From the first performance of ‘Porgy and Bess,’ George Gershwin stipulated the opera had to feature an all-Black cast, not white performers in blackface. This benefitted Black opera singers, but their fear was being typecast. Find out more in the ‘Rhapsody in Black’ podcast.

When William Dawson was 12 years old, he ran away from home to study music at the Tuskeegee Institute. In 1930, he returned to his roots as Director of the Tuskeegee School of Music, a post he held for 25 years. Find out more in the ‘Rhapsody in Black’ podcast.

Pop artist Roberta Flack grew up classically trained and continued to love the music even when revolutionizing the R&B scene. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Jazz singer Billie Holiday discovered “Strange Fruit,” Abel Meropol’s protest song against lynching In 1939. It became her closing number at all of her performances at Café Society and the best selling record of her career. Find out more in the ‘Rhapsody in Black’ podcast.

Paul Robeson was a star of stage and screen, but his passion was sharing spirituals. His goal was to elevate them to the same level as other musical forms. Find out more in the ‘Rhapsody in Black’ podcast.

Gil Scott-Heron was a self-described “bluesologist,” and a bold voice of social activism in music in the 1970s and 80s. Find out more in the ‘Rhapsody in Black’ podcast.

Violist Eliesha Nelson had the pleasure of meeting Pulitzer Prize winning composer George Walker a few times during her career. She developed a passion for his music and eventually performed it with the Cleveland Orchestra. Find out more in the ‘Rhapsody in Black’ podcast.

Pianist Hazel Scott was billed as “The Darling of Café Society” due to the her ability to sell out shows with her masterful improvisations. But her music was heavily intertwined with politics as she spoke up time and time again against segregation. Find out more in the 'Rhapsody in Black' podcast.

Margaret Bonds dealt with racism as she broke barriers for future generations of Black women composers. Find out how the words and friendship of renowned Black novelist Langston Hughes helped her with that struggle in the latest episode of the 'Rhapsody in Black' podcast.

Clarinetist Anthony McGill is the principal clarinetist with the New York Philharmonic, the first Black musician to hold a principal chair in the orchestra’s 178 year history. During his time there, he has wowed audiences and impressed critics with his technique and silky tone, but he has also used the platform to promote social justice issues, specifically racial equity in classical music. Find out more in the latest episode of the ‘Rhapsody in Black’ podcast.