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When Bella Freud—great-granddaughter of Sigmund Freud—sat down with Esther Perel on Fashion Neurosis, I knew I had to listen. What unfolds is not a conversation about trends or aesthetics, but about identity, masculinity, desire, and the psychology of being seen.
In this solo reflection, I explore clothing as a kind of “second skin”—a psychological boundary between self and world. Drawing from Perel’s thinking on Eros in Mating in Captivity, Valerie Steele’s idea of fashion as skin ego, and even a touch of Jack Morin’s erotic equation, I reflect on why what we wear is never neutral.
I share a story from my therapy room about helping an autistic client build confidence through intentional style, what it’s like to shop for clothes with my 16-year-old son, and why paying attention to how people craft themselves might be one of the most countercultural practices available to us right now.
Fashion isn’t superficial. It’s relational. It’s embodied. And in a world where we rarely look up from our screens, noticing what someone is wearing might be one small way of saying: I see you.
By Quique Autrey5
1515 ratings
When Bella Freud—great-granddaughter of Sigmund Freud—sat down with Esther Perel on Fashion Neurosis, I knew I had to listen. What unfolds is not a conversation about trends or aesthetics, but about identity, masculinity, desire, and the psychology of being seen.
In this solo reflection, I explore clothing as a kind of “second skin”—a psychological boundary between self and world. Drawing from Perel’s thinking on Eros in Mating in Captivity, Valerie Steele’s idea of fashion as skin ego, and even a touch of Jack Morin’s erotic equation, I reflect on why what we wear is never neutral.
I share a story from my therapy room about helping an autistic client build confidence through intentional style, what it’s like to shop for clothes with my 16-year-old son, and why paying attention to how people craft themselves might be one of the most countercultural practices available to us right now.
Fashion isn’t superficial. It’s relational. It’s embodied. And in a world where we rarely look up from our screens, noticing what someone is wearing might be one small way of saying: I see you.

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