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You can listen to this episode by clicking on the white arrow above, or subscribe to the Paper Talk podcast in iTunes so you never miss an episode. If you enjoy the show, tell a friend about it! Thank you so much.
Sarah Horowitz’ work is based primarily in drawing, printmaking, and book arts with a focus on formal aesthetics and the natural world. Her limited edition books are published under her imprint Wiesedruck (after the river ‘Wiese’ along the northwest border of Switzerland) and can be found in collections across the country including at the Yale University Beinecke Library, Harvard Houghton Library, the Library of Congress, Boston Athenaeum, Boston Public Library, The New York Public Library, Wesleyan University, and the Portland Art Museum. She has received grants from Portland State University and the Regional Arts and Culture Council as well as residencies at BellwaldArt in Switzerland, Caldera, and the Frans Masereel Centrum in Belgium. Her work is represented by Froelick Gallery in Portland, Oregon and Ken Shure of Two Ponds Press.
We chatted about her book Lepidoptera, which features Virginia Woolf’s essay ‘The Death of the Moth’ and Sarah’s moth etchings.
Here is one of her pine drawings, on okawara paper from Hiromi Paper, which was sized with gelatin colored with blue and black dry pigments.
We also talked about a mitsumata paper, which you can find here.
You can read more about Sarah on her website, and follow her on
By Helen Hiebert Studio4.9
3030 ratings
You can listen to this episode by clicking on the white arrow above, or subscribe to the Paper Talk podcast in iTunes so you never miss an episode. If you enjoy the show, tell a friend about it! Thank you so much.
Sarah Horowitz’ work is based primarily in drawing, printmaking, and book arts with a focus on formal aesthetics and the natural world. Her limited edition books are published under her imprint Wiesedruck (after the river ‘Wiese’ along the northwest border of Switzerland) and can be found in collections across the country including at the Yale University Beinecke Library, Harvard Houghton Library, the Library of Congress, Boston Athenaeum, Boston Public Library, The New York Public Library, Wesleyan University, and the Portland Art Museum. She has received grants from Portland State University and the Regional Arts and Culture Council as well as residencies at BellwaldArt in Switzerland, Caldera, and the Frans Masereel Centrum in Belgium. Her work is represented by Froelick Gallery in Portland, Oregon and Ken Shure of Two Ponds Press.
We chatted about her book Lepidoptera, which features Virginia Woolf’s essay ‘The Death of the Moth’ and Sarah’s moth etchings.
Here is one of her pine drawings, on okawara paper from Hiromi Paper, which was sized with gelatin colored with blue and black dry pigments.
We also talked about a mitsumata paper, which you can find here.
You can read more about Sarah on her website, and follow her on

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