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Living in a city like New York is a constant exercise in seeing the things that you love go away. And for independent culture fans in the city, one of the most devastating losses of this century was that of Kim’s Video, a hybrid video and record store with a flagship location on Saint Marks Place in the East Village and clerks who were both revered and feared for their encyclopedic knowledge of film and music.

Kim’s Video holds a special place in Emilie’s heart — she worked her first job out of high school there. And for many decades, it was home to one of the largest and most comprehensive video rental collections in the world, with a wealth of cinematic obscurities and hard-to-find gems that earned it a cult following among both local cinephiles and art-house legends like Quentin Tarantino, Chloë Sevigny, Jean-Luc Godard, and the Coen brothers. So when the shop’s enigmatic impresario, Mr. Kim, announced that Kim’s Video was closing up shop, and it came out that the store’s 55,000-work collection had ended up in a small Italian town called Salemi, a lot of people were understandably very upset and confused.

Lucky for us, two filmmakers and Kim’s Video devotees — David Redmon and Ashley Sabin — decided to track down the collection. But when they arrived in Salemi and discovered the archives in a state of disarray, they found themselves in the middle of a cross-continental mystery that took them from Sicily, to South Korea, to Mr. Kim’s New Jersey home, and that ran much deeper than a simple case of streaming supplanting your local video rental place. That story, and the resulting fate of the Kim’s Video collection, are captured in David and Ashley’s fascinating and often baffling feature documentary, Kim’s Video. 

Today, David joins us to talk about the story of Kim’s Video and Yong-man Kim, who famously started selling videos out of a dry cleaning shop after emigrating to New York from South Korea. We also explore the particular era in underground culture, and in the history of the East Village, of which Kim’s was such an important part; what we lose when our consumption of media loses its connection to physical objects; and whether the current interest in the Kim’s collection, which the directors helped return to its current location at Alamo Drafthouse in Downtown Manhattan, is symptomatic of a larger yearning for a more tangible experience of culture.

PS. Later this month, we’ll be releasing a special subscriber-only bonus episode where Emilie reads an essay she wrote on her experiences working as a clerk. Sign up for a paid subscription to get it straight to your inbox.

Watch Kim’s Video on Apple TV or Prime Video.

Follow Kim's Video (the film) on Instagram.

Follow Kim’s Video (the collection) on Instagram.

Check out more of David and Ashley’s work at Carnivalesque Films.