I wrote a sitcom.
More precisely, I wrote something adjacent to a sitcom and refused to wait for television to catch up.
I call them Script-Coms™.
Traditional sitcoms live on TV. They’re expensive, slow, and dependent on permission. If everything goes right, you might get one season a year.
Script-Coms™ share some DNA with sitcoms.
They have a cast.
They have theme songs.
They are written as scripts.
They live and die by voice-driven dialogue.
Here’s where the format breaks away.
Script-Coms™ are published, not produced.
They’re released episodically, not piloted.
They exist simultaneously as script, audio performance, and personal artifact.
I publish the script.
I publish a handwritten Inspiration Behind the Story for every episode.
I cast every character using ElevenLabs voices—performance without a studio.
I release every Script-Com™ for free, in both written and audio form, on Substack and Spotify.
No gatekeepers.
No pilot season.
No artificial scarcity.
The audience doesn’t wait to be chosen—the story just arrives.
Stories that jump off the page and live rent-free in the mind.
For 2026, I’m launching Found Family 365.
Season One and Season Two begin Monday, January 5, 2026, with a new episode every Monday for the entire year.
The first 26 episodes of Season One are already written.
The cast is locked.
Mondays are officially taken.
Every Monday, if you’ve got about ten minutes, you can listen to or read a fast-paced script and give your adult brain something fun to chew on. Script-Coms™ exist as both script and fully cast audio because I struggle with words—but I love stories, and I write for the ear.
Come love a story every Monday.
Let the TV watch you on Mondays.
Additional Script-Coms™ will roll out throughout the year—same universe, different shapes, the same obsession with dialogue that sounds like real people thinking out loud.
And at the heart of it all is Found Family 365.
A modern take on family—where no one is related by DNA, but you’d never know it.
Felix was adopted by Alta.
Stephanie and Felix share an unbreakable friendship.
David is the newest member of the family, still figuring out how he fits—and already essential.
These characters are written to be spoken.
To be acted.
To be tried on by different voices in different rooms.
If you want to perform them, rehearse them, stage them, or just read them out loud with friends, you’re already invited.
I’m a queer, dyslexic storyteller who decided that waiting for permission was optional.
I write for the ear first.
I write characters who feel like people you text too much—and miss immediately when they stop replying.
Sitcoms wait to be produced.
Script-Coms™ are already alive.
— Louis Clifford Caldwell Jr.
https://substack.com/@accidentallysideways