
Sign up to save your podcasts
Or


🔮 What future project would you be excited about?
Julian de Metz from DMFKIn the world of design, the focus often shifts towards the aesthetics, materials, and technical specifications of a space. However, the true essence of great design lies in its ability to cater to the human experience. In this insightful podcast episode from "Space by Stansons," we dive deep into the design philosophy of Julian, the founding director of the acclaimed architecture firm DMFK.
Julian, a third-generation architect, trained at Moshe Safdie Associates in Boston and ORMS Architects in London before collaborating with his father on London projects. In 1998, he founded de Metz Architects, later forming dMFK with Paul Forbes and Ben Knight to ensure strong director involvement in all projects. He specializes in challenging contexts and renovation, focusing on community consultation and the planning process. Currently, he oversees various large projects, including student housing and heritage restoration. Julian is also an RIBA external examiner and a part-time lecturer at Westminster University.
✏️How he got started and set up dMFK ?
In the world of design, the focus often shifts towards the aesthetics, materials, and technical specifications of a space. However, the true essence of great design lies in its ability to cater to the human experience. In this insightful podcast episode from "Space by Stansons," we dive deep into the design philosophy of Julian, the founding director of the acclaimed architecture firm dMFK. Julian, a third-generation architect, trained at Moshe Safdie Associates in Boston and ORMS Architects in London before collaborating with his father on London projects. In 1998, he founded de Metz Architects, later forming dMFK with Paul Forbes and Ben Knight to ensure strong director involvement in all projects. He specializes in challenging contexts and renovation, focusing on community consultation and the planning process. Currently, he oversees various large projects, including student housing and heritage restoration. Julian is also an RIBA external examiner and a part-time lecturer at Westminster University.
🧠What early memory shaped your career as a designer?
Greta Kriovaite, Design Principal at Woodalls. In the latest episode of the "Space by Stansons" podcast, we had the pleasure of sitting down with Greta, the design principal at Woodalls, to delve into her experiences, insights, and dreams for the future of the design industry. This captivating conversation touched on a range of topics, from Greta's early career memories to her current projects and her vision for the ultimate workspace.
Listen to the full episode here!
In the latest episode of the "Space by Stansons" podcast, we had the pleasure of sitting down with Greta, the Design Principal at Woodalls, to delve into her experiences, insights, and dreams for the future of the design industry. This captivating conversation touched on a range of topics, from Greta's early career memories to her current projects and her vision for the ultimate workspace.
🪄What does Motive do in terms of "brand integration" and bringing a company's DNA to life?
Listen to the full episode, Rob Venice, founder of Motive. He is passionate about transforming brand identities into compelling physical spaces. In this episode of "Space by Stansons," he reflects on key milestones from his career, including a pivotal moment at Denton that set him on his path when he pitched for LinkedIn's office design with a group of junior designers. Rob also highlights his current project with Ezra, a coaching company, where he’s tasked with bringing their brand to life across offices in London, Toronto, and New York. Looking to the future, he shares his wildest dream of collaborating with Disney, a company he admires for its creative thinking and playful spirit. Throughout the conversation, Rob emphasizes the importance of brand integration and encourages aspiring entrepreneurs to embrace their journeys.
What does Motive do in terms of "brand integration" and bringing a company's DNA to life.?
On the panel we have -
Wesley Bradshaw, Product at Stansons.
Becky Spenceley, Design Director at Gensler.
Marian Anelli, Senior Associate Designer at M Moser.
Tracy Drury, Product Creative at Stansons.
In the most recent panel discussion we explored how colour affects behaviour, emotions, and productivity in the workplace. Sharing personal stories about how early colour experiences influenced their careers and discussing the scientific impacts of colour, such as how blue can enhance focus and warm tones can encourage creativity. The panel also highlighted shifting trends towards natural colours and the importance of accommodating neurodiverse needs. They encouraged designers to embrace bold, creative colour choices and shared examples of successful implementations. The discussion underscored colour's powerful role in shaping workplace environments and its potential to inspire and energize. To listen to the full episode follow Space by Stansons podcast on Spotify and Apple.
🔮 What is your colour for the future?
🟦How do you use colour for the right behaviours in space?
On the panel we have -
Wesley Bradshaw, Product at Stansons.
Becky Spenceley, Design Director at Gensler.
Marian Anelli, Senior Associate Designer at M Moser.
Tracy Drury, Product Creative at Stansons.
Exploring how colour affects behaviour, emotions, and productivity in the workplace. Sharing personal stories about how early colour experiences influenced their careers and discussing the scientific impacts of colour, such as how blue can enhance focus and warm tones can encourage creativity. The panel also highlighted shifting trends towards natural colours and the importance of accommodating neurodiverse needs. They encouraged designers to embrace bold, creative colour choices and shared examples of successful implementations. The discussion underscored colour's powerful role in shaping workplace environments and its potential to inspire and energize.
🪑What is the approach you took to reuse, resell, and responsibly dispose of the excess furniture?
Dean Connell, with over two decades in interior design, became increasingly critical of the 'take, make, waste' system prevalent in commercial real estate. As the FF&E Creative Director at WeWork in 2019, Dean saw the wastefulness of this linear approach firsthand. For the past five years, he’s been focused on understanding and addressing these issues. Global social media has made design trends instantly accessible, putting immense pressure on businesses. The current system promotes low-quality, single-use furniture that’s difficult to repair or recycle, leading to significant waste. Dean has set his sights on using his design expertise to reduce waste. He is exploring the circular economy and decided to establish design and brand values that drive change. I-AM.D.C grew from his bespoke interior design work, aiming to stand out in a competitive market by integrating circular principles and drawing inspiration from nature. By embedding circularity in his designs and proclaiming them as "I AM DESIGNED CIRCULAR," Dean ensures high standards and helps clients meet their sustainability goals. His designs are meant to be cherished, adapted, and repurposed, addressing the root causes of furniture waste.
🪑What is the approach you took to reuse, resell, and responsibly dispose of the excess furniture?
Dean Connell, with over two decades in interior design, became increasingly critical of the 'take, make, waste' system prevalent in commercial real estate. As the FF&E Creative Director at WeWork in 2019, Dean saw the wastefulness of this linear approach first hand. For the past five years, he’s been focused on understanding and addressing these issues. Global social media has made design trends instantly accessible, putting immense pressure on businesses. The current system promotes low-quality, single-use furniture that’s difficult to repair or recycle, leading to significant waste. Dean has set his sights on using his design expertise to reduce waste. He is exploring the circular economy and decided to establish design and brand values that drive change. I-AM.D.C grew from his bespoke interior design work, aiming to stand out in a competitive market by integrating circular principles and drawing inspiration from nature. By embedding circularity in his designs and proclaiming them as "I AM DESIGNED CIRCULAR," Dean ensures high standards and helps clients meet their sustainability goals. His designs are meant to be cherished, adapted, and repurposed, addressing the root causes of furniture waste.
From the publisher's feed