Alain Seguin is a Canadian animator whose filmography and knowledge outstretches the tail end of the 20th century onward. Having really made his place in Montreal, much of his skill set can be somewhat compared to the training of traditional animators during the Golden Age. Like his colleague Samuel Cabanac and the legendary Andreas Deja, he strongly believes that pushing your work will get you further as an artist.
From Pascal Blais to ToonDraw to the critically acclaimed Tonic DNA, he has been through the general nuts of bolts one may expect in the creative process of animation. These range from storyboarding, to illustration, to design work and even character animation. With over twenty years of hard earned work, he has been contributing to the art of traditional hand-drawn moving images that has almost been lost in his home country.
To this day, he happens to be a supervising animator at Tonic DNA on the new Looney Tunes cartoons featured on Warner Bros’ new streaming service, HBO Max. Being admirers of the newer works, it was only fitting that me and my pal Luke Perkins would interview Seguin on his output during the making of these shorts. Luke especially has been able to identify his shots thanks to his persistence of chronicling the hard work the animators behind these gems. It’ll only be a matter of time before these cartoons share the same legacy as their predecessors.
All three of us spoke via Facebook Messenger on September 7th, 2020. We started by asking Mr. Seguin about what the day in the life of an animator on these new Looney Tunes cartoons are like.
Original air date: December 11th, 2020