The boys call out Nuno’s Bumblebee cheat code, offer improvement options for boxed meal preparation, and use the scientific method to conduct an autopsy on the corpse of Annihilator’s ode to the poor man’s cheap and cheesy staple, “Kraf Dinner.” News items and digressions include Black Sabbath’s Back to the Beginning and Joey Chestnut.

The boys pay a sleazy tribute to local heroes, offer child care solutions to overburdened mothers, and use the scientific method to conduct an autopsy on the corpse of Midnight’s homage to the Rubber City Rebels, “Child Eaters.” News items and digressions include AI rock bands and corned beef hash.

The boys peel off their filthy lab coats, put down their timeworn scalpels, and take a break from their usual autopsy table shenanigans to review Ace Frehley’s surprising ‘78 solo album. It’s episode three of a four-part deep-dive into KISS’ unprecedented simultaneous solo releases.

The boys eschew emo branding, write epic anthems obsessed on death, and use the scientific method to conduct an autopsy on the corpse of My Chemical Romance’s theatrical masterwork, “Welcome to the Black Parade.” News items and digressions include the meaning of life, the afterlife, and the genius of Brian Wilson”

The boys sell toys at the cineplex, write overly earnest anthems for 80s audiences, and use the scientific method to conduct an autopsy on the corpse of Stan Bush’s cult classic, “The Touch.” News items and digressions include Nick Jonas, KISS, and the extinction of “guy movies.”

The boys display atonal virtuosity, dominate MTV with a charismatic allegory, and use the scientific method to conduct an autopsy on the corpse of Living Colour’s debut hit, “Cult of Personality.” News items and digressions include Bill Murray and the pitfalls of peaking early.

The boys bust out their leather pants, play rhyming games with boomer names, and use the scientific method to conduct an autopsy on the corpse of Paul Simon’s solo hit, “50 Ways to Leave Your Lover.” News items and digressions include Hitler, Shelley Duval, and camel toe.

With scalpel in hand, our fearless host attempts to re-engage in rock n’ roll reanimation, reassess two critically maligned Megadeth albums — “Risk” and “Super Collider” — and reconfigure the remaining pieces into one cohesive kick-ass slab of alt-radio rock era Megadeth.

The boys peel off their filthy lab coats, put down their timeworn scalpels, and take a break from their usual autopsy table shenanigans to review Gene Simmons’ dubious ‘78 solo album. It’s episode two of a four-part deep-dive into KISS’ unprecedented simultaneous solo releases.

The boys take up journaling on the john, maintain a long list of hostile grievances, and use the scientific method to conduct an autopsy on the corpse of L7’s punky proclamation, “Shitlist.” News items and digressions include Frankenstrat fan service and documenting dookie.