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The deep-diving spoiler-filled journey through Twin Peaks finds it way to Philip Gerard’s first physical appearance. Your host John looks into how director Tim Hunter and writer Robert Engels came to Twin Peaks, what Lynch might be saying with the Log Lady Intro, and just how many doublings line Episode 4.
How does a darker Twin Peaks reveal itself? What does it mean to be a strong sender? What can explain Philip Gerard’s disconnection from MIKE? Why are Hank and Audrey paralleling each other? And why is a straight line not always the shortest distance between two points?
The following article was discussed in today’s episode:
Drawing in Twin Peaks
Production by Mitch Proctor and Area 42 Studios and Sound
www.25yearslatersite.com
www.RuminationsRadioNetwork.com
www.instagram.com/RuminationsRadioNetwork
Instagram: BlueRoseTaskForce
Twitter: RuminationsRadioNetwork@RuminationsN
Twitter: @BlueRoseTFpod
https://www.patreon.com/RuminationsRadio
Email [email protected]
Email [email protected]
4.5
4444 ratings
The deep-diving spoiler-filled journey through Twin Peaks finds it way to Philip Gerard’s first physical appearance. Your host John looks into how director Tim Hunter and writer Robert Engels came to Twin Peaks, what Lynch might be saying with the Log Lady Intro, and just how many doublings line Episode 4.
How does a darker Twin Peaks reveal itself? What does it mean to be a strong sender? What can explain Philip Gerard’s disconnection from MIKE? Why are Hank and Audrey paralleling each other? And why is a straight line not always the shortest distance between two points?
The following article was discussed in today’s episode:
Drawing in Twin Peaks
Production by Mitch Proctor and Area 42 Studios and Sound
www.25yearslatersite.com
www.RuminationsRadioNetwork.com
www.instagram.com/RuminationsRadioNetwork
Instagram: BlueRoseTaskForce
Twitter: RuminationsRadioNetwork@RuminationsN
Twitter: @BlueRoseTFpod
https://www.patreon.com/RuminationsRadio
Email [email protected]
Email [email protected]
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