Gil Scott-Heron was a self-described “bluesologist,” and a bold voice of social activism in music in the 1970s and 80s. Find out more in the ‘Rhapsody in Black’ podcast.

Columbia University graduate and polyglot Paul Robeson was a bass-baritone who advocated for the performance of African American spirituals in classical spaces. Considered a ‘darling of the entertainment industry,’ he was almost erased from history for his outspoken activism. Find out more in the 'Rhapsody in Black' podcast.

Find out how a chance meeting with the Rev. Martin Luther King Jr. helped give composer and conductor Paul Freeman the resolve to make classical music more inclusive and diverse on the latest episode of the ‘Rhapsody in Black’ podcast. Listen now.

Margaret Bonds dealt with racism as she broke barriers for future generations of Black women composers. Find out how the words and friendship of renowned Black novelist Langston Hughes helped her with that struggle in the latest episode of the 'Rhapsody in Black' podcast.

Carlos Simon is a Grammy-nominated composer and an activist for Black and brown representation in classical music. His latest work, ‘Good News Mass,’ is unlike anything he’s done before. Find out more in the latest episode of the ‘Rhapsody in Black’ podcast.

Founded in 1995 by Everett McCorvey, the American Spiritual Ensemble teaches about the history and traditions of enslaved people in America through the power of music. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Duke Ellington once said, “All arrangements of historic American Negro music have been made by conservatory-trained musicians who inevitably handle it with a European technique. It’s time a big piece of music was written from the inside.” That piece of music premiered in 1943 in Carnegie Hall, and it was titled ‘Black, Brown, and Beige.’ Find out more in the ‘Rhapsody in Black‘ podcast.

Mary Lou Williams’ artistic vision and her ability to blend diverse musical influences into a cohesive and unique composition are perfect for concert halls and jazz clubs. Find out more on the latest episode of the ‘Rhapsody in Black’ podcast.

Before the turkey and pies, Black households across America would start their holiday in church. Hymns like “Come Ye Thankful People, Come” were sung with spirituals like “Give Me Jesus.” That choral tradition became the soil from which soul music grew. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

The Imani Winds has had faith in commissioning new works that uplift the profile of BIPOC composers and performers. They have been doing so for over a quarter century. Find out more in the latest episode of the 'Rhapsody in Black' podcast.