SEEING FACES IN MOVIES

SEEING FACES IN MOVIES

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SEEING FACES IN MOVIES episodes

  • Night Moves (Kelly Reichardt 2013) w/ Frieda Beckerman
     

    Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt’s Night Moves (2013).

    We chat about the way she brings characters to life without enforcing too much back story, along with the use of indoor vs. outdoor spaces.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]


    Listen to our previous episodes here:

    The Green Ray (Éric Rohmer 1986)


    Sources:

    https://www.splittoothmedia.com/night-moves/

    https://www.standbyformindcontrol.com/2014/09/night-moves-jesse-eisenberg-2013-review/

    https://filmmakermagazine.com/86114-why-dont-we-all-go-blow-stuff-up-kelly-reichardt-on-night-moves/

    https://fourthreefilm.com/2014/08/night-moves-an-interview-with-writerdirector-kelly-reichardt/

    https://anarchistagency.com/margaret-killjoy-night-moves-2013-and-an-interview-with-jonathan-raymond/

    https://tribecafilm.com/news/interview-kelly-reichardt-night-moves
    https://wakeupscreening.wordpress.com/recent-interviews/kelly-reichardt-interview-for-night-moves/

    https://www.npr.org/2014/06/03/318575932/in-night-moves-filmmaker-dredges-the-tension-that-lives-in-quiet


    Outro Song:
    Night Moves by Bob Seger

    Listen to full episode :

    070 - Night Moves (Kelly Reichardt 2013) w/ Frieda Beckerman
    Seeing Faces in Movies
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    1 hr 18 min
  • Old Joy (Kelly Reichardt 2006) w/ Marc Basque
     

    Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt’s Old Joy (2006).

    We chat about the nature of a quiet road film and how Reichardt paces her stories. Along with the importance of the outdoors to characters with different life paths.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]


    Find Marc here:

    IG: @wasteoftaste


    Sources:

    https://www.criterion.com/current/posts/6728-old-joy-northwest-passages

    https://filmdaze.net/old-joy-the-nature-of-friendship/

    https://www.zekefilm.org/2017/04/25/52filmsbywomen-old-joy/

    https://www.cineaste.com/winter2006/old-joy-review

    https://inreviewonline.com/2021/08/25/old-joy/

    https://www.deepfocusreview.com/reviews/old-joy/

    https://reverseshot.org/interviews/entry/804/kelly-reichardt

    https://mubi.com/en/notebook/posts/a-completely-false-security-an-interview-with-kelly-reichardt

    https://filmmakermagazine.com/archives/issues/fall2006/features/sound_silence.php

    https://brightlightsfilm.com/time-and-friendship-in-old-joy-kelly-reichardt-2006-or-how-we-age-with-film/

    https://www.stopsmilingonline.com/story_detail.php?id=655%3E


    Outro Song:
    Carefree Highway by Gordon Lightfoot

    Listen to full episode :

    069 - Old Joy (Kelly Reichardt 2006) w/ Marc Basque
    Seeing Faces in Movies
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    1 hr 33 min
  • Certain Women (Kelly Reichardt 2016) w/ Peter Merriman
     

    Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt’s Certain Women (2016).

    We chat about the importance of shooting locations in Reichardt’s films, as well as letting the actor’s faces carry the weight of the story.

    This is the series opener and I’m very excited to chat about a director whose voice is so distinct and welcome in modern cinema.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]


    Listen to our previous episodes here:

    The American Friend (D.O.P. Robby Müller)
    Tokyo Story (Yasujirō Ozu 1953)


    Peter’s alt Reichardt double bill:

    First Cow (Kelly Reichardt 2019)
    Cloud (Kiyoshi Kurosawa 2024)


    Sources:

    https://www.criterion.com/current/posts/4941-certain-women-trapped-under-the-big-sky

    https://www.anothergaze.com/review-certain-women-kelly-reichardt-sophie-mayer/

    https://www.theringer.com/2025/10/03/movies/certain-women-best-movies-21st-century

    https://seventh-row.com/2017/02/10/kelly-reichardt-certain-women-interview/

    https://www.independent.co.uk/arts-entertainment/films/features/certain-womens-kelly-reichardt-interview-michelle-williams-laura-dern-kristen-stewart-lily-gladstone-a7615271.html

    https://www.refinery29.com/en-gb/2017/02/142090/certain-women-kelly-reichardt-film-director-interview

    https://thefilmstage.com/lily-gladstone-talks-certain-women-kelly-reichardts-genius-and-native-american-roles/

    https://www.nylon.com/articles/kelly-reichardt-certain-women-interview

    https://www.theupcoming.co.uk/2017/03/03/certain-women-an-interview-with-director-kelly-reichardt/


    Outro Song:
    The Night They Drove Old Dixie Down by Joan Baez

    Films Mentioned:

    The American Friend (Wim Wenders 1977)

    Tokyo Story (Yasujirō Ozu 1953)

    Old Joy (Kelly Reichardt 2006)

    Wendy and Lucy (Kelly Reichardt 2008)

    Night Moves (Kelly Reichardt 2013)

    River of Grass (Kelly Reichardt 1994)

    First Cow (Kelly Reichardt 2019)

    The Mastermind (Kelly Reichardt 2025)

    Meek’s Cutoff (Kelly Reichardt 2010)

    Elephant Man (David Lynch 1980)

    No Country for Old Men (Joel & Ethan Coen 2007)

    Chungking Express (Wong Kar-wai 1994)

    Paris, Texas (Wim Wender 1984)

    May December (Todd Haynes 2023)

    Carol (Todd Haynes 2015)

    Collateral (Michal Mann 2004)

    Face/Off (John Woo 1997)

    Cloud (Kiyoshi Kurosawa 2024)

    Killers of the Flower Moon (Martin Scorsese 2023)

    Breaking The Waves (Lars von Trier 1996)

    Desert Hearts (Donna Deitch 1986)

    Listen to full episode :

    068 - Certain Women (Kelly Reichardt 2016) w/ Peter Merriman
    Seeing Faces in Movies
    Download
    1 hr 13 min
  • Miracle Mile (Steve De Jarnatt 1988) w/ Joey Gantner (Out of the Podcast)
     

    It’s bonus episode time.

    In today’s Special Features episode Felicia is joined once again by the great Joey Gantner to discuss the world ending in the 80s, in Steve De Jarnatt’s Miracle Mile (1988).

    We chat about why LA makes a great backdrop for so many memorable films, and why this story is even more relevant in today’s climate.

    Send us your thoughts on the film and let us know by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episodes with Joey here:
    To Live and Die in L.A. (D.O.P. Robby Müller 1985)
    Repo Man (Alex Cox 1984)


    Follow Joey here:
    Spotify: Out of the Podcast
    Tape Record Label: sludge-people.com
    IG: @sludgepeople
    IG: @outofthepodcast


    Outro Song:

    Teetering Scales by Tangerine Dream

    Sources:

    https://collider.com/miracle-mile-1988/

    https://filmstories.co.uk/features/miracle-mile-director-steve-de-jarnatts-1988-film-is-still-one-of-the-best-nuclear-armageddon-thrillers/

    https://lovehorror.co.uk/horror-reviews/55993/miracle-mile-1988-review/

    https://www.denofgeek.com/movies/miracle-mile-1988-review/

    https://journeysindarknessandlight.wordpress.com/2017/08/14/miracle-mile-1988-steve-de-jarnatt/

    https://www.newspapers.com/article/tampa-bay-times-miracle-mile/100553558/

    https://vhsrevival.com/2023/09/09/the-bomb-that-will-bring-us-together-miracle-miles-quirky-reflections-on-nuclear-holocaust/

    https://itcamefromblog.com/2020/02/11/the-everlasting-impact-of-miracle-mile/

    https://popdose.com/the-popdose-interview-steve-de-jarnatt/

    https://www.stevedejarnatt.net/media

    https://www.money-into-light.com/2015/11/an-interview-with-steve-de-jarnatt-part_8.html

    Films Mentioned:
    Repo Man (Alex Cox 1984)

    To Live and Die in L.A. (William Friedkin 1985)

    Cherry 2000 (Steve De Jarnatt 1987)

    Twilight Zone: The Movie (John Landis, Joe Dante, George Miller, Steven Spielberg 1983)

    Wayne’s World (Penelope Spheeris 1992)

    Dawn of the Dead (George A. Romero 1978)

    Strange Brew (Rick Moranis, Dave Thomas 1983)

    Over The Top (Menahem Golan 1987)

    Tarzana (Steve De Jarnatt 1978)

    Revenge of the Nerds (Jeff Kanew 1984)

    Top Gun (Tony Scott 1986)

    Peggy’s Sue Got Married (Francis Ford Coppola 1986)

    Tarantula (Jack Arnold 1955)

    Revenge of the Creature (Jack Arnold 1955)

    The Mole People (Virgil W. Vogel 1956)

    Citizen Kane (Orson Welles 1941)

    Kiss Me Deadly (Robert Aldrich 1955)

    Children on Men (Alfonso Cuarón 1986)

    After Hours (Martin Scorsese 1985)

    Love Lies Bleeding (Rose Glass 2024)

    The Holy Mountain (Alejandro Jodorowsky 1973)

    Nymphomaniac (Lars von Trier 2013)


    Listen to full episode :

    Special Features - Miracle Mile (Steve De Jarnatt 1988) w/ Joey Gantner (Out of the Podcast)
    Seeing Faces in Movies
    Download
    1 hr 18 min
  • Written on the Wind (Douglas Sirk 1956) w/ Ben Turnbull (The Franchisees Podcast
     

    Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk’s Written on the Wind (1956).

    We chat about the earnest approach Sirk takes to all of his films and specifically a high tense story such as this one.

    This is the series finale and one of my favourite month’s of the show so far. It was fascinating learning more about Sirk’s life and I hope we encouraged you to seek out more of his work.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Follow Ben Here:

    The Franchisees Podcast on Spotify: @TheFranchisees

    Letterboxd: @ben_turnbull

    Twitter: @FartonFink

    IG: @benjamin.turnbull


    Sources:

    Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.

    https://www.criterion.com/current/posts/7680-written-on-the-wind-no-good-end

    https://www.criterion.com/current/posts/97-written-on-the-wind

    https://www.sensesofcinema.com/2005/feature-articles/sirk-2/

    https://www.filmcomment.com/article/melodrama-and-the-new-woman/

    https://www.filmcomment.com/article/sirkumstantial-evidence/

    https://www.newyorker.com/culture/richard-brody/movie-of-the-week-written-on-the-wind

    Outro Song:
    Main Title from Written on the Wind by Frank Skinner

    Films Mentioned:

    Saw (Franchise)

    Interview With a Vampire (Neil Jordan 1994)

    Queen of the Damned (Michael Rymer 2002)

    Through a Glass Darkly (Ingmar Bergman 1961)

    Winter Light (Ingmar Bergman 1963)

    The Silence (Ingmar Bergman 1963)

    Dogville (Lars von Trier 2003)

    Manderlay (Lars von Trier  2005)

    Imitation of Life (Douglas Sirk 1959) 

    Magnificent Obsession (Douglas Sirk 1954)

    My Winnipeg (Guy Maddin 2007)

    There’s Always Tomorrow (Douglas Sirk 1956)

    Mulholland Drive (David Lynch 2001)

    Rebel Without a Cause (Nicholas Ray 1955)

    Ali: Fear Eats the Soul (Rainer Werner Fassbinder 1974)

    May December (Todd Haynes 2023)

    The Go-Between (Joseph Losey 1971)

    Far From Heaven (Todd Haynes 2002)

    Lured (Douglas Sirk 1947)

    The Tarnished Angels (Douglas Sirk 1957)

    Battle Hymn (Douglas Sirk 1957)

    A Time to Love and a Time to Die (Douglas Sirk 1958)

    Airplane! (David Zucker, Jerry Zucker, Jim Abrahams 1980)

    Lust for Life (Vincente Minnelli 1956)

    Double Indemnity (Billy Wilder 1944)

    Psycho (Alfred Hitchcock 1960)

    The Ascent (Larisa Shepitko 1977)

    Peyton Place (Mark Robson 1957)

    Bigger Than Life (Nicholas Ray 1956)

    Murder By Decree (Bob Clark 1979)

    Lolita (Stanley Kubrick 1962)

    What Ever Happened to Baby Jane (Robert Aldrich 1962)

    What Ever Happened to Aunt Alice? (Lee H. Katzin 1969)

    Listen to full episode :

    067 - Written on the Wind (Douglas Sirk 1956) w/ Ben Turnbull (The Franchisees Podcast)
    Seeing Faces in Movies
    Download
    1 hr 42 min
  • All That Heaven Allows (Douglas Sirk 1955) w/ Jane Waldner
     

    Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk’s All That Heaven Allows (1955).

    We chat about the tropes in so-called women’s pictures and how Sirk takes those concepts and elevates them into high art.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episodes:
    Faces Place (Agnès Varda & J.R. 2017)
    Funny Games (Michael Haneke 1997 & 2007)


    Sources:

    Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.

    https://www.criterion.com/current/posts/96-all-that-heaven-allows-an-articulate-screen

    https://www.criterion.com/current/posts/3200-jane-wyman-and-all-that-heaven-allows

    https://hollywoodsuite.ca/all-that-heaven-allows-1955-melodrama-as-cultural-critique/

    https://medium.com/feverdreams/beneath-the-surface-all-that-heaven-allows-1955-7ef8a3f0f0a7

    https://cinema-cities.com/2016/06/17/falling-for-rock-hudson-in-all-that-heaven-allows-1955/

    https://www.sensesofcinema.com/2005/feature-articles/sirk-2/


    Outro Song:
    Main Theme in All That Heaven Allows by Frank Skinner

    Films Mentioned:

    Faces Places (Agnès Varda & J.R. 2017)

    Funny Games (Michael Haneke 1997 & 2007)

    Imitation of Life (Douglas Sirk 1959)

    One Battle After Another (Paul Thomas Anderson 2025)

    10 Things I Hate About You (Gil Junger 1999)

    Blue Velvet (David Lynch 1986)

    Polyester (John Waters 1981)

    The Graduate (Mike Nichols 1967)

    Sorry, Baby (Eva Victor 2025)

    The Tarnished Angels (Douglas Sirk 1957)

    Licorice Pizza (Paul Thomas Anderson 2021)

    Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)

    Edward Scissorhands (Tim Burton 1990)

    Listen to full episode :

    066 - All That Heaven Allows (Douglas Sirk 1955) w/ Jane Waldner
    Seeing Faces in Movies
    Download
    1 hr 29 min
  • The Tarnished Angels (Douglas Sirk 1957) w/ Darragh McGrath
     

    Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.

    We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episodes:
    Ace in the Hole (Billy Wilder 1951)
    Straight Time (Ulu Grosbard 1978)
    Minnie and Moskowitz (John Cassavetes 1971)


    Sources:

    Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.

    https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review

    https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html

    https://www.cineaste.com/fall2019/the-tarnished-angels

    https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels

    http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/

    https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf


    Outro Song:
    Main Title from The Tarnished Angels by Frank Skinner

    Films Mentioned:

    Ace in the Hole (Billy Wilder 1951)

    Straight Time (Ulu Grosbard 1978)

    Minnie and Moskowitz (John Cassavetes 1971)

    Far From Heaven (Todd Haynes 2002)

    All That Heaven Allows (Douglas Sirk 1955)

    Magnificent Obsession (Douglas Sirk 1954)

    Written on the Wind (Douglas Sirk 1956)

    Imitation of Life (Douglas Sirk 1959)

    Giant (George Stevens 1956)

    The Big Country (William Wyler 1958)

    Jubal (Delmer Daves 1956)

    Interlude (Douglas Sirk 1957)

    Summertime (David Lean 1955)

    A Time to Love and a Time to Die (Douglas Sirk 1958)

    Blue Velvet (David Lynch 1986)

    Twin Peaks: Fire Walk With Me (David Lynch 1992)

    Has Anybody Seen My Gal (Douglas Sirk 1952)

    Seconds (John Frakenheimer 1966)

    Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)

    Lonelyhearts (Vincent J. Donehue 1958)

    The Gypsy Moths (John Frankenheimer 1969)

    Dodsworth (William Wyler 1936)

    Listen to full episode :

    065 - The Tarnished Angels (Douglas Sirk 1957) w/ Darragh McGrath
    Seeing Faces in Movies
    Download
    1 hr 29 min
  • Magnificent Obsession (Douglas Sirk 1954) w/ Josh Cooley
     

    Felicia is joined by Josh Cooley to discuss why it’s important to consider melodrama in a positive light through Douglas Sirk’s Magnificent Obsession (1954).

    We chat about why Sirk was considered a ‘woman’s picture’ director, and why that work lead to some of the most beautiful imagery put on screen.

    This is the first installment in the Sirk series and an important one to listen to as we give a lot of background into his life in Germany, and how he ended up in Hollywood.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episode:
    Naked Lunch (David Cronenberg 1991)


    Sources:

    Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.

    https://calgarycinema.org/blog/2021/8/magnificent-obsession-1954-douglas-sirk

    https://inreviewonline.com/2024/08/19/magnificent-obsession/

    https://scenebygreen.com/2022/04/20/magnificent-obsession-1954/

    https://www.criterion.com/current/posts/1006-magnificent-obsessions

    https://www.criterion.com/current/posts/6549-sirk-in-the-sun

    https://criterionreflections.blogspot.com/2010/04/magnificent-obsession-1954-457.html

    https://www.sensesofcinema.com/2014/feature-articles/obsessions-imitations-subversions-on-magnificent-obsession-part-one/

    https://thatshelf.com/guy-maddin-talks-magnificent-obsession-at-tiff/


    Outro Song:
    Theme from Magnificent Obsession by Frank Skinner

    Films Mentioned:

    Naked Lunch (David Cronenberg 1991)

    Written on the Wind (Douglas Sirk 1956)

    Imitation of Life (Douglas Sirk 1959)

    All That  Heaven Allows (Douglas Sirk 1955)

    The Tarnished Angels (Douglas Sirk 1957)

    Far From Heaven (Todd Haynes 2002)

    Magnificent Obsession (John M. Stahl 1935)

    Dead Ringers (David Cronenberg 1988)

    Her (Spike Jonze 2013)

    The Wizard of Oz (Victor Fleming 1939)

    Lola Montès (Max Ophüls 1955)

    Meet Joe Black (Martin Brest 1998)

    Taza, Son of Cochise (Douglas Sirk 1954)

    Giant (George Stevens 1956)

    Sign of the Pagan (Douglas Sirk 1954)

    The Client (Joel Schumacher 1994)

    Flatliners (Joel Schumacher 1990)

    A Time to Kill (Joel Schumacher 1996)

    Falling Down (Joel Schumacher 1993)

    St. Elmo’s Fire (Joel Schumacher 1985)

    The Incredible Shrinking Woman (Joel Schumacher 1981)

    Ocean’s Eleven (Steven Soderbergh 2001)

    Amélie (Jean-Pierre Jeunet 2001)

    Pay It Forward (Mimi Leder 2000)

    Pollyanna (David Swift 1960)

    Citizen Kane (Orson Welles 1941)

    Peter Ibbetson (Henry Hathaway 1935)

    Eyes Wide Shut (Stanley Kubrick 1999)

    Listen to full episode :

    064 - Magnificent Obsession (Douglas Sirk 1954) w/ Josh Cooley
    Seeing Faces in Movies
    Download
    1 hr 30 min
  • Antichrist (Lars von Trier 2009) w/ Ben Vargas
     

    Felicia is joined by Ben Vargas to discuss the weight of parental guilt as it is manifested through Lars von Trier’s Antichrist (2009).

    We discuss the ways in which Lars von Trier portrays raw emotions on film, and why filmmakers aren’t often as brave when it comes to showing their audience the ugly side of grief.

    This is the last installment in the Lars von Trier series, thanks for following along. It was a heavy one but sometimes it’s good to let your emotions free flow.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episodes:
    Winter Light (Ingmar Bergman 1963)
    Woman in the Dunes (Hiroshi Teshigahara 1964)


    Follow Ben here:
    IG: @macefffron
    Twitter: @bensower
    Twitter: @cinemashitshow
    Spotify: @cinemashitshow
    Apple Podcasts: @cinemashitshow


    Sources:

    https://www.theguardian.com/film/2009/jul/16/antichrist-lars-von-trier-feminism

    https://charlieceratops.medium.com/lets-talk-about-lars-von-trier-s-antichrist-2009-b6f6586a2c97

    https://www.criterion.com/current/top-10-lists/247-ana-lily-amirpour-s-top-10

    Outro Song:
    The Witch by The Gruesomes

    Films Mentioned:

    Woman in the Dunes (Hiroshi Teshigahara 1964)

    Winter Light (Ingmar Bergman 1963) 

    The Celebration (Thomas Vinterberg 1998)

    Melancholia (Lars von Trier 2011)

    Nymphomaniac (Lars von Trier 2013)

    To Each His Own (Various 2007)

    Dimension (Lars von Trier 2010)

    Melancholia (Lars von Trier 2011)

    Slumdog Millionaire (Danny Boyle 2008)

    127 Hours (Danny Boyle 2010)

    Europa (Lars von Trier 1991)

    The House That Jack Built (Lars von Trier 2018)

    Rabbit Hole (John Cameron Mitchell 2010)

    Manchester by the Sea (Kenneth Lonergan 2016)

    Shortbus (John Cameron Mitchell 2006)

    Hedwig and the Angry Inch (John Cameron Mitchell 2001)

    The Devils (Ken Russell 1971)

    Listen to full episode :

    063 - Antichrist (Lars von Trier 2009) w/ Ben Vargas (Cinema Shitshow Podcast)
    Seeing Faces in Movies
    Download
    54 min
  • Melancholia (Lars von Trier 2011) w/ Jeanmarie Vargas
     

    Felicia is joined by Jeanmarie Vargas to discuss the concept of inherent depression through Lars von Trier’s Melancholia (2011).

    We chat about Lars von Trier’s desire to break down his own battles with depression through these characters, along with the importance of Wagner in his work.

    Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

    Listen to our previous episode:
    The Piano Teacher (Michael Haneke 2001)


    Follow Jeanmarie here:
    Movie Friends Podcast - That’s Messed Up Series on Patreon: https://www.moviefriendspodcast.com/
    Spotify:@MovieFriendsPodcast
    Apple Podcasts: @MovieFriendsPodcast
    Twitter: @jeanmarievargas


    Sources:

    https://thereveal.substack.com/p/melancholia-at-10-a-decade-of-waiting

    https://www.bbc.com/culture/article/20210512-is-melancholia-the-greatest-film-about-depression-ever-made

    https://flipscreened.com/2021/05/04/melancholia-2011-and-how-i-learned-to-stop-worrying-and-love-the-planet/

    https://charlieceratops.medium.com/the-devastating-beauty-of-melancholia-2011-fb898b41ec85

    http://www.cinemablography.org/the-existential-philosophy-of-melancholia.html

    https://disobedientsounds.com/2021/04/29/melancholia-and-the-infinite-sadness/

    https://www.sensesofcinema.com/2024/film-and-the-nonhuman/is-the-earth-fucked-lars-von-triers-melancholia-2011-albrecht-durers-melencolia-1-1514/

    https://www.sensesofcinema.com/2011/feature-articles/the-lonely-planet-lars-von-triers-melancholia/

    Outro Song:
    Credits (Tristan and Isolde) by Richard Wagner and City Of Prague Philharmonic Orchestra

    Films Mentioned:

    The Piano Teacher (Michael Haneke 2001)

    Antichrist (Lars von Trier 2009)

    Nymphomaniac (Lars von Trier 2013)

    Dimension (Lars von Trier 2010)

    The Mirror (Andrei Tarkovsky 1975)

    Cries and Whispers (Ingmar Bergman 1972)

    Listen to full episode :

    062 - Melancholia (Lars von Trier 2011) w/ Jeanmarie Vargas
    Seeing Faces in Movies
    Download
    58 min

About SEEING FACES IN MOVIES

From the publisher's feed

Seeing Faces in Movies is a podcast where every month the works of a different director or cinematographer is put in focus. Each week a guest is invited on to discuss a film in the artist's…

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