In this episode I speak with Shannon Knox. She is an artist and activist based out of Oakland, California. We talk about her beginnings as an art school dropout and moving into the punk scene at an early age. Learning how to silkscreen, she began making patches and selling them on the streets at a time when she couldn’t find work. Her art became distinctly recognizable, with her trademark black and white ink taking shape into political and often controversial imagery. Shannon’s work has been used to raise money for causes, it’s been worn by the likes of Jello Biafra, and it’s made it onto the cover of the Leftover Crack album Constructs of the State. Shannon speaks about why she doesn’t want art to be her main source of income, working with harm reduction programs, and why it’s so important for women in the scene to stick together.
@shannonkknox
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