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Daniel Browning travels to London's Tate Modern, to speak with artist Richard Bell about his ongoing installation Embassy, inspired by the original Aboriginal Tent Embassy pitched in 1972. Embassy offers a space for dialogue about the continuing struggle for Aboriginal land rights.
Rosa visits the studio of designer and experimental woodturner Makiko Ryujin, who torches her creations until they're charred and transformed into new forms.
When great artists pass, how do you ensure their legacy and work are protected and remembered? When artist and gay activist David McDiarmid died in 1995 he left his friend Sally Gray in charge of his creative legacy. She chats with Rosa about David's art, her guardianship of it, and what it was like to make art during the height of the AIDS crisis.
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Daniel Browning travels to London's Tate Modern, to speak with artist Richard Bell about his ongoing installation Embassy, inspired by the original Aboriginal Tent Embassy pitched in 1972. Embassy offers a space for dialogue about the continuing struggle for Aboriginal land rights.
Rosa visits the studio of designer and experimental woodturner Makiko Ryujin, who torches her creations until they're charred and transformed into new forms.
When great artists pass, how do you ensure their legacy and work are protected and remembered? When artist and gay activist David McDiarmid died in 1995 he left his friend Sally Gray in charge of his creative legacy. She chats with Rosa about David's art, her guardianship of it, and what it was like to make art during the height of the AIDS crisis.
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