In this episode, we perceive the innovative way of conveying intention through vivid images, as portrayed in Sangam Literary work Natrinai 114, written by Tholkabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

In this episode, we perceive the impact of separation on inner life, as depicted in Sangam Literary work, Natrinai 113, written by Ilangkeeranaar. The verse is set in the ‘Paalai’ landscape or the ‘drylands’ and speaks in the surprised voice of a man to himself, as he reflects on his parting from the lady.

In this episode, we perceive how nature influences inner life, as depicted in Sangam Literary work, Natrinai 112, written by Perunkundroor Kilaar. Set in the mountain country of ‘Kurinji’, the poem speaks in the comforting voice of the confidante to the lady, conveying a positive message about the man’s return.

In this episode, we relish the rich poetic imagery, portrayed in Sangam Literary work, Natrinai 111, penned by an anonymous poet. The verse is set in the ‘Neythal’ landscape or the coastal regions and speaks in the consoling voice of the confidante to the lady, conveying a positive omen about the man’s return from his journey.

In this episode, we marvel at the metamorphosis of a young girl, depicted in Sangam Literary work, Natrinai 110, written by Pothanaar. Set in the ‘Paalai’ landscape, the poem speaks in the voice of a foster-mother to the lady’s mother, relaying news of how the lady is faring in her husband’s home.

In this episode, we perceive deep facets of inner life, depicted in Sangam Literary work, Natrinai 109, written by Meeli Perumpathumanaar, this being his only Sangam poem. The verse is set in the ‘Paalai’ landscape and revolves around the theme of separation. Speaking in the voice of the lady to her confidante, the poem expresses the anguish in the lady’s heart, as the man has not returned from his journey.

In this episode, we marvel at the ingenious ways of moving another to action, as portrayed in Sangam Literary work, Natrinai 108, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a hidden message to him.

In this episode, we relish the metaphors in nature, as portrayed in Sangam Literary work, Natrinai 107, penned by an anonymous poet. The poem is set in the ‘Paalai’ region or the drylands and revolves around the theme of separation. Speaking in the voice of the lady to her confidante, the poem expresses the ironic situation the lady finds herself in, after the man parts away to go on a journey.

In this episode, we relish the visual imagery in painting the mind, as depicted in Sangam Literary work, Natrinai 106, written by Thondaimaan Ilanthiraiyan, a poet-king who ruled with ‘Kanchi’ as his capital. Set in the ‘Neythal’ landscape of coastal regions, the verse speaks in the voice of the man to his charioteer, recollecting a past event and subtly urging him to hurry towards the lady’s village by the sea.

In this episode, we appreciate the deep awareness of inner life, as portrayed in Sangam Literary work, Natrinai 105, written by Mudathirumaaran. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the man to his heart, motivating it to move forward as it languishes stuck in the anguishing journey.