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References

Camlot, Jason. Phonopoetics: The Making of Early Literary Recordings. Stanford Universiy Press, 2019. https://www.sup.org/books/title/?id=23893

---. "Historicist Audio Forensics: The Archive of Voices as Repository of Material and Conceptual Artefacts." 19: Interdisciplinary Studies in the Long Nineteenth Century 21 (2015). https://www.19.bbk.ac.uk/articles/10.16995/ntn.744/

Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism. Oxford: Oxford University Press, 2000.

Ernst, Wolfgang. Digital Memory and the Archive. Ed. Jussi Parikka. Minnesota: University of Minnesota Press, 2013.

Feaster, Patrick. "Framing the Mechanical Voice: Generic Conventions of Early Sound Recording."
Folklore Forum 32 (2001): 57-102.

Gitelman, Lisa. Scripts, Grooves and Writing Machines: Representing Technology in the Edison Era.

Stanford, CA: Stanford UP, 1999.

Naremore, James. Acting in the Cinema. Berkeley: University of California Press, 1988.

Rubery, Matthew. The Untold Story of the Talking Book. Cambridge, MA: Harvard UP, 2016.

Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC and London, UK: Duke
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UCSB Cylinder Audio Archive, http://cylinders.library.ucsb.edu/