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Connor & Jon break down Christopher Nolan's first feature film: Following. Nolan begins his career with a no-budget, skeleton crew, weekend shot neo-noir that delivers with twists and thrills. It's great to see the genesis of one of the greatest modern directors and where his love of shooting on film comes from.
WARNING: Major spoilers for Following, Inception, & The Dark Knight Rises, Minor spoilers for Interstellar
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Films mentioned in this episode:
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Connor & Riley are joined by Rod Reed to observe one of the sweatiest movies of all time: 12 Angry Men. They discuss how it brilliantly deconstructs the prejudices inherent in the judicial system, how the film doesn't work as a play, and how different genres shine a light on the human condition.
WARNING: Major spoilers for 12 Angry Men
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Films mentioned in this episode:
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It's time for a new series and Connor & Jon start off with some bittersweet news: Riley Hardy is no longer a host. So we wish him well and continue onward with our new series about how limitations in the filmmaking process escalates the creative nature of it.
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Connor & Riley cozy up to their pillow shots as they examine Yasujiro Ozu's masterwork: Tokyo Story. They discuss the complexity of the characters, and how the family dynamic makes the film universal even though producers said it was "too Japanese." They also ponder the question: does Ozu have the most consistent cinematic language?
WARNING: Major spoilers for Tokyo Story, minor spoilers for Ordinary People
Link to Yasujiro Ozu: The Syntax of His Films: https://online.ucpress.edu/fq/article/17/2/11/38013/Yasujiro-Ozu-The-Syntax-of-His-Films
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Films mentioned in this episode:
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Connor & Jon quote through Noah Baumbach's first film Kicking and Screaming(not the Will Ferrell one). They make the strange discovery of how relatable it is to their own lives and who is which character. This episode might also hold the record of most Mike Ditka mentions in a podcast.
WARNING: Major spoilers for Kicking and Screaming
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Films mentioned in this episode:
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It's our 50th episode so we decided to do our first audience pick! Connor & Riley discuss Lulu Wang's 2019 film: The Farewell. They discuss what is really the most ethical thing to do, when it's okay to lie, and what makes a film American or Chinese?
WARNING: Major spoilers for The Farewell, minor spoilers for The Royal Tenenbaums
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Films mentioned in this episode:
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Connor & Riley are taken way back to their awkward years when they analyze Richard Linklater's passion project: Boyhood. The guys discuss the advantages and disadvantages to not having a script, and how mixing non-actors and actors has an interesting effect. They also take a retrospect to Linklater's career and his seeming obsession with conspiracy theories and rebellion towards authority.
WARNING: Major spoilers for Boyhood
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Films mentioned in this episode:
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Connor & Jon are joined by the first critic of the show, Caleb Maine, to discuss the Coen's depressing masterpiece: A Serious Man. Jon gets distracted by the fact that there were earbuds in the '60's. Caleb hates Sy more than any other film character. And Connor obsesses over the use over repeating dialogue.
WARNING: Major spoilers for A Serious Man
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Films mentioned in this episode:
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Connor & Riley take it all the way back to 1948 to discuss the Italian Neo-Realist classic: Bicycle Thieves. They admire how the film breaks all of the Hollywood conventions of the time and how more realistic films can touch us on such a personal and emotional basis.
WARNING: Major spoilers for Bicycle Thieves, minor spoilers for Shoeshine
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Connor & Riley just couldn't resist talking about another animated film for this miniseries. They talk how everyday life can look extraordinary in animation when it's in the hands of Isao Takahata. So much beauty and simplicity is portrayed in Only Yesterday, that it's a real shame that Disney didn't release it to the U.S. until 2016.
WARNING: Major spoilers for Only Yesterday
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From the publisher's feed