It has taken Dave Rowntree ages to make his first non-soundtrack body of work outside of Blur, especially when you consider their last album Magic Whip, is almost a decade old. Then again, perhaps it explains why Radio Songs has come out very well indeed - better than the public might have a right to expect, given the track record of drummers stepping out from behind the kit. 

The album’s electrosonic palette is drawn from all Rowntree's influences, including Air and Talk Talk, with - as we discuss, hints of Robert Wyatt and Thomas Dolby. And more predictably perhaps, Blur. It is surprising just how much Rowntree’s vocal style is reminiscent of his bandmate Damon Albarn, who collaborated on the record only from a distance, giving Rowntree feedback in the form of one page of notes. 

Now he’s gotten round to it, Rowntree has caught the bug for making solo records, he plans two more over the next two years, provided he doesn’t get too distracted by Blur. His plans to tour Radio Songs this year have been somewhat derailed by what he calls “Blur’s megapolis summer”. 

And so inevitably then, to Blur. Where does it fit in his schedule and his headspace?

“Fundamentally I’m still the drummer in Blur, that’s how I see myself, but if you plot Blur activity on a graph, it’s tapering away to zero, so it’s not going to last forever”. 

So, how does he feel about stepping out to perform live as frontman after all those years behind the kit? Undaunted is the answer:

“It has felt surprisingly natural really. The music starts and you get swept along in it. I’m happiest out on the road, gig every night, different town every day - there’s something seductive about that”. 

Whether or not the Blur bandwagon keeps rolling, Dave Rowntree looks like he has found himself a second longevous career in music. 

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