It's gotta slap to be right! Rae talked about mastering everything from pop to hard rock and punk to EDM and respecting the bass drop, how to master Atmos mixes, tips for managing a studio, when loudness matters, and the importance of level matching.

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My guest today is Raelynn Janicke, a mastering engineer and the studio manager for Infrasonic Mastering, based in Nashville, TN. Before joining Infrasonic in 2019, Raelynn worked at Tommy’s Tracks, where she fulfilled a variety of roles alongside owner Tommy Wiggins including mastering and archival. Raelynn has mastered and assisted on projects for The Shins, Kayla Hall, Nefesh Mountain, Talia Stewart, Big 50, and Eli Howard.

Raelynn got her Bachelor's Degree in Applied Arts and Sciences, with Concentrations in Audio Engineering and Computer Science, from The Rochester Institute of Technology. Much like her career thus far, Raelynn’s path to her degree was self-made. She was initially drawn to the practicality of a job in computer programming, but switched majors halfway through her program after assisting on a college a cappella record. From there, she discovered the school’s modest audio program, created an individualized degree, and threw in minors in history and music technology, just to keep things interesting.

Raelynn brings this level of enthusiasm and exploration to every project she works on at Infrasonic Mastering, both as manager and engineer.

She describes herself on her website as a “Mastering Engineer Who Loves Tacos and Is Taller Than Danny Devito.” Thanks to F Reid Shippen for connecting us.

Today we will talk about the tech meets art of mastering, running a busy multi room facility, Atmos immersive audio, and how AI in mastering could affect our future of music.

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Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59yLjwPFClRklas9dGbfBA?si=f65808e2d4f241e3

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