The boys discuss the sudden losses of Jeff Beck and Lisa Marie Presley, prop Ozzy Osbourne up for an ill-conceived return to reality TV, and use the scientific method to conduct an autopsy on the corpse of Huey Lewis and the News’ 1984 power pop rock anthem, “The Heart of Rock & Roll.”

The boys cancel their subscriptions to Rolling Stone, debate the intent of voluptuous voyeurism, and use the scientific method to conduct an autopsy on the corpse of Queen’s 1978 rotund rock hit, “Fat Bottomed Girls.”

The boys pair red backwards baseball caps w/cheap rented tuxedos, attend The Poddys awards gala, and use the scientific method to conduct an autopsy on the corpse of Limp Bizkit’s 2000 nu metal rap rock hit, “Rollin’ (Air Raid Vehicle).”

The boys light the holiday ham candle, celebrate the season by sharing a few of their favorite Christmas songs, and use the scientific method to conduct an autopsy on the corpse of AC/DC’s 1990 randy reindeer rocker, “Mistress for Christmas.”

The boys sexualize baking ingredients, get lap dances at the Back Bar, and use the scientific method to conduct an autopsy on the corpse of Def Leppard’s 1987 pop rock hit, “Pour Some Sugar On Me.”

The boys count on one, extend 100,000 Years, & wax philosophic about Peter Criss, paradiddles, polyrhythms, Peart, & other percussive pontifications.

The boys chew on Metallica’s surprise “Lux Æterna” single and “72 Seasons” album announcement, debate the artistic intent of W. Axl Rose, and use the scientific method to conduct an autopsy on the corpse of Guns N’ Roses’ 1988 controversial EP epic, “One in a Million.”

The boys admire their facial warts, wax philosophic about their sexual prowess, and use the scientific method to conduct an autopsy on the corpse of Motorhead’s 1991 braggadocious blues, “I’m So Bad (Baby I Don’t Care).”

With their over-used lab unfit for pathological dissection the boys put down their scalpels & have an overwrought discussion about over-rehearsed, over-coached, & over-cooked moments in the careers of Dream Theater and AC/DC.

The boys break out the cowbell, drop gratuitous F-bombs, and use the scientific method to conduct an autopsy on the corpse of Rage Against The Machine’s 1992 protest anthem, “Killing In The Name.”