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“The book is me trying to have a conversation with my father and reach a middle ground.”
Friða Ísberg is here to talk about THE MARK (Faber and Faber) translated by Larissa Kyzer. The book centres on a referendum in Iceland about whether mandatory tests should be imposed on its citizens. Friða talks about writing over the divide, arguments with her father, and Icelandic literary culture and how they have all shaped the book.
Rippling Points
02:05 - what is the mark?
04:12 - where are the divides?
06:30 - working in London while Brexit happened
08:07 - Frida's relationship with her dad and how it informed The Mark
11.15 - feeding emotion into a novel
13:46 - is it easier to write characters we agree with?
18:31 - Icelandic meaning of The Mark and how it relates to divides.
21:25 - why an empathy test?
25.51 - who is profiting from the mark?
28:30 - is one in ten a published writer in Iceland?
31:22 - do writers have a public duty?
Reference Points
Writers
Fernanda Melchor
Films
There's Something About Mary (1998, dir: Peter and Bobby Farrelly)
“Some people have been, oh these women are so grotesque. I don’t think they are! They’re quite relatable.”
Naomi Wood joins me to discuss THIS IS WHY WE CANT HAVE NICE THINGS (Published by Orion)
It’s a collection that features the BBC Short Story Prize winner, Comorbidities. We talk about different kinds of intimacy in the stories, and how or why Naomi often writes about mothers in the . Naomi also talks about the craft and how she clashed registers to dazzling effect.
for details about Naomi’s short fiction course, visit www.naomiwood.com
1.45- comorbidities and winning the bbc short story prize award
5.34 - pie charts’
8.17 - on writing about mothers
10.29 - transgressive actions in characters
12.07 - complicated or bad?
15.48 - what’s a register clash?
18.54 - are they healing?
23,20 - influence of the pandemic and previous novels
27.30 - what do we do with old me?
29.04 - what’s next for Naomi?
Reference Points
Yan Ge
Ernest Hemingway
Elizabeth Morris’ Crib Notes: https://cribnotesbookclub.substack.com
"I think their experience in the bookstore is trying to think literary inheritance and spiritual and intellectual experience."
Reference Points
02.20 - is Ezra a flaneur?
"I'd done a lot of clay-making...you can spend a lifetime and only get good at one technique!"
1.20 - How Jennifer’s early experience with clay led to her enchantment of it and then writing this boundless history
Marija Gimbutas.
"This book is begging to be written...It has this a frontier-ness to it..."
In a contemporary and entertaining novel set in aftermath of the Iraq war, a man who is obsessed with old Western movies dresses in double denim and roams a lawless landscape in search of his own Western story.
"The smotheringly neutral voice"
Reference Points
Franz Kafka
"The garden is a co-author"
"I wanted to be talking choice in a way that was routed in a social context, and that was true to the particularity and intimacy that I shared with my mum at the end of her life."
Reference Points
Roland Barthes
"That whole question of the invisible life...that there's something going on we cannot see that determines our health and the future of the planet."
"Wounds, whilst they open us to the world...they can be points of infection."
Rippling Points
Gilles Deleuze
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Liam Bishop having a coffee with the world's most interesting writers to inspire your reading and writing on the podcast where writers get real about writing.

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