done. It is most typical of his later style in series like the Stainless Steel Rat; Toy Shop (1962), a short piece exploring bureaucratic blindness and one ingenious way around it and The Velvet Glove (1956), my favorite for its writing style, fun perspective, sly social commentary on the scene in 1956 and just plain delightful imagination. And he manages to pack excitement and mystery in at the same time.