Sangam Lit

In this episode, we delve into a historic event and the implications of war and hair that hides within, as portrayed in Sangam Literary work, Natrinai 270, penned by Paranar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the confidante to the man, in a hidden bid to rouse the listening lady to welcome him back into her house.

In this episode, we relish a scene in an ancient Tamil household, as depicted in Sangam Literary work, Natrinai 269, penned by Eyinanthai Magan Ilankeeranaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the man, in an attempt to dissuade him from parting with the lady.

In this episode, we relish references to a rare flower in the mountain country, as portrayed in Sangam Literary work, Natrinai 268, penned by Veripaadiya Kaamakkanniyaar, a female poet from the Sangam era. Set in the mountainous regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

In this episode, we travel to a seashore grove and learn about the pangs of love, as portrayed in Sangam Literary work, Natrinai 267, penned by Kabilar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

In this episode, we perceive a moment of acceptance, as depicted in Sangam Literary work, Natrinai 266, penned by Kachipettu Ilanthachanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, agreeing to his decision to part away on a mission.

In this episode, we bask in an abundance of similes that turns out to be a history lesson, as portrayed in Sangam Literary work, Natrinai 265, penned by Paranar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a subtle message to the lady’s confidante, listening nearby.

In this episode, we relish scenes from a rain-washed day and perceive the reflection of love in words, as depicted in Sangam Literary work, Natrinai 264, penned by Aavoor Kaavithikal Saathevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his lady, bidding her gently to hasten her walk towards their destination.

In this episode, we understand the nuances of man-woman communication in ancient Tamil land, as portrayed in Sangam Literary work, Natrinai 263, penned by Ilaveyinanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

In this episode, we observe a man’s mind mulling over love and wealth, as depicted in Sangam Literary work, Natrinai 262, penned by Perunthalai Saathanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the man, as he reflects on what his parting away will do to the lady’s health and beauty.

In this episode, we perceive the dangers of traversing a mountain path at night, as portrayed in Sangam Literary work, Natrinai 261, penned by Senthan Poothanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.