My guest this week is Seattle rapper Sadistik. We spoke about Everything Everywhere All At Once, The Batman, the films of Gaspar Noe and Lars von Trier, how The Blob and Quentin Tarantino kickstarted his fascination with film, Stephen King adaptations, the benefits of pushing the boundaries of art, his love for New York and Southern rap, the pros and cons of being honest in your music, his creative process, and working with rapper-producer Kno on their latest collab Bring Me Back When The World Is Cured.

Bring Me Back When The World Is Cured is available wherever music is sold, streamed, or stolen. Consider copping directly from Bandcamp. Follow Sadistik on Instagram (@sadistik) and Twitter (@TheRealSadistik)

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4PM Publishing. Order a digital copy on Amazon.

Join the Reel Notes Patreon today for as little as $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more!

Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund,  The Palestinian Youth Movement, Medical Aid for Palestinians, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)

Support the show