In this episode, we appreciate the timelessness of love, depicted in Sangam Literary work, Natrinai 95, written by Kottampalavanaar, this being his only Sangam poem. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his friend, describing the whereabouts of his lady and declaring his love.

In this episode, we appreciate the creative expression, portrayed in Sangam Literary work, Natrinai 94, written by Ilanthiraiyanaar. Set in the ‘Neythal’ landscape of coastal regions, the verse speaks in the voice of the lady to her confidante, conveying a message from her heart to the man, listening nearby.

In this episode, we empathise with the pain of parting, portrayed in Sangam Literary work, Natrinai 93, written by Malaiyanaar, this being his only Sangam poem. True to his name which means ‘a man of the mountains’, the verse is situated in the lush mountain country of ‘Kurinji’. The verse speaks in the voice of the confidante to the man, expressing the consequences of the man’s delaying his formal union with the lady.

In this episode, we relish the scenes from the wild that unfold in Sangam Literary work, Natrinai 92, penned by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the poem speaks in the voice of the confidante to the lady, talking about the man who has parted away.

In this episode, we relish the joy and celebration, portrayed in Sangam Literary work, Natrinai 91, written by Pisiraanthaiyaar. The verse is set in the ‘Neythal’ region or the coastal lands and speaks in the voice of the confidante to the lady, bringing good tidings about the man’s arrival.

In this episode, we gather elements from life in an ancient town, depicted in Sangam Literary work, Natrinai 90, written by Anjil Anjiyaar. Set in the agricultural landscape of ‘Marutham’, the poem speaks in the voice of the confidante to the lady, indirectly refusing entry to the singer, who has been sent as a messenger by the man.

In this episode, we realise the impact of weather on inner life, portrayed in Sangam Literary work, Natrinai 89, written by Ilampulloor Kaavithi. The poem is set in the ‘Mullai’ region or the ‘forest lands’ and speaks in the voice of the confidante to the lady, passing on a subtle message regarding the man’s arrival.

In this episode, we appreciate the connection between nature and philosophy, depicted in Sangam Literary work, Natrinai 88, written by Nallanthuvanaar. Set in the ‘Kurinji’ landscape of mountain country, the poem speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

In this episode, we journey through world of dreams, depicted in Sangam Literary work, Natrinai 87, written by Nakkannaiyaar. The poem is set in the ‘Neythal’ landscape or the coastal regions and speaks in the voice of the lady to her confidante, sharing the sensations from a dream she had.

In this episode, we relish the journey of seasons and sensations, depicted in Sangam Literary work, Natrinai 86, written by Nakkirar. Set in the ‘Paalai’ landscape, the poem speaks in the jubilant voice of the confidante to the lady, conveying the news of the man’s return.