At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology.

In this interview, we talk with Chris Swaffer, senior product manager of software at Fender, about how he thinks about Notion’s current phase in its lifecycle, what the Fender name signals to users today, and how decisions around refinement, continuity, and cross-platform consistency get made in practice. We also dig into under-the-radar improvements, accessibility as a core product principle, direct transfer between Notion and Fender Studio Pro, and how intelligent assistance can support — rather than replace — human musical judgment.

Come back next week for more conversations from the NAMM Show. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player.

More about the 2026 NAMM Show from Scoring Notes:

At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology.

In this conversation, we speak with Sebastian Murgul, co-founder and CEO of klang.io, to talk about a category that sits just adjacent to music notation — and yet increasingly intersects with it in practical, unavoidable ways: music transcription. Sebastian explains what klang.io’s tools are designed to do — and just as importantly, what they are not. We talk about why AI-based transcription has reached a point of practical usefulness now, where the hardest musical problems still lie, and how klang.io thinks about accuracy as something musicians can trust and build on, rather than a promise of perfection. We also discuss interoperability with notation software via formats like MIDI and MusicXML, real-world use cases that have surprised him, and the broader anxieties musicians understandably have around automation and AI.

Come back the next few weeks for more conversations from the NAMM Show. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player.

More about the 2026 NAMM Show from Scoring Notes:

At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology.

In this conversation with John Barron, international product specialist at Steinberg, John reflects on Dorico’s current development phase, how its underlying design principles continue to guide day-to-day decisions, and where users should most clearly feel progress compared to a year ago. We also talk about under-the-radar features, user feedback, interoperability with broader music-production workflows, playback and realism, and how automation can support — rather than supplant — notational intent.

Come back the next few weeks for more conversations from the NAMM Show. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player.

More about the 2026 NAMM Show from Scoring Notes:

We’re very pleased to bring you this episode, and more to come in the future, thanks to our friends at Twenty Thousand Hertz, a podcast that tells the stories behind the world’s most recognizable and interesting sounds.

People with perfect or “absolute” pitch hear every single sound as precise musical notes. Is this extraordinary talent a blessing or a curse? In this episode, our friends at Twenty Thousand Hertz dive into the neuroscience, pluses, and pitfalls of absolute pitch. Featuring neuroscientist Daniel Levitin and Grammy-winning musician Jacob Collier.

Art by Mafalda Maia.

Music featured in this episode:

Hide and Seek by Jacob Collier

Twenty Thousand Hertz is produced out of the studios of Defacto Sound, and hosted by Dallas Taylor.

‘Tis the season to be thankful for all of the products and services in the world of music notation software and related technology, and for the Scoring Notes audience who tunes in to hear us opine on them! We show our appreciation by bearing good tidings and do a little shopping to find some Black Friday deals and make a few recommendations for fun and productivity.

Black Friday 2025 deals for music notation software and related tech post coming on Monday, November 24

Show notes:

Scoring Notes Product Guide, with links to posts about Dorico, Sibelius, and MuseScore updates from the past year

Black Friday products and deals:

We talk a lot about fonts on the Scoring Notes podcast. But there was a time when there were no music fonts. And then, there was one.

Cleo Huggins, on the staff of Adobe in 1986, designed Sonata, the very first music font. It’s hard to imagine today, but it was revolutionary at the time, and a leading industry publication called it the “Music Product of the Year”. Sonata provided the blueprint for the core music fonts later created for use in Finale and Sibelius, but it may surprise you to learn that Sonata was created without any one particular music software product in mind.

Cleo tells Philip Rothman and David MacDonald about her early studies with some of the great typographic experts of the 1970 and 1980s, and how her work in graphic design, 3-D animation, background as a violinist, and a key meeting with Steve Jobs about the launch of the first Macintosh computer all led to her taking responsibility for creating Sonata. Cleo discusses the revolution in PostScript technology and the introduction of the laser printer, and how that made it possible for her to create a high quality music font that was unconstrained by limitations of bitmapping.

She recalls the various sources of inspiration and research she did — everything from Bach’s manuscript to the Music Writer, to Notaset dry transfer sheets — and the process of regularizing beautiful calligraphy without losing the distinctive elements of music notation. She also recalls thinking about all the minute details from careful placement to the key mapping of each character, and the feedback received from early music software pioneers eager to incorporate Sonata into their programs.

Cleo’s career moved on from Sonata to a variety of endeavors, all propelled by a deep curiosity and propensity to good, and we talk about that too — and ask her if she’d ever come back to the world of music fonts, with all of the progress that has taken place in the nearly four decades since her groundbreaking work transformed the history of music notation.

More on Scoring Notes:

From the Finale Blog:

Recent updates abound in Dorico, MuseScore Studio, Sibelius, and across the Apple operating systems. Whether you use all of these products or just one of them, we help you get current with the latest features and improvements, so that you can make the most of the notation software and the operating systems they run on.

More from Scoring Notes:

File system tools mentioned:

Freelancing is a kind of freedom. Freedom from a regular schedule, an office, or a permanent boss. But with freelance work comes responsibility.

Part of your job as a freelancer is deciding what the work should be and finding the clients who are going pay you to do it. Not only are you responsible to them, but you’re responsible for yourself, your family, the tax man, and more.

In the music notation software and related technology world of Scoring Notes, it’s possible to have freelance work in which those tools are used regularly.

Paul Beck is principal librarian of the Milwaukee Symphony, concert librarian for Renée Fleming, and formerly librarian at, among other institutions, The Metropolitan Opera, The Juilliard School, and the Aspen Music Festival & School. Paul joins Philip Rothman and David MacDonald to talk all about his decades of experience both as a freelance music preparer and salaried performance librarian, and to offer a wealth of insights and practical advice for anyone seeking freedom — and responsibility — as a freelancer.

This wide-ranging and detailed conversation explores the methods and manners of pursuing freelance work; the differences and similarities among being a freelancer, independent contractor, part-time employee, and full-time employee — and the benefits and drawbacks of each; managing your time and boundaries as a freelancer; the importance of mentors; essential tools; and specific advice about finances, invoices, and payment processing options.

More from Scoring Notes:

We open the Scoring Notes mailbag, contemplate the musings of our audience, and try to leave no question unanswered in this fun and informative podcast episode.

More from Scoring Notes, referenced in this episode:

Have you ever listened to an episode of the Scoring Notes podcast and wished you could ask a question directly on the show?

Two years ago, we opened up the phone lines directly, so to speak, and they were jam-packed! So much so, that we ended up devoting three episodes to answering those burning queries. You can find Part 1, Part 2, and Part 3 in the podcast archives.

Well, time and technology moves fast, so it’s time we do it again. Whether you’re a “long-timer” or a “first-timer”, all are welcome to ask a question about anything in the world of music notation software and related technology — or really, any one of the adjacent subjects we’ve covered on the Scoring Notes podcast or web site, and we may feature it an upcoming episode.

Just record your question as a voice memo and drop it directly here, or send it as an email attachment or as a file-sharing link to [email protected]. We’d love it if you provide your name (first name only is OK), where in the world you’re calling from, and what music notation software you use — or if you don’t use it at all (yes, we have quite a few listeners in that camp).

If you’re shy, you can alternatively write your question in an email and send it to us.

Send us your question no later than Monday, July 14, 2025.

The rest of today’s episode is a classic one from March 2023, and perhaps it will spur some new questions.

Sometimes music notation software is perfect for the job, but other times, it’s the related technology that’s better suited to the task. Fortunately, we cover both sides of the equation on Scoring Notes — and it’s the latter part that Philip Rothman and David MacDonald discuss on this podcast episode.

When creating scores and parts, music notation software is clearly the choice. But what about front matter — the pages of text and sometimes other markings and symbols that preface the music? For that, better options may exist. We look at the pros and cons of making that material directly in music notation software, and suggest apps for when it’s helpful to split the job.

We talk about some of our favorite apps specifically for working with PDFs and the surprising number of ways that you can edit a file using those apps — and may need to do so — without actually having access to the music notation files or the software.

What about when you need to make music notation outside of notation software? For that, there is a whole suite of fonts designed to create music notation within non-music apps. They’re called MusFonts, and Dan Kreider created them to fill this niche.

For many users, creating audio is an essential component of music notation software, and we outline ways to complement the built-in process of making MIDI mockups with other software without getting too complicated.

Finally, we give a shout-out to our favorite piece of related technology.

More from Scoring Notes:

Apps and fonts we talk about: