Allison and Michael discuss the Pop Art movement, the divide between “high brow/low brow” art, and the prominence of celebrity and popular culture. Stay tuned at the end for Phil Hodges’ classical guitar arrangement of Neil Young’s “Old Man.”  

Allison and Michael unpack the hopelessness of existentialism, and they discuss why despair concerning merely human attempts at meaning provide fruitful ground for the Gospel. Stay tuned at the end for a John Cage piece performed on the classical guitar by Phil Hodges.

Your hosts Allison and Michael discuss some reasons to appreciate Modern Art, bringing up some of the most famous of the nearly 70 movements comprised by it. With all of its snark, modern art has a lot to say about honesty in the face of the brutal realities of human existence, and Christians can learn something from it about how to make “ugly” art the right way. Stay tuned at the end for a classical . . . [ Read More ]

Allison and Michael discuss some of the features of realism and impressionism, and how these movements represent the first murmurings of “modern” art. Additionally, they address how and why female artists began to enjoy greater representation in the mid to late 1800s. Special thanks to Dr. Sachs for his contributions, and stay tuned at the end for another classical guitar piece from Philip Hodges.

Allison and Michael discuss the important transition from the Baroque to the Romantic era. Why did Nature vs. Civilization become such a central theme of Romantic artists, and why does it still matter? Special thanks to Dr. Sachs from Kennesaw State University for his contributions on the relationship between the Neo-Classical and Romantic movements. And stay tuned at the end to hear Philip Hodges play the first movement of Beethoven’s “Moonlight Sonata” arranged for classical . . . [ Read More ]

Your hosts Allison and Michael unpack the transition from Renaissance into Baroque art with an emphasis on the impact the Reformation had on culture in its time (and beyond). Stay tuned at the end for a Bach Cello Prelude played on classical guitar by Phil Hodges.  

Your hosts Michael and Allison discuss the birth and rebirth of Greek and Roman values in ancient and Renaissance art, discussing the history and impact of Platonism on culture and the church. Stay tuned at the end for a Renaissance lute piece arranged for the classical guitar played by Phil Hodges. Special thanks to Dr. Sachs from Kennesaw State University for his helpful contributions.  

Is art history important for anyone but museum managers? Michael and co-host Allison Knight talk about the substance and importance of our season 3 theme for everyone—artists, consumers, leaders, and taste-makers. How does art history differ from just plain history? How does it direct you and your culture even if you remain ignorant of it? Listen to the end to hear sponsored artist and classical guitarist Philip Hodges play Opus 35, No. 13, by Fernando . . . [ Read More ]

Join your hosts, Justus and Michael, as they field your questions and discuss your comments from two seasons of the Renew the Arts podcast. What was our most controversial episode? What’s so great about raw milk? Were we wrong about Tolkien? Stay tuned through the end to hear the lyrics-included version of the Season 2 theme song, “Sounding Brass,” by Civilized Creature from Of the Uncaused Cause.

Clearly, artists within the church need greater support from Christians, but what about artists outside the church? Should Christians support or receive art from unbelievers? And if so, how? Special thanks to Bryan John Appleby for allowing us to close this episode with “Noah’s Nameless Wife” from his record Fire on the Vine.