In a free-wheeling conversation with Dr. Nic, soprano Lise Lindstrom discusses Wagner, performance prep, acting challenges, Wozzeck and Persian classical music! Yep, it was one of those conversations: delightful, insightful, fun, and reflective of the committed professional life of one of today's most successful singers, who also happens to be one of San Diego Opera's favorite people! Enjoy! 

Baritone Paul La Rosa sings the payador, the minstrel or troubadour who plays many roles throughout the narrative of Maria de Buenos Aires. Normally Paul is singing the standard Italian and French repertoire, but in this conversation he makes a good case for the versatility that every opera singer needs in order to have a successful career. Enjoy!

On Tuesday, January 16, Bruce Stasyna, Chorus Master of the San Diego Opera Chorus and Music Administrator for San Diego Opera, gave a talk to donors and supporters about Astor Piazzolla's Maria de Buenos Aires. In his presentation he talked about the role of a conductor, how he approaches rehearsals with singers and orchestra, the origins of the tango, Piazzolla's role as a composer and why the conductor is relishing the opportunity to play and conduct from the piano in this production. Punctuated by appearances of his dog 'Chewy', some backstage crew members and dancers warming up for an ensuing rehearsal, you'll get a first-hand peek at the musical building blocks for a wonderful opera. Enjoy!

Stage director and choreographer John de los Santos has come up with some terrific ideas about staging Maria de Buenos Aires which, in some ways, can be considered an elusive piece. But he's fashioned a narrative for it that will really help us, the audience, grasp it immediately, just as we will be quickly engaged by the music. Enjoy!

Mezzo-soprano Audrey Babcock is singing her role debut in our production of Maria de Buenos Aires. A veteran singer of the role of Carmen, her voice and theatrical personality are perfect for Maria. In this podcast episode she talks about her take on the character and the fascinating libretto of Horacio Ferrer. Enjoy!

Who knew tango...the dance and the music...was so complicated?? The origins of the tango are disputed, confused and floating somewhere in the mists of time. And different styles of tango are so different that it is difficult to come up with a nice, clean definition of the art form. Yet, when we hear a tango we know what it is! Amazing. Check out this latest podcast on how Astor Piazzolla uses the tango in his operita, Maria de Buenos Aires. Enjoy! 

If you're new to Turandot, or just want to brush up your knowledge of the music in this beautiful score, here's just the thing for you. In today's podcast Dr. Nic briefly outlines the story and touches on some of the more important musical moments, the 'stand-out' places that we enjoy every time we encounter this special opera. Enjoy! 

It's taken awhile for the entrancing, intimate and alternative opera Maria de Buenos Aires to make it to San Diego Opera, but it's finally here and we're all very excited! This opera is infused with the spirit and melodic adventure of the tango, the cultural habitat of Argentinian composer Astor Piazzolla. In this informative podcast, Dr. Nic gives you a bit of the story of this interesting artist with some suggestions about recordings that you might want to get in order to prepare for this wonderful work. Enjoy!

Kyle Lang has worked with the company for a few seasons now in the position of assistant director and, for The Pirates of Penzance, associate director. In this conversation with Dr. Nic he discusses his approach to the opera As One, especially the difference between preparing a standard repertoire item like Tosca or La boheme, and a relatively new opera. Enjoy!

Everyone knows that Puccini was an incredible melodist, i.e. a crafter of some of the most gorgeous melodies ever written for opera. Using "Nessun dorma", the big tune from Act III of Turandot, Dr. Nic reveals a little bit about the mystery involved in how a composer creates something so beautiful. Enjoy!