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Felicia is joined by Patrick Lavallee to discuss the cosmic horror elements in John Carpenter’s In The Mouth of Madness (1994).
We chat about his stamp on horror and how the genre has evolved over the decades.
This is the last episode and in the series and it was recorded prior to Sam Neill’s passing, we want to use this as a letter of appreciation to him.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Patrick here:
IG: @paddyfitz__
Twitter: @HMurdock6
Letterboxd: @lou_brown
Sources:
https://www.ndsmcobserver.com/article/2025/10/in-the-mouth-of-madness-30-years-of-insanity
https://cinephiliabeyond.org/in-the-mouth-of-madness/
https://filmthreat.com/uncategorized/building-horror-john-carpenter-on-in-the-mouth-of-madness/
https://www.inverse.com/entertainment/in-the-mouth-of-madness-oral-history
https://www.fearsomequeer.net/blog/he-wrote-me-this-way-in-the-mouth-of-madness
https://jonathanrosenbaum.net/2024/07/carpenter-s-gothic/
https://www.interviewmagazine.com/film/john-carpenter-halloween-horror
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Felicia is joined by Will Gaydos to discuss the long lasting importance of practical effects in John Carpenter’s The Thing (1982).
We chat about Carpenter’s ties to Howard Hawks’ work, along with his working relationship with the great Dean Cundey.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Will here:
IG: @ragewilliams
IG: @roadtripvintage
Sources:
https://mubi.com/en/notebook/posts/notebook-primer-john-carpenter
https://mubi.com/en/notebook/posts/john-carpenters-deep-cuts
https://www.bfi.org.uk/sight-and-sound/interviews/john-carpenter-dark-star-assault-precinct-13
https://maddrey.blogspot.com/2017/06/john-carpenter-revisited-assault-on.html
https://cinephiliabeyond.org/assault-on-precinct-13/
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Felicia is joined by Kazmo to discuss the influence of the western genre on John Carpenter’s Assault on Precinct 13 (1976).
We chat about his use of multicultural cast members, and how he builds tension in the central locations in films.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Kazmo here:
Twitter: @heykazmo
You can check out Kazmo’s appearances on the following podcasts:
Movie Friends Podcast: https://linktr.ee/moviefriendspodcast
Bad Movies We Love Podcast: https://linktr.ee/nicksheist
Sources:
https://mubi.com/en/notebook/posts/notebook-primer-john-carpenter
https://mubi.com/en/notebook/posts/john-carpenters-deep-cuts
https://www.bfi.org.uk/sight-and-sound/interviews/john-carpenter-dark-star-assault-precinct-13
https://maddrey.blogspot.com/2017/06/john-carpenter-revisited-assault-on.html
https://cinephiliabeyond.org/assault-on-precinct-13/
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Felicia is joined by Darragh McGrath to discuss how John Carpenter explores the depths of evil in his film Prince of Darkness (1987).
We chat about how the film functions as a mood piece and the influence of the Quatermass series on Carpenter’s career.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Darragh here:
Letterboxd: @DarraghMcG
IG: @Dreamworlds_films
Listen to our previous episode here:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
The Tarnished Angels (Douglas Sirk 1957)
The Prowler (D.O.P. Arthur C. Miller 1951)
Sources:
https://www.blackgate.com/2018/03/17/john-carpenter-prince-of-darkness-1988/
https://cinemafromthespectrum.com/2016/08/26/prince-of-darkness-review/
https://maddrey.blogspot.com/2018/02/john-carpenter-revisited-prince-of.html
https://film-cred.com/john-carpenters-prince-of-darkness/
https://movingpicturesfilmclub.wordpress.com/2022/10/30/analysis-this-is-not-a-dream-finding-meaning-in-prince-of-darkness-1987/
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Felicia is joined by Nick Sheist to discuss John Carpenter’s exploration of the evil among us in They Live (1988).
We chat about how the film is relevant now more than ever, and the realistic portrayal of Los Angeles in the 80s.
This is the series opener and diving into the work of John Carpenter seems like a long time coming for this show. We’ll be covering some of his most important work and his fan favourites.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Nick here:
Linktree where you can find links to all of his shows and socials: https://linktr.ee/nicksheist
Listen to our previous episode here:
Christine (John Carpenter 1983)
Sources:
https://cinephiliabeyond.org/live-john-carpenters-brilliantly-simple-hugely-enjoyable-assault-reagans-america/
https://theasc.com/articles/from-outer-space-they-live
https://www.giantfreakinrobot.com/ent/scifi/they-live-truth.html
https://archive.nerdist.com/interview-john-carpenter-on-reviving-they-live/
https://filmotomy.com/1988-in-film-they-live/
https://psychodrivein.com/drive-in-saturday-they-live-1988/
https://offscreen.com/view/they-live-john-carpenter-1988
https://thequietus.com/interviews/john-carpenter-interview-2/
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Felicia is joined by Joey Gantner to discuss the effects of lust on a man in Fritz Lang’s Human Desire (1954).
We chat about how the women in his film are more than your typical film noir femme fatale, and why it helps to separate this work from the other Grahame and Ford pairing.
This is the last episode in the Lang series, it always feels like a task to tackle a huge director but a fun task nonetheless. My guests and I wanted to pick some of his slightly lesser known films to show the range and depth of his work, and we hope you feel inspired to dig a big deeper into his catalogue.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Joey here:
Spotify: Out of the Podcast
Tape Record Label: sludge-people.com
IG: @sludgepeople
IG: @outofthepodcast
Listen to our previous episodes here:
To Live and Die in L.A. (D.O.P. Robby Müller 1985)
Repo Man (Alex Cox 1984)
Miracle Mile (Steve De Jarnatt 1988)
Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.
https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972
https://fourstarfilmfan.com/2019/11/17/human-desire-1954/
https://mubi.com/en/notebook/posts/no-other-kind-close-up-on-fritz-lang-s-human-desire
https://midwestfilmjournal.com/2024/05/03/fritz-on-fridays-human-desire-1954/
https://davidnilsenwriter.com/2015/06/22/the-trains-of-human-desire-1954/
https://www.sensesofcinema.com/2013/cteq/la-bete-humaine-unquiet-desperation/
https://notesoncinematograph.blogspot.com/2010/05/rivettedomarchi-interview-fritz-lang.html
Listen to full episode :
Felicia is joined by Rolo Tony to discuss Fritz Lang’s return to his roots as he blends German expressionism and film noir in Ministry of Fear (1944).
We chat about the impact of the set design along with the power of Ray Milland’s performance.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Rolo Tony here:
Twitter: @PoorOldRoloTony
Letterboxd: @PoorOldRoloTony
YouTube: @PoorOldRoloTony
Twitter: @GuysGotJuice
Spotify: @TheseGuysGotJuice
Listen to our previous episodes here:
Ghost Dog: The Way of the Samurai (Jim Jarmusch 1999)
A Woman Under the Influence (John Cassavetes 1974)
Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.
https://www.criterion.com/current/posts/2690-ministry-of-fear-paranoid-style
https://www.sensesofcinema.com/2022/cteq/an-entertainment-fritz-langs-ministry-of-fear-1944/
https://www.londonfictions.com/graham-greene-the-ministry-of-fear.html
https://mubi.com/en/notebook/posts/ministry-of-fear-love-during-wartime
https://mubi.com/en/notebook/posts/the-forgotten-auld-lang-syne
https://www.criterion.com/films/28065-ministry-of-fear?srsltid=AfmBOoqHJpuDu7frQOsoLl3Tg5Mcvo4IqBCqmwIAYBqx2wOmLqaRgqPT
https://vintagestardust.wordpress.com/2025/07/27/hans-dreier-art-director/
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Felicia is joined by Raf Stitt to discuss Fritz Lang’s exploration of the male psyche in The Woman in the Window (1944).
We chat about the impact of a twist ending, and how film noir is deeply rooted in German Expressionism.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Raf here:
Website: https://screenagewasteland.com/tag/the-canon-podcast/
Spotify: @ScreenageWasteland
Apple:@ScreenageWasteland
Letterboxd: @rafstitt
IG: @rafstitt
Twitter: @rafstitt
Bluesky: @rafstitt
Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.
https://www.sensesofcinema.com/2002/cteq/woman_window/
https://heartofnoir.com/film/the-woman-in-the-window-1944/
https://www.tcm.com/articles/176542/the-woman-in-the-window-joan-bennett-and-edward-g-robinson-in-fritz-langs-film-noir-the-woman-in-the-window
https://midwestfilmjournal.com/2024/01/05/fritz-on-fridays-the-woman-in-the-window-1944/
Listen to full episode :
Felicia is joined by Martin Kessler to discuss Fritz Lang’s first foray into the world of sound in his film M (1931).
We chat about what led Lang to finally make his first talkie, and how he allows the audience to use their imagination in full by not showing the violence on screen.
This is the series opener and Fritz Lang is a director I have wanted to discuss on the show for a long time. I mainly focused on his career in America and I wanted to discuss the slightly lesser known films to show his great range.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Martin here:
Twitter: @MovieKessler
Website: The Pink Smoke
Spotify: @ThePinkSmoke
Apple: @ThePinkSmoke
Soundcloud: @ThePinkSmoke
Deaf Crocodile Commentaries:
Website: https://deafcrocodile.com/
The Tragedy of Man (Marcell Jankovics 2011)
Song of the Miraculous Hind (Marcell Jankovics 2002)
Listen to our previous episodes here:
The Landlord (D.O.P. Gordon Willis 1970)
Opening Night (John Cassavetes 1977)
Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.
https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972
https://www.tcm.com/articles/38694/m-1931
https://www.criterion.com/current/posts/1457-my-film-m-a-factual-report
https://www.c-span.org/clip/public-affairs-event/peter-bogdanovich-on-fritz-langs-m/4994498
Listen to full episode :
Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir’s Grand Illusion (1937).
We chat about how the film focuses on the relationships between these men from different sides and classes. Along with how he’s less interested in the battles and more so in his characters mindsets.
This is the final episode of the Renoir series, thanks for joining along and as always I hope my guests and I have inspired you to discover more of his work.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]
Find Jason here:
Website: https://jasonchristianwrites.com/
Letterboxd: @exilemagic
Twitter: @jasonachristian
Spotify: @coldwarcinema
Apple: @coldwarcinema
Listen to our previous episodes here:
Shoeshine (Vittorio De Sica 1946)
Sources:
Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi.
Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press.
https://www.criterion.com/current/posts/15-grand-illusion
Listen to full episode :
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