RooseJP

Young Chihiro spends his days training under his famous swordsmith father. One day he hopes to become a great sword-maker himself. The goofy father and the serious son--they thought these days would last forever. But suddenly, tragedy strikes. A dark day soaked in blood. Chihiro and his blade now live only for revenge. Epic sword battle action!

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Denji is robbed of a normal teenage life, left with nothing but his deadbeat father's overwhelming debt. His only companion is his pet, the chainsaw devil Pochita, with whom he slays devils for money that inevitably ends up in the yakuza's pockets. All Denji can do is dream of a good, simple life: one with delicious food and a beautiful girlfriend by his side. But an act of greedy betrayal by the yakuza leads to Denji's brutal, untimely death, crushing all hope of him ever achieving happiness. Remarkably, an old contract allows Pochita to merge with the deceased Denji and bestow devil powers on him, changing him into a hybrid able to transform his body parts into chainsaws. Because Denji's new abilities pose a significant risk to society, the Public Safety Bureau's elite devil hunter Makima takes him in, letting him live as long as he obeys her command. Guided by the promise of a content life alongside an attractive woman, Denji devotes everything and fights with all his might to make his naive dreams a reality.

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Dandadan follows Momo Ayase, a girl who believes in ghosts, and her classmate Ken Takakura, nicknamed "Okarun," who believes in aliens. After an argument, they separately visit locations associated with their beliefs, leading to encounters with paranormal entities and the awakening of hidden powers for both. Momo gains psychic abilities after an alien encounter, while Okarun is possessed by a spirit, leading them to team up and battle supernatural threats, all while navigating romantic tension.

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The seemingly ordinary and unimpressive Saitama has a rather unique hobby: being a hero. In order to pursue his childhood dream, he trained relentlessly for three years—and lost all of his hair in the process. Now, Saitama is incredibly powerful, so much so that no enemy is able to defeat him in battle. In fact, all it takes to defeat evildoers with just one punch has led to an unexpected problem—he is no longer able to enjoy the thrill of battling and has become quite bored. This all changes with the arrival of Genos, a 19-year-old cyborg, who wishes to be Saitama's disciple after seeing what he is capable of. Genos proposes that the two join the Hero Association in order to become certified heroes that will be recognized for their positive contributions to society, and Saitama, shocked that no one knows who he is, quickly agrees. And thus begins the story of One Punch Man, an action-comedy that follows an eccentric individual who longs to fight strong enemies that can hopefully give him the excitement he once felt and just maybe, he'll become popular in the process.

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Former Weekly Shonen Jump editor-in-chief Kazuhiko Torishima has once again voiced his criticism of One Piece creator Eiichiro Oda, this time for what he perceives as an over-involvement in the anime adaptation. The comments come from Torishima's new book, Botsu: The Hated Work Ethic of Shonen Jump’s Legendary Editor-in-Chief, released in May 2025.

Per X (formerly Twitter) user Sandman, Torishima implied that Oda has been neglecting his manga in favor of the anime adaptation. "If I were Oda’s editor, I would give him extremely strict feedback on his manga because he has talent," Torishima reportedly states in the book, adding, "Oda has become too involved in anime." He expresses that his dissatisfaction is not with One Piece itself, but rather with the editorial policies of Shonen Jump. Torishima also criticizes the current editors for being intimidated by the veteran mangaka, recounting that young editors sometimes cannot even get Oda to answer their calls. "If it were me, I'd just drive straight to his studio, sit there for hours, and keep pressuring him," Torishima asserts

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After a grueling wait, the next chapter in the Solo Leveling series is about to begin. Webtoon publisher D&C Media teased the return of the Solo Leveling: Ragnarok manhwa on X (formerly Twitter).

"The long-awaited story begins again!" D&C Media said on social media. "Which webtoon is returning soon with Season 2? We ask for your high expectations!" The social media post is accompanied by a cool and intimidating silhouette of what appears to be Sung Suho, the son of Sung Jinwoo and Cha Haein. The Season 2 teaser visual also contains the respective copyrights of the Solo Leveling franchise.

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The official website for the television anime of Yoshifumi Tozuka's Undead Unluck manga unveiled on Friday a teaser trailer and visual for the upcoming one-hour special, and they reveal the new director and studio.

Sung Hoo Park (Jujutsu Kaisen) is directing the special and handling storyboards at his studio E&H production. Yamato Haishima (Fire Force) is returning for the screenplay. Hideyuki Morioka (D.Gray-man) is returning to design characters with Shun'ichi Ishimoto (Thus Spoke Kishibe Rohan). Kenichiro Suehiro (Re:ZERO -Starting Life in Another World-) is again composing the music. UNLIMITED PRODUCE by TMS is again producing and planning the anime. david production, the animation studio for the first season, is providing cooperation.

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From 15th August, fans in the UK will be able to purchase cinema tickets for Demon Slayer: Kimetsu no Yaiba Infinity Castle. The highly anticipated film is the first in a trilogy that will cover the dramatic conclusion of the smash-hit series Demon Slayer: Kimetsu no Yaiba. Distributed by Crunchyroll and Sony Pictures Entertainment the film will come to UK cinemas including IMAX® and premium large formats on 12th September, 2025.

NEW TRAILER HERE Trailer (English sub|English dub)

Demon Slayer: Kimetsu no Yaiba Infinity Castle opened in Japan last weekend, breaking three Japanese box office records: highest earning opening weekend, highest earning first day, and highest earning single day. The film, distributed by Toho and Aniplex, generated 7.31 billion yen (£36.7 million) in box office revenue in the first four days of release. For more information, please visit Crunchyroll News.

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David Dastmalchian, the actor, writer, and producer best known for films like Late Night with the Devil, was interviewed by CBR about his upcoming role in Netflix's One Piece Season 2. Dastmalchian, who will be playing the live-action version of Mr. 3, teased the shocking developments in store for the Straw Hat Pirates when the series finally returns in 2026.

CBR interviewed Dastmalchian about his work at San Diego Comic Con 2025, which took place at the San Diego Convention Center in California. Near the end of the interview, Dastmalchian shared some new details about Season 2 of the live-action One Piece series for Netflix. According to Mr. 3, the upcoming season of One Piece will be scarier and more violent than the first. To longtime fans, this might not come as a shock, as the Netflix series will be building towards the "Arabasta" arc, which features a particularly gruesome moment between Monkey D. Luffy and the mysterious "Mr. 0."

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Aniplex announced on Monday that Demon Slayer: Kimetsu no Yaiba Infinity Castle - Akaza Sairai, the first film in the Demon Slayer: Kimetsu no Yaiba Infinity Castle trilogy, has sold 9,104,483 tickets for 12,872,176,700 yen (about US$87.10 million) in its first 10 days at the box office. The film set a new record in Japan for the fastest film to earn 10 billion yen, beating the franchise's first film Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train (Kimetsu no Yaiba: Mugen Ressha-Hen) in 2020, which is also currently the top-grossing film of all time in Japan. The Demon Slayer: Kimetsu no Yaiba Infinity Castle - Akaza Sairai film's box office revenue exceeded 10 billion yen within eight days of its release.

The first Infinity Castle film has also topped Mugen Train for Japan's best-ever opening weekend box office (when four-day openings are compared with three-day openings), best opening-day box office (1,155,637 tickets for 1,646,054,200 yen or US$11.1 million on July 18), and best single-day box office (1,421,804 tickets for 2,037,820,200 yen or US$13.7 million on July 20). However, Mugen Train's opening weekend box office was for three days instead of four days.

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