In this episode of Shutter Nonsense, Michael and Jeffrey talk about the messy, subjective, and sometimes frustrating process of evaluating your own photography.
They dig into what happens after a trip, from the first Lightroom pass to choosing which images deserve more attention, which ones fall short, and which ones might have potential even if they do not immediately jump off the screen. The conversation gets into culling, sharpness, composition, edge patrol, raw files that look flat, and the role gut feeling plays when deciding whether an image is worth editing.
They also talk about feedback, including when it helps, when it becomes overwhelming, and how to decide whose critique is actually worth listening to. From one-on-one input to camera clubs, Discord groups, and online critique communities, Michael and Jeffrey discuss the balance between staying open to outside perspectives and trusting your own creative instincts.
The episode also covers knowing when an edit is done, the danger of chasing perfection, why printing can reveal flaws that are easy to miss on a monitor, and how looking back at your larger body of work can help you see growth, stagnation, and changes in your photographic style over time.
Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and we’d love to hear your thoughts on culling, editing, critique, printing, creative growth, or anything else this episode brings up.
👉 https://www.patreon.com/ShutterNonsense
Highlights:
How Michael and Jeffrey approach their first pass through new imagesWhy Jeffrey often waits weeks before seriously reviewing his photosThe role of sharpness, composition, light, and edge patrol when culling imagesWhy raw files can feel discouraging before an edit brings out their potentialHow gut feeling and experience shape image selectionWhen outside feedback helps, and when it can become noiseThe value of choosing critique from photographers whose work you respectWhy good feedback does not always mean you have to follow itKnowing when an edit is done and when good enough really is good enoughHow printing can reveal flaws, tonal issues, and composition problemsLooking at your body of work as a way to measure growth and creative evolutionRelated Links:
Michael’s PhotoPack Pro app: https://www.photopackpro.comPhotographer’s Guide to Yellowstone and the Tetons: https://amzn.to/3Sw1KVB (Amazon affiliate link)50 Jackson Hole Photography Hotspots: https://amzn.to/4ezfxC8 (Amazon affiliate link)Michael’s free Smoky Mountains ebook: https://tinyurl.com/23fkb2cn Michael’s other free ebooks: https://www.michaelrungphotography.com/free-ebooks Ben Horne: https://www.benhorne.com Jeffrey’s presentation offerings: https://jeffreytadlock.com/talksMichael’s rating and culling process: https://www.michaelrungphotography.com/post/pro-tips-for-using-ratings-color-labelsRethink Landscape Toolkit: https://www.exploringexposure.com/products/rethink-landscapeAlex Noriega: https://www.alexnoriega.com/Eric Bennett: https://www.bennettfilm.com/LPW Discord: https://discord.gg/xqwVXAJw Nature Photographers Network: https://www.naturephotographers.network/Gary Randall: https://www.gary-randall.com/Sarah Marino: https://www.smallscenes.com/New Mexico Fine Art: https://nmfa.io/