Something Rather Than Nothing

With ancestral roots in the Lheidli T’enneh, Cree and Secwépemc Nations, KYM GOUCHIE is fostering change through her music and art. Her music brings awareness to First Nations and women’s issues, promoting reconciliation and community building while reminding us that we are all in this together. Her stories are a testament to the human spirit, weaving together threads of her own journey from personal tragedy to triumph. 

Kym’s traditional hand drum, clean, crisp acoustic guitar and full-bodied voice make her a powerful solo artist. She also performs as a duo, trio and full band, adding in vocal harmonies, keyboard, electric guitar, mandolin, banjo and cello by talented accompanists. Traditional First Nations, folk, and country tones alongside poignant and inspirational lyrics capture the hearts of young and old — her genuine and heartfelt performances have a profound and sometimes emotional impact on their audience. 

A respected elder-in-training of the Lheidli T’enneh Nation, also known as Prince George, BC, Kym is sought after to perform and speak at traditional welcoming ceremonies, cultural gatherings, schools, and conferences.

https://kymgouchie.com/

With ancestral roots in the Lheidli T’enneh, Cree and Secwépemc Nations, KYM GOUCHIE is fostering change through her music and art. Her music brings awareness to First Nations and women’s issues, promoting reconciliation and community building while reminding us that we are all in this together. Her stories are a testament to the human spirit, weaving together threads of her own journey from personal tragedy to triumph. 

Kym’s traditional hand drum, clean, crisp acoustic guitar and full-bodied voice make her a powerful solo artist. She also performs as a duo, trio and full band, adding in vocal harmonies, keyboard, electric guitar, mandolin, banjo and cello by talented accompanists. Traditional First Nations, folk, and country tones alongside poignant and inspirational lyrics capture the hearts of young and old — her genuine and heartfelt performances have a profound and sometimes emotional impact on their audience. 

A respected elder-in-training of the Lheidli T’enneh Nation, also known as Prince George, BC, Kym is sought after to perform and speak at traditional welcoming ceremonies, cultural gatherings, schools, and conferences.

Jessica McDiarmid is a Canadian journalist who has worked across North America and Africa, writing for publications such as the Toronto Star, the Associated Press, Maisonneuve, Canadian Business and the Harvard Review. Highway of Tears is her first book. She lives in British Columbia. 

For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in northwestern British Columbia. The highway is known as the Highway of Tears, and it has come to symbolize a national crisis. 

Journalist Jessica McDiarmid meticulously investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference has created a climate where Indigenous women and girls are over-policed, yet under-protected. Through interviews with those closest to the victims–mothers and fathers, siblings and friends –McDiarmid provides an intimate, first-hand account of their loss and unflagging fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada–now estimated to number up to 4,000–contextualizing them within a broader examination of the undervaluing of Indigenous lives in the country. 

Highway of Tears is a piercing exploration of our ongoing failure to provide justice for missing and murdered Indigenous women and girls, and testament to their families and communities’ unwavering determination to find it.

http://jessicamcdiarmid.com/

Jessica McDiarmid is a Canadian journalist who has worked across North America and Africa, writing for publications such as the Toronto Star, the Associated Press, Maisonneuve, Canadian Business and the Harvard Review. Highway of Tears is her first book. She lives in British Columbia.

For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in northwestern British Columbia. The highway is known as the Highway of Tears, and it has come to symbolize a national crisis.

Journalist Jessica McDiarmid meticulously investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference has created a climate where Indigenous women and girls are over-policed, yet under-protected. Through interviews with those closest to the victims–mothers and fathers, siblings and friends –McDiarmid provides an intimate, first-hand account of their loss and unflagging fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada–now estimated to number up to 4,000–contextualizing them within a broader examination of the undervaluing of Indigenous lives in the country.

Highway of Tears is a piercing exploration of our ongoing failure to provide justice for missing and murdered Indigenous women and girls, and testament to their families and communities’ unwavering determination to find it.

Benjamin Gorman is the author of The Sum of Our Gods (2013, Not a Pipe Publishing), Corporate High School (2015, Not a Pipe Publishing), and The Digital Storm: A Science Fiction Reimagining of William Shakespeare's The Tempest (2017, Not a Pipe Publishing), and Don’t Read This Book (2019, Not a Pipe Publishing). Corporate High School became an Amazon bestseller in 2016, and The Digital Storm was named a “Top Five Book Pick” by the San Diego Union Tribune. Benjamin is a high school English teacher. He lives in Independence, Oregon with his son, Noah. Benjamin believes in human beings and the power of their stories. He places his confidence in his students and the world they will choose to create if given the chance.

Benjamin was born in Michigan, grew up in Illinois, California, and Ohio, and graduated with a BA from Whitworth University in Washington before moving to Oregon to get an MAT at George Fox University. He teaches at Central High School and loves his job. He’s passionate about the classes he teaches, like Creative Writing and Science Fiction Literature, but he enjoys the students even more than the content. 

He is a strong advocate for public education and for elevating and honoring the profession of teaching, so he served as the president of his local teachers’ union and now serves on the board of the Oregon Education Association. He has also been named to the National Writing Project's Writer's Council. 

Meanwhile, he writes every chance he gets. In 2013, he decided to start his own publishing company, Not a Pipe Publishing, and venture into the exciting and growing independent publishing industry.  “I’m luckier than a lot of writers who slog their way through day jobs they hate. I get to work on my craft with the help of my students at a job I love, and as we learn together, I get better. I hope that shows in The Sum of Our Gods, Corporate High School, The Digital Storm, and Don’t Read This Book. Like much of the union work I’ve done at the bargaining table, the meaning of a novel is a negotiation between the reader and the writer. I hope I’ve brought my readers a fair offer, something they’ll be pleased to accept.”

http://www.notapipepublishing.com/benjamin-gorman

Benjamin Gorman is the author of The Sum of Our Gods (2013, Not a Pipe Publishing), Corporate High School (2015, Not a Pipe Publishing), and The Digital Storm: A Science Fiction Reimagining of William Shakespeare's The Tempest (2017, Not a Pipe Publishing), and Don’t Read This Book (2019, Not a Pipe Publishing). Corporate High School became an Amazon bestseller in 2016, and The Digital Storm was named a “Top Five Book Pick” by the San Diego Union Tribune. Benjamin is a high school English teacher. He lives in Independence, Oregon with his son, Noah. Benjamin believes in human beings and the power of their stories. He places his confidence in his students and the world they will choose to create if given the chance.

Benjamin was born in Michigan, grew up in Illinois, California, and Ohio, and graduated with a BA from Whitworth University in Washington before moving to Oregon to get an MAT at George Fox University. He teaches at Central High School and loves his job. He’s passionate about the classes he teaches, like Creative Writing and Science Fiction Literature, but he enjoys the students even more than the content.

He is a strong advocate for public education and for elevating and honoring the profession of teaching, so he served as the president of his local teachers’ union and now serves on the board of the Oregon Education Association. He has also been named to the National Writing Project's Writer's Council.

Meanwhile, he writes every chance he gets. In 2013, he decided to start his own publishing company, Not a Pipe Publishing, and venture into the exciting and growing independent publishing industry.  “I’m luckier than a lot of writers who slog their way through day jobs they hate. I get to work on my craft with the help of my students at a job I love, and as we learn together, I get better. I hope that shows in The Sum of Our Gods, Corporate High School, The Digital Storm, and Don’t Read This Book. Like much of the union work I’ve done at the bargaining table, the meaning of a novel is a negotiation between the reader and the writer. I hope I’ve brought my readers a fair offer, something they’ll be pleased to accept.”

Interdisciplinary artist avery r. young is a 3Arts Award winning teaching artist, composer and producer with work that spans the genres of music, performance, visual arts and literature.  Examining and celebrating Black American history and culture, his work also focuses in the areas of social justice, equity, queer identity, misogyny, and body consciousness. As a writer, this Cave Canem alum has work featured in The Breakbeat Poets, Coon Bidness, to be left with the body, and Make Magazine. He has also written curriculum and essays on arts education that appear in the Teaching Artist Journal and A.I.M. Print.

Dubbed “sunday mornin jook joint,” his performance and work in sound design merges spiritual and secular aesthetics with dramatic and comedic sensibilities. He has performed at the Hip Hop Theater Festival, Wordstock, and Lollapalooza. He has recorded with house producers Anthony Nicholson and Charlie Dark, and is featured on recordings such as New World Reveal-A-Solution, Audio Truism, Catfish Haven’s Devastator, and New Skool Poetiks. His new full-length release, booker t. soltreyne: a race rekkid, features songs and other sound designed created during his artist residency with the University of Chicago's Arts + Public Life initiative.  It was during this residency that he worked on sound design and poems called "cullud sign(s)."

Through voice, sound, visual art, and performance, young is constantly exploring the forms and spaces in which poetry can exist. Most recently, he is the vocalist on flutist Nicole Mitchell’s Mandorla Awakening (FPE Records) and his poetry is featured in photographer and fellow 3Arts awardee Cecil McDonald Jr.’s debut book, In the Company of Black (Candor Arts).

Young’s first book neckbone (Northwestern University Press) is out on the shelves now. He is currently one of four directors for the Floating Museum and touring with his band, avery r. young & de deacon board. New album Tubman. is available via all major musical outlets.

https://www.averyryoung.com/

Interdisciplinary artist avery r. young is a 3Arts Award winning teaching artist, composer and producer with work that spans the genres of music, performance, visual arts and literature.  Examining and celebrating Black American history and culture, his work also focuses in the areas of social justice, equity, queer identity, misogyny, and body consciousness. As a writer, this Cave Canem alum has work featured in The Breakbeat Poets, Coon Bidness, to be left with the body, and Make Magazine. He has also written curriculum and essays on arts education that appear in the Teaching Artist Journal and A.I.M. Print.

Dubbed “sunday mornin jook joint,” his performance and work in sound design merges spiritual and secular aesthetics with dramatic and comedic sensibilities. He has performed at the Hip Hop Theater Festival, Wordstock, and Lollapalooza. He has recorded with house producers Anthony Nicholson and Charlie Dark, and is featured on recordings such as New World Reveal-A-Solution, Audio Truism, Catfish Haven’s Devastator, and New Skool Poetiks. His new full-length release, booker t. soltreyne: a race rekkid, features songs and other sound designed created during his artist residency with the University of Chicago's Arts + Public Life initiative.  It was during this residency that he worked on sound design and poems called "cullud sign(s)."

Through voice, sound, visual art, and performance, young is constantly exploring the forms and spaces in which poetry can exist. Most recently, he is the vocalist on flutist Nicole Mitchell’s Mandorla Awakening (FPE Records) and his poetry is featured in photographer and fellow 3Arts awardee Cecil McDonald Jr.’s debut book, In the Company of Black (Candor Arts).

Young’s first book neckbone (Northwestern University Press) is out on the shelves now. He is currently one of four directors for the Floating Museum and touring with his band, avery r. young & de deacon board. New album Tubman. is available via all major musical outlets.

Rachel Lally is an actor, writer, model, director, street theatre performer, poet and drama facilitator who trained with Crooked House Theatre Company and Kildare Youth Theatre before going on to obtain her MA in Theatre from The Gaiety School of Acting and NUI Maynooth. 

Rachel has toured as an actor (and briefly, folk metal singer with Cruachan) both nationally and internationally as well as appearing in a number of films, theatre productions, music videos and TV commercials over the years. She is passionate about accessibility to the arts for people of all ages. Most recently she has performed her poetry in the Axis Theatre, performed with Giant Wolf Theatre (of which she is a member) in the Edinburgh Fringe Festival, toured Ireland with the Moat Theatre production of 'Push Up' as well as directing a number of community and youth productions and is currently developing a new piece of work for stage. 

Rachel Lally is the voice of SRTN.

https://youtube.com/@rachellally

Rachel Lally is an actor, writer, model, director, street theatre performer, poet and drama facilitator who trained with Crooked House Theatre Company and Kildare Youth Theatre before going on to obtain her MA in Theatre from The Gaiety School of Acting and NUI Maynooth.

Rachel has toured as an actor (and briefly, folk metal singer with Cruachan) both nationally and internationally as well as appearing in a number of films, theatre productions, music videos and TV commercials over the years. She is passionate about accessibility to the arts for people of all ages. Most recently she has performed her poetry in the Axis Theatre, performed with Giant Wolf Theatre (of which she is a member) in the Edinburgh Fringe Festival, toured Ireland with the Moat Theatre production of 'Push Up' as well as directing a number of community and youth productions and is currently developing a new piece of work for stage.

During the COVID crisis, she has created the Podcast '6 of 1 and Half a Dozen of the Other' which asks a panel of Irish Artists to discuss thought experiments and is working on some writing and other creative projects for streaming.