Rhapsody

Rhapsody

By Hopewell Valley Student Publications NetworkEducationMusicCourses
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Rhapsody episodes

  • Deep Dive – I Ain’t Marching Anymore
    Deep Dive - I Ain't Marching AnymoreEpisode #10Episode Format: Deep Dive

    Intro: In this Deep Dive we will be discussing the song I Ain't Marching Anymore by Phil Ochs, and its roots as a protest song and a folk song. We will be looking into the melody, rhythm, context, and context of the composer, as well as the album.

    Segment 1: Musicality
    • goes over the tempo and some rhythms used
    • examines the key and use of modes, looks at the layout and how it's unusual

    Segment 2: Context
    • goes into Phil Ochs background and how it influences his music
    • examines the immediate context of the song (Vietnam War, protest song)

    Segment 3: Conclusion
    • looks at some more lyrics and their meanings
    • looks at the last cadence in the song and how it's unusual

    Music Credits: Provide the song title and any links used (include all)

    • I Ain't Marching Anymore by Phil Ochs → https://www.youtube.com/watch?v=uRU_ruqnR6Q

    HVSPN Website -

    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast

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    Connect with us on Social Media

    • Twitter
    • @HVRhapsody
    • @thehvspn

    7 min
  • Head to Head – Trap vs. Brooklyn Drill
    Head to Head - Trap vs. Brooklyn DrillEpisode #7Episode Format: Head to Head

    Intro: In this Head to Head we will be discussing the differences and similarities between the hip hop subgenres of trap and Brooklyn drill.

    Segment 1: Bass
    • Played legato

    Segment 2: Time signature
    • 4/4, or common time

    Segment 3: Key
    • Drill’s darker sound uses minor keys
    • Trap production is more varied, can be major or minor

    Segment 4: Location
    • Drill - London producers, center in U.S. is NY/Brooklyn
    • Trap - Mainly Atlanta, but all over the country

    Segment 5: Lyrics
    • Themes reflecting crime and gangs, based on inner city life

    Segment 6: Instrumentation
    • Both have the same core sounds (drums, bass)
    • Drill uses less autotune

    Music Credits: Provide the song title and any links used (include all)
    • Dior - Pop Smoke (Instrumental)
    • Big Drip - Fivio Foreign (Instrumental)

    HVSPN Website -
    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
    • Apple Podcasts
    • Spotify

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn

    7 min
  • Deep Dive: Cool Patrol
    Cool Patrol by NSPEpisode #6 Type: Deep DiveIn this “Deep Dive” episode, we’ll break down NSP’s “Cool Patrol” and discuss what makes this song so unique.Segment 1: Background
    • NSP

    Segment 2: The “Theory”
    • instrumentalization, 
    • Tempo
    • Melodic Lines

    Segment 3: The “Non” Theory
    • Lyrical content and how it plays into the theme of the song

    Music Credits:

    Give credit to any music or sound effects you used. Include the title of your source and any links.

    Cool Patrol - NSP

    HVSPN Website
    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
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    • Spotify
    • Google Podcasts  
    • Stitcher   

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    6 min
  • Connect the Dots: Mingus
    Rhapsody: Jazz on JazzEpisode #2  Type: Head to HeadIn this “Head to Head” episode, a classic jazz performance of ‘Moanin is pitted against its modern interpretation. Which is better?Segment 1: History
    • Mingus
    • ‘Moanin
    • The BBC’s

    Segment 2: The Original
    • Meter, intervals, and more!

    Segment 3: The “Cover”
    • Improv all the way?

    Music Credits:

    Moanin’ by Charles Mingus arranged by Sy Johnson

    (Transcription) Leo P at the BBC Proms 2017

    Subscribe to our Podcast
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    • Twitter   
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    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    9 min
  • Connect the Dots: Christmas Songs
    What Makes A Song A Christmas SongEpisode #1  Type: Connect the DotsIn this “Connect the Dots” episode, we examine Christmas songs to find what makes them sound like Christmas, using music theory concepts as our guide.Segment 1: Song Intros 
    • Last Christmas, 
    • I’ll I Want For Christmas
    • White Christmas

    Segment 2: The Theory
    • 7th Chords
    • Inversions
    • Cadences

    Segment 3: The “NON” Theory
    • Era
    • Lyrics
    • Jingle Bells

    HVSPN Website
    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
    • Apple Podcasts
    • Spotify
    • Google Podcasts  
    • Stitcher   

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    9 min
  • Deep Dive: Frank Ocean “Seigfried”
    Seigfried by Frank Ocean Episode #4  Type: Deep Dive In this “Deep Dive” episode, we will discuss Frank Ocean’s “Seigfried” and what contributes to its spacy, ethereal vibe. Segment 1: Intro
    • Frank Ocean and some history

    Segment 2: Seigfried - The “Theory”
    • Scales
    • Chords

    Segment 3: The “Non Theory”

    • Lyrics
    • Dynamics
    • Instrumentation

    Music Credits:

    Siegfried by Frank Ocean 

    HVSPN Website
    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
    • Apple Podcasts
    • Spotify
    • Google Podcasts  
    • Stitcher   

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    6 min
  • Head to Head: Sadie and Dark Souls
    Erik Satie and Dark SoulsEpisode #5 Type: Head to HeadIn this “Head to Head” episode, we’ll be comparing the composition of both Gymnopedie no. 1 by Erik Satie and Firelink Shrine from Dark Souls by Motoi Sakuraba and showing how the two pieces from different time periods achieve the same mood and styling in both similar and different ways.Segment 1: What’s in a chord?
    • How chords are built

    Segment 2: Gymnopedie
    • Ambient, but why?

    Segment 3: Firelink Shrine
    • A video game connection to Satie?

    Music Credits: 

    Gymnopedies no. 1 by Erik Satie at 1:45-3:30

    • Recording
    • Score
    • History

    Firelink Shrine by Motoi Sakuraba at 6:30-9:00

    • Recording
    • Score

    Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
    • Apple Podcasts
    • Spotify
    • Google Podcasts  
    • Stitcher   

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    13 min
  • Deep Dive: Frank Ocean “Nights”
    Nights By Frank OceanEpisode #3  Type: Deep DiveIn this “Deep Dive” episode, we will discuss Frank Ocean’s “Nights” and how the lyrics and instrumentation set it apart from the rest.Segment 1: Overview and lyrics
    • Basic overview of the song and a dive into the meaning behind some of the lyrics and the song itself.

    Segment 2: Music theory
    • Tempo/rhythm/meter
    • Texture/instrumentation 
    • Dynamics

    Segment 3: Non-music theory
    • Album and song relevancy
    • Behind the artist and its relationship to the music

    Music Credits: Nights by Frank Ocean https://www.youtube.com/watch?v=r4l9bFqgMaQ HVSPN Website
    • Hopewell Valley Student Publications Network
    • www.hvspn.com

    Subscribe to our Podcast
    • Apple Podcasts
    • Spotify
    • Google Podcasts  
    • Stitcher   

    Connect with us on Social Media
    • Twitter
    • @HVRhapsody
    • @thehvspn   

    16 min

About Rhapsody

From the publisher's feed

Rhapsody is a Hopewell Valley Central High School student-run music theory podcast that is supported their teacher David Schwartzer.

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