her book, Not A Drop to Drink.

[13:41] Veronica included an intentional romance in her book to push back against a particular romantic cliché. Mindy took a different approach.

[17:10] Mindy fires back at critics who find Young Adult books too dark.

[19:51] In Mindy’s A Long Stretch of Bad Days, the female protagonist is not afraid to make other people uncomfortable.

Shareables:

“Nobody’s done coming of age. That’s not a thing. That’s why adults end up wanting to read YA because there’s part of you that's always in high school.” — Mindy McGinnis, author of Not a Drop to Drink

“Even if you are growing up like perfectly kind of safe and contained, books are safe places to explore the darkness in the world.” — Mindy McGinnis, author of Not a Drop to Drink

“I do think it’s changing. It’s a lot different than it used to be as far as just letting the inner lives of young women be important and significant.” — Veronica Roth, author of Divergent

“The Female of the Species, in particular, is a book that is about rape culture and I definitely wrote it as a validation of women’s rage.” — Mindy McGinnis, Author

“When you hear that you've done something right, not that there’s one way to do it right, but that you connected with someone who has a personal experience of those harder things in life, it becomes really emotional. It’s really good.“ — Veronica Roth, author of Divergent

You may be familiar with Maurice Sendak’s books like Where the Wild Things Are or Outside Over There, but do you remember reading In the Night Kitchen? Just over 10 years after the prolific author's passing, we are returning to his 1970s dreamscape of a picture book. In the Night Kitchen offers a dazzling portrait of creativity and the expansive imaginations of children contending with an adult world.

In this episode, besides stirring about in the needless controversy that often surrounds Maurice Sendak’s classic, In the Night Kitchen, we talk with two picture book authors influenced by the master author and illustrator’s work. Author and Illustrator, Sergio Ruzzier describes the influence Sendak had on his career and books, including Fish and Sun and Fish and Wave. And Author and Illustrator, Antionette Portis, reflects on the revelatory impact of Sendak’s books on children’s literature, the human experience, and her own books, Not A Box, Not a Stick, and A Penguin’s Story.

To learn more about Maurice Sendak, Sergio Ruzzier, or Antionette Portis’ books, visit harpercollins.com/blogs/authors/maurice-sendak

harpercollins.com/blogs/authors/sergio-ruzzier

harpercollins.com/blogs/authors/antionette-portis

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:01] Sergio and Antionette identify the fragments of American culture floating through Sendak’s In the Night Kitchen.

[4:38] Still a point of contention, when In the Kitchen was released controversy erupted in the U.S. due to the main character, Mickey’s nudity.

[7:34] Sergio’s fourth-grade drawing of a monster had a similar censorship issue when it was included in a Jon Scieszka compilation.

[8:21] Antionette reminds us that Sendak felt insulted when people referred to his work as kiddie books.

[8:59] Like most adults and children, Sergio deeply felt the emotional complexities of Sendak’s words and pictures. As a visual storyteller, he was later invited to join the Sendak Fellowship.

[12:18] Antionette was also invited to be a part of the Sendak Fellowship’s inaugural class in 2010. She describes the experience.

[12:57] Antionette’s books, Not a Box and Not a Stick are a celebration of the imaginative lives of children.

[17:23] Sergio’s Fish and Sun, Fish and Wave, and his third book in the series, Fish and Worm, were inspired by the narrative art of his heroes and reflect his desire to have children think for themselves.

[22:43] Sergio was asked to lend his visually-mesmerizing illustrative abilities to Roar Like a Dandelion by the late Ruth Krauss.

[25:05] Edna, the main character in Antionette’s A Penguin’s Story, is on a spiritual search to find meaning in the universe, metaphorically.

[27:27] Antionette examines In the Night Kitchen looking to uncover hidden meanings baked into its dreamy joy.

Continue Your Journey:

Maurice Sendak

Sergio Ruzzier

Antionette Portis

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

Shareables:

“I didn't set out to cause a scandal. I set out to do a very particular work where he had to be naked in order to confront a particular dream he was in. You don’t go into a dream wearing Fruit of the Loom underwear or PJs.” — Maurice Sendak, author of In the Night Kitchen

“You are calling for attention if you underline the thing you want to hide. It’s not going to work. It’s actually funny.” — Sergio Ruzzier, author of Fish and Sun

“He [Sendak] really felt insulted that people called his books kiddie books. ‘Cause he’s like, I make books for humans, and if children like them that's great.” — Antionette Portis, author of Not a Box

Picture books, while they may be sparse in language, can pack in big and complex lessons about friendship, or difficult feelings. Their lessons often follow us into our adulthood. And, as for lessons, here is one for teachers — maybe hold off on telling students they can't draw. They may just grow up and turn you into an iconic mean character. If you’re really lucky though and kind and honest you just might become a superhero wrestler in training or a green light or a hippo with an incredible knack for friendship.

In this episode, we pay homage to illustrator and author, James Marshall. His George and Martha books integrate the tension sometimes felt between friends with valuable lessons of non-judgmental communication. Author of the World of Vamos! Books, Raúl the Third discusses the value of illustrations in books to help the story. And, Breanna Carzoo, author of Lou and Greenlight, explores how characters, even inanimate ones, respond to conflict and self-doubt.

To learn more about James Marshall, Raúl the Third, or Breanna Carzoo’s books, visit harpercollins.com/blogs/authors/james-marshall

harpercollins.com/blogs/authors/ral-the-third

harpercollins.com/blogs/authors/breanna-carzoo

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[:25] In a recorded interview from 1987, Jim reflects on his birthplace, San Antonio, Texas, and how he weaves some memory of it into all of his stories.

[1:15] Raúl the Third, author of the World of Vamos! books shares an unforgettable moment from The Box from George and Martha Back in Town.

[3:45] Breanna Carzoo, author of Lou, appreciates the George and Martha books because of the beautiful and honest depiction of friendship they depict.

[5:10] In his own words, Jim shares the origin of the idea that George has had it with Martha’s split pea soup.

[6:20] Breanna shares the unlikely inspiration behind her book, Lou, and offers a glimpse into how she uses negative space to create movement in a scene.

[8:48] Raúl’s love of larger-than-life characters inspired him to use Luchadores as characters in his soon-to-be-released book, Tacos Today.

[10:49] Raúl reveals his passion for the various approaches cartoonists take to tell a story through drawings, even if his art teachers weren’t impressed.

[15:43] The teachers in James Marshall’s books, Viola Swamp, and Miss Nelson, are polar opposites of each other.

[19:20] Reflecting on her childhood, Breanna uses humor to offset Lou’s otherwise shameful and deeply depressing existence.

[22:55] Both Jim and Raúl share the significance of the never-changing, summertime landscape of Texas as the backdrop of many of their books.

[25:54] In her new book, Greenlight, Breanna explores our need for the approval of others and the big feelings that expose themselves when we feel rejected.

[27:24] The friendship between George and Martha in Jim’s books is realistic, sometimes tense, and always truthful.

Continue Your Journey:

James Marshall

Raúl the Third

Breanna Carzoo

HarperCollins

Remember Reading Podcast

@ReadingPod on Twitter

There is much to be learned from stories, whether they feature ghosts, witches, or monsters, even when they scare us. It is the lessons learned in the face of darkness that make supernatural stories important for young readers. And, it is telling, that stories of ghosts and graveyards stay with us. They might cause us a bit of grief, but when we face them, we face ourselves, our fears, and our histories, and in confronting them we learn collaboration, problem-solving, empathy, and companionship.

In this episode, we dredge up some Halloween spirit and examine our favorite graveyards and the ghosts that haunt them. J.A. White and Chantel Acevedo join the Queen of Tween Screams, Mary Downing Hahn to appreciate her supernatural classic, Wait Till Helen Comes. A self-proclaimed scaredy cat, Mary shares how the dysfunction of the family at the center of her book served to create an opening for a ghost to entice itself into a renewed existence. Mary, J.A., and Chantel unearth the dark secrets and histories of villains and ghastly beings to help readers understand that whatever haunts their nightmares just may hold an important lesson.

To learn more about Mary Downing Hahn’s, J.A. White’s, or Chantel Acevedo’s books, visit harpercollins.com/blogs/authors/mary-downing-hahn

harpercollins.com/blogs/authors/j-a-white

harpercollins.com/blogs/authors/chantel-acevedo

Do you have a story about how a classic book changed your life? Tweet @readingpod or email us at [email protected]. Learn more at rememberreading.com. And, leave us a review on Apple Podcasts.

[1:58] Mary shares the frightful churchyard revelation that became/inspired Wait Till Helen Comes.

[4:01] Chantel reflects on how Mary succinctly portrays the complex yet simple way many children think about death.

[6:51] J.A. White believes the supernatural elements of Wait Till Helen Comes only add to the existing tension of the underlying family drama.

[7:38] Mary shares how writing about a blended family adds conflict and makes her story relatable to young readers.

[11:34] In The Curse of Spectacle Key, Chantel’s young characters are encouraged to feel free from the pressures of growing up and that loving and being loved is enough.

[16:30] J.A. White loves the idea of budding young authors identifying with the plight of Alex from Nightbooks, and Gravebooks.

[19:46] In their books, Mary, Chantel, and J.A. all explore the lurking pasts of their villains and how that history shapes their fears and actions.

[21:21] In The Curse at Spectacle Key, the main character Frank has a mission to break the curse of the island and expose the hidden history of orphaned ghosts.

[25:27] Mary recalls the many different responses she has received about Wait Till Helen Comes from 1986 when supernatural books were a point of debate.

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Shareables:

“It speaks about death in ways that are emotionally complex but also simple to grasp.” — Chantel Acevedo, author, The Curse on Spectacle Key

“Sometimes I forget who I am writing for when I am caught up in writing. When I really get into the book it is almost like the story is telling itself.” — Mary Downing Hahn, author, Wait Till Helen Comes

“She uses all these supernatural elements to augment the tension that is already there. I think that is my favorite type of supernatural story.” — J.A. White, author, Gravebooks on Mary Downing Hahn’s Wait Till Helen Comes

“A ghost is the ultimate outsider.” — Mary Downing Hahn, author, Wait Till Helen Comes