In the second part of our three episode look into 1950's rock starts making music in the 1970's we take a look at the self titled debut 1970 solo album from one half of the iconic Everly Brothers, Don Everly. We also discuss the Everly Brothers career in the 70's.

We start our three episode theme of 1950's father's of rock and roll and the albums they released in the 1970's with the guitar and wordsmith genius Chuck Berry and his 1979 album "Rockit".

The last in our series of power pop albums from the late 1970's features the Los Angeles based group 20/20 and their self titled debut album from 1979.

In part 3 of our series on power pop music of the late 1970's we take a look at the English band The Records and their 1979 debut album.

In the second episode in our series dedicated to power pop music of the late 1970's we feature the Illinois band Shoes and their major label debut album from 1979 "Present Tense".

The first band in our four part series on power pop in the late 1970's is Los Angeles based The Knack and we review their 1979 debut album "Get the Knack" and talk about what power pop music is.

In the final episode of our ladies of the canyon theme, the women in Los Angeles who contributed to the music of the 1970's, we review one of the most groundbreaking albums in pop music history "Tapestry" by one of pop's greatest songwriters just starting her career as a performer Carole King.

In this episode we take a look at the career of another lady of the canyon Linda Ronstadt and review her 1977 album "Simple Dreams". Although born in Arizona Linda became famous when she moved to Los Angeles and became part of the Laurel Canyon scene.

We start our three episode look at the women at the center of the Los Angeles/Laurel Canyon music scene of the 1970's by reviewing the album that gave this theme its title, Joni Mitchell's 1970 album "Ladies of the Canyon".

There is no better way to end our four part look into reggae music of the 1970's than with the man who began this series, none other than Bob Marley whose breakthrough 1975 album Live! was the starting point for many in their recognition and love of reggae music. All hail the king!