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This past week I phoned Paul Thomas, former adult performer and film director, also known as PT. I’m heading out to LA shortly and was calling to set up a date with him and his wife. Seeing the two of them when I’m out west is one of my favorite things. It starts sitting together in their backyard under the Los Angeles sun, catching up on what’s been happening since my last visit. Then strolling slowly through the Venice canals as PT pontificates on one thing or another and his wife and I roll our eyes at him, before we end up at a local restaurant lingering over a meal and drinks.
PT’s wife picked up his phone. I said I was calling to make a date with them. She told me she’d found PT dead in their home a few hours earlier. She spoke with disbelief. PT had endured a few health challenges in recent years and apparently had been feeling ill over the past few days, but nobody saw this coming. On the contrary, he’d recently suggested to me that we all take a biking holiday together in the south of France.
PT’s wife said she couldn’t believe she’d never get to speak with him again. I feel the same way. PT and I had a playful relationship from the very start. While some found PT’s arrogance to be a flaw in his character, I always found it endearing – a feature, not a bug. And not because I enjoy egotism – humility is one of my favorite traits. But because with PT, you could put a pin in his balloon of self-importance and it would fast deflate, leaving us both laughing.
I last texted PT a few weeks ago to ask him what he remembered about a director of one of the old adult films he’d acted in. PT wrote back that the director was short and fat and could be overly prescriptive in choreographing the sex scenes. Then he countered saying actually the man was tall and skinny and that he left the performers to direct the scene themselves. Either way, he said, it was too early in the day to be sure, and that he was too sober to think properly about these questions. He wrote, “You know me well enough to know that I’d like to make up all sorts of shit right now because it would make good copy, but I know you don’t want me to stray too far from facts.”
He closed the text saying “We have much to talk about. I’ll leave the light on for you when you next come to California.”
He was one of the true originals: a talented performer, adult film director, husband, father, and my friend. I’m April Hall, and this is a reprise of my interview with PT.
Please leave the light on for when we meet again.
This podcast is 169 minutes long.
_____________________________________________________________________________________
Paul Thomas, or PT as he’s typically known, is one of the iconic names of the adult film industry.
He was born Philip Toubus, and started out as a porn performer for the Mitchell Brothers in mid-1970s San Francisco. Until the last few years, was still in the business as a director.
During the past four decades, PT won every kind of adult award – from Best Actor to Best Director, and was inducted into every Hall of Fame the sex film industry has ever invented.
But there are two aspects to PT’s background that make his presence and success in adult film even more interesting.
First he came from a wealthy family – one that owned household-name businesses like Sara Lee and Jim Beam – and he was brought up in relative luxury.
And secondly, by the time PT started his career in sex films in his mid 20s, he’d already achieved considerable success and fame on stage in musical theater. He’d starred on Broadway in Hair and played the role of Peter in the 1973 film version of Jesus Christ Superstar. In fact, he was being groomed by the William Morris Agency in Hollywood for a big career in mainstream television and movies.
So with all the money and success, what motivated PT to move into the newly formed adult industry – a business frowned upon by much of mainstream society, not to mention full of legal and reputational risks for its participants?
It all comes down to a series of questions: Why? Why did he do it, when he had so many alternatives? Why did he stay in the business for so long? And what effect has it had on him? These questions have stayed with PT to this day.
I’ve known PT for years, and we’ve talked about doing an interview for almost as long as I’ve known him. We actually started once, but after over five hours of conversation, we realized that we hadn’t even reached the time he’d started school, so we scrapped the idea.
Recently though we decided to try again, and this time I got PT to agree to a strict format. I would pick ten areas of his life that have shaped him. Ten provocations – in keeping with the biblical theme of his most famous role in Jesus Christ Superstar. I would ask him whatever I liked about these subjects – and nothing would be off the table. We’d cover adult films, both as an actor and as a director, his troubled relationships, his experiences with drugs, his multiple times in jail, and much, much more.
And we’d finally see if we could get closer to answering the question that has plagued PT for so long: why the hell did he go into, and stay in, the adult film industry?
This is the first time PT has told his story. These are the ten provocations of PT.
*
Paul Thomas in Jesus Christ Superstar (1973)
Paul Thomas in Jesus Christ Superstar (1973)
PT and April Hall
*
The post R.I.P. Paul Thomas (1949 – 2025) – Podcast Reprise appeared first on The Rialto Report.
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This past week I phoned Paul Thomas, former adult performer and film director, also known as PT. I’m heading out to LA shortly and was calling to set up a date with him and his wife. Seeing the two of them when I’m out west is one of my favorite things. It starts sitting together in their backyard under the Los Angeles sun, catching up on what’s been happening since my last visit. Then strolling slowly through the Venice canals as PT pontificates on one thing or another and his wife and I roll our eyes at him, before we end up at a local restaurant lingering over a meal and drinks.
PT’s wife picked up his phone. I said I was calling to make a date with them. She told me she’d found PT dead in their home a few hours earlier. She spoke with disbelief. PT had endured a few health challenges in recent years and apparently had been feeling ill over the past few days, but nobody saw this coming. On the contrary, he’d recently suggested to me that we all take a biking holiday together in the south of France.
PT’s wife said she couldn’t believe she’d never get to speak with him again. I feel the same way. PT and I had a playful relationship from the very start. While some found PT’s arrogance to be a flaw in his character, I always found it endearing – a feature, not a bug. And not because I enjoy egotism – humility is one of my favorite traits. But because with PT, you could put a pin in his balloon of self-importance and it would fast deflate, leaving us both laughing.
I last texted PT a few weeks ago to ask him what he remembered about a director of one of the old adult films he’d acted in. PT wrote back that the director was short and fat and could be overly prescriptive in choreographing the sex scenes. Then he countered saying actually the man was tall and skinny and that he left the performers to direct the scene themselves. Either way, he said, it was too early in the day to be sure, and that he was too sober to think properly about these questions. He wrote, “You know me well enough to know that I’d like to make up all sorts of shit right now because it would make good copy, but I know you don’t want me to stray too far from facts.”
He closed the text saying “We have much to talk about. I’ll leave the light on for you when you next come to California.”
He was one of the true originals: a talented performer, adult film director, husband, father, and my friend. I’m April Hall, and this is a reprise of my interview with PT.
Please leave the light on for when we meet again.
This podcast is 169 minutes long.
_____________________________________________________________________________________
Paul Thomas, or PT as he’s typically known, is one of the iconic names of the adult film industry.
He was born Philip Toubus, and started out as a porn performer for the Mitchell Brothers in mid-1970s San Francisco. Until the last few years, was still in the business as a director.
During the past four decades, PT won every kind of adult award – from Best Actor to Best Director, and was inducted into every Hall of Fame the sex film industry has ever invented.
But there are two aspects to PT’s background that make his presence and success in adult film even more interesting.
First he came from a wealthy family – one that owned household-name businesses like Sara Lee and Jim Beam – and he was brought up in relative luxury.
And secondly, by the time PT started his career in sex films in his mid 20s, he’d already achieved considerable success and fame on stage in musical theater. He’d starred on Broadway in Hair and played the role of Peter in the 1973 film version of Jesus Christ Superstar. In fact, he was being groomed by the William Morris Agency in Hollywood for a big career in mainstream television and movies.
So with all the money and success, what motivated PT to move into the newly formed adult industry – a business frowned upon by much of mainstream society, not to mention full of legal and reputational risks for its participants?
It all comes down to a series of questions: Why? Why did he do it, when he had so many alternatives? Why did he stay in the business for so long? And what effect has it had on him? These questions have stayed with PT to this day.
I’ve known PT for years, and we’ve talked about doing an interview for almost as long as I’ve known him. We actually started once, but after over five hours of conversation, we realized that we hadn’t even reached the time he’d started school, so we scrapped the idea.
Recently though we decided to try again, and this time I got PT to agree to a strict format. I would pick ten areas of his life that have shaped him. Ten provocations – in keeping with the biblical theme of his most famous role in Jesus Christ Superstar. I would ask him whatever I liked about these subjects – and nothing would be off the table. We’d cover adult films, both as an actor and as a director, his troubled relationships, his experiences with drugs, his multiple times in jail, and much, much more.
And we’d finally see if we could get closer to answering the question that has plagued PT for so long: why the hell did he go into, and stay in, the adult film industry?
This is the first time PT has told his story. These are the ten provocations of PT.
*
Paul Thomas in Jesus Christ Superstar (1973)
Paul Thomas in Jesus Christ Superstar (1973)
PT and April Hall
*
The post R.I.P. Paul Thomas (1949 – 2025) – Podcast Reprise appeared first on The Rialto Report.
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