San Diego Opera Podcast

The musicians at the New York premiere of The Pirates of Penzance threatened to strike because the score was too difficult, too "operatic"! Silly, of course, but perhaps they had a point. There are many allusions and parodies of current opera styles in Sullivan's score. In this podcast, Dr. Nic gives us an idea of just how the composer went about it, and why. Enjoy!

On November 10th, San Diego Opera will open As One, an opera by composer Laura Kaminsky and librettists Mark Campbell and Kimberly Reed. It's an extraordinary work that will launch this season's Detour Series. In this podcast Dr. Nic talks about the power of opera in an intimate space, giving special attention to this wonderful opera that tackles a difficult and, as of this writing, especially relevant subject: growing up, understanding and living happily as a transgender person in America.

Gilbert & Sullivan's The Pirates of Penzance had a complicated birth that was something of a scheduling nightmare. In order to acquire copyright for the U.S. (where there was a notorious history of unauthorized performances of their works), they premiered Pirates in New York. But to acquire a British copyright they had to stage a performance there as well, at virtually the same time. And then, of course, there was the "official" premiere at the Savoy in London, the theatre of their producer Richard D'Oyly Carte. Dr. Nic will try to sort it through for you! 

Gilbert & Sullivan have been missing from our production seasons up til now. No more! In this podcast Dr. Nic shares some background on this most operatic of their works, looking forward to a brilliant production that will open on October 14, 2017! Enjoy!

Conductor David Agler is making his debut with San Diego Opera with this production of La traviata. He is currently the Artistic Director of Wexford Festival Opera in Ireland and shares with us some of the achievements of that company which include the staging of rarely performed operas and the discovery of wonderful young singers. Enjoy!

Stephen Powell has been a company favorite for twenty years, having started with us in a production of Carmen as Dancaire in 1997. Back now for Germont in La traviata, he has much to say in this interview about the role, his career and the state of opera in the United States. 

Corinne Winters is making her San Diego Opera debut in her signature role of Violetta in La traviata. In this interview with Dr. Nic she talks about her background, her career and this favorite role of hers. 

[Please note that this podcast is audio only]

Listen in to this interview with tenor, Jesus Garcia who is making his debut with us as Alfredo in our production of La traviata. You might be familiar with him as Rodolfo in the Baz Luhrmann Broadway production of La boheme, his first professional role. In this interview he speaks about his upbringing, his career up til now and the challenges of the role of Alfredo. Enjoy!

Please note, this is an audio-only podcast.

The Tragedy of Carmen is not Carmen! Although you'll easily recognize Bizet's music, this is a version of the opera as a musical theatre piece devised by famed director Peter Brook to tell the story in a completely new way...or perhaps, depending on your point of view, the original way. Check out this video...Dr. Nic explains it all for you!

Mezzo-soprano Marianne Cornetti is one of this company's favorite people! Not only fun to be with and to talk to, she's a wonderful artist who lives inside her characters onstage. Enjoy this conversation with Nicolas Reveles as she talks about her role in Falstaff (Dame Quickly) and gives some advice to young singers.