Spoilerpiece Theatre

Megan Kearns from Bitch Flicks joins Kris and Evan on this week's episode to lament HANNIBAL's cancellation by NBC before Evan shares a story about Mads Mikkelsen using his creeping powers for good. Then Kris and Megan give him the lowdown on TED 2, which Kris says is filled with "uncomfortable sincerity, along with a lot of failed jokes." After that Evan and Megan talk about how much they enjoyed Queen Latifah and Mo'Nique's performances in the HBO biopic BESSIE. Kris follows up with a brief interlude about foam penises and failed orgies in THE OVERNIGHT. Finally, Megan brings everything together with Kate Winslet's A LITTLE CHAOS, which she appreciates for showing more than telling.

Charlie Nash of Movie Mezzanine, Edge on the Net, All Things Horror, and Cinematic Essential joins Evan and Kris this week to take on INSIDE OUT, DOPE, and ME AND EARL AND THE DYING GIRL. The guys start by bitching about jerks who spoil GAME OF THRONES before they share why Pixar's film INSIDE OUT moved them to tears. All three enjoyed it so much that they can't think of a single bad thing to say about it. Next up, Kris and Charlie summarize DOPE, while attempting to separate its promising parts from the misfires it makes and detours it takes. Then they wrap things up with the abhorrent ME AND EARL AND THE DYING GIRL, a picture that's so bad it makes Kris angry for once. He and Charlie spoilerpiece what makes it so awful for Evan, which gives him some pretty awful ideas of his own for what to do with it when it comes out on DVD.

Charlie Nash of Movie Mezzanine, Edge on the Net, All Things Horror, and Cinematic Essential joins Evan and Kris this week to take on INSIDE OUT, DOPE, and ME AND EARL AND THE DYING GIRL. The guys start by bitching about jerks who spoil GAME OF THRONES before they share why Pixar’s film INSIDE OUT moved them to tears. All three enjoyed it so much that they can’t think of a single bad thing to say about it. Next up, Kris and Charlie summarize DOPE, while attempting to separate its promising parts from the misfires it makes and detours it takes. Then they wrap things up with the abhorrent ME AND EARL AND THE DYING GIRL, a picture that’s so bad it makes Kris angry for once. He and Charlie spoilerpiece what makes it so awful for Evan, which gives him some pretty awful ideas of his own for what to do with it when it comes out on DVD.

The one and only Bob Chipman aka "Movie Bob" joins Evan and Kris for this week's episode about JURASSIC WORLD and THE CONNECTION. First up is a game of "Get to Know Your Guest Host," where Bob shares how he got into reviewing movies. After that Bob and Kris spoilerpiece JURASSIC WORLD, a film that Bob enjoyed despite its silliness. Just how silly is it? Well, there are weaponized dinosaurs and Chris Pratt basically plays "Velociraptor Dundee." After Bob and Kris get all the spoiling out of their systems, Evan fills them in on THE CONNECTION, a movie which feels like the French version of Michael Mann's HEAT. Chekhov's Gun discussions and Indiana Jones references are in ample supply, as are tangents about BLOWN AWAY and THE GODFATHER.

The one and only Bob Chipman aka “Movie Bob” joins Evan and Kris for this week’s episode about JURASSIC WORLD and THE CONNECTION. First up is a game of “Get to Know Your Guest Host,” where Bob shares how he got into reviewing movies. After that Bob and Kris spoilerpiece JURASSIC WORLD, a film that Bob enjoyed despite its silliness. Just how silly is it? Well, there are weaponized dinosaurs and Chris Pratt basically plays “Velociraptor Dundee.” After Bob and Kris get all the spoiling out of their systems, Evan fills them in on THE CONNECTION, a movie which feels like the French version of Michael Mann’s HEAT. Chekhov’s Gun discussions and Indiana Jones references are in ample supply, as are tangents about BLOWN AWAY and THE GODFATHER.

Before he escapes Boston for NYC, Sam Cohen makes his first ever podcast appearance as the special guest on this week's episode. Being the yougin' that he is, Sam shares his experience watching BIG TROUBLE IN LITTLE CHINA for the first time. The guys discuss its impending remake along while comparing Kurt Russell and The Rock. Then Sam tells Kris and Evan about Cameron Crowe's degeneration as a filmmaker with his nonsensical movie ALOHA. None of them know what a gate opening ceremony is or how music by David Bowie can blow up a satellite, but apparently both are important plot elements. Thankfully Kris and Sam saw SPY, which pleasantly surprised both of them. After they tell Evan all about why he should see it, he and Sam finish up the show by talking about KURT COBAIN: MONTAGE OF HECK. Want to find out why the documentary gave Evan all the feels? Then tune in.

Before he escapes Boston for NYC, Sam Cohen makes his first ever podcast appearance as the special guest on this week’s episode. Being the yougin’ that he is, Sam shares his experience watching BIG TROUBLE IN LITTLE CHINA for the first time. The guys discuss its impending remake along while comparing Kurt Russell and The Rock. Then Sam tells Kris and Evan about Cameron Crowe’s degeneration as a filmmaker with his nonsensical movie ALOHA. None of them know what a gate opening ceremony is or how music by David Bowie can blow up a satellite, but apparently both are important plot elements. Thankfully Kris and Sam saw SPY, which pleasantly surprised both of them. After they tell Evan all about why he should see it, he and Sam finish up the show by talking about KURT COBAIN: MONTAGE OF HECK. Want to find out why the documentary gave Evan all the feels? Then tune in.

Longtime listener Sean Burns joins Kris and Evan as the special guest on this week's episode! The guys talk about remakes like POINT BREAK and why one particular remake made Sean wish he was fired earlier from a gig. Kris leads things off by describing how Dwayne "The Rock" Johnson fights the elements in the disaster flick SAN ANDREAS, a movie which quintuples down on bad science and plot. Then Sean spoils the trippy biopic SAINT LAURENT aka "the gay DOORS." He couldn't get enough of its sex, drugs, and fashion. To round out the show Evan and Sean spill the beans on the Michael Fassbender western SLOW WEST. Bon Jovi references, tales of an epic last half hour, and comparisons to both pizza and sex feature prominently in this segment before Sean and Kris do some last-minute griping about ME, EARL, and THE DYING GIRL.

Longtime listener Sean Burns joins Kris and Evan as the special guest on this week’s episode! The guys talk about remakes like POINT BREAK and why one particular remake made Sean wish he was fired earlier from a gig. Kris leads things off by describing how Dwayne “The Rock” Johnson fights the elements in the disaster flick SAN ANDREAS, a movie which quintuples down on bad science and plot. Then Sean spoils the trippy biopic SAINT LAURENT aka “the gay DOORS.” He couldn’t get enough of its sex, drugs, and fashion. To round out the show Evan and Sean spill the beans on the Michael Fassbender western SLOW WEST. Bon Jovi references, tales of an epic last half hour, and comparisons to both pizza and sex feature prominently in this segment before Sean and Kris do some last-minute griping about ME, EARL, and THE DYING GIRL.

This week the Spoilerpiece Hotline receives a call from Dave?! He has a special message for our listeners, so please excuse the audio quality. Then guest Dede Crimmins joins Evan and Kris to talk about the MAD MEN series finale, the state of horror movies in 2015, and the Brad Bird film TOMORROWLAND starring George Clooney. If you don't want MAD MEN spoilers, fast forward to 13:20, where you'll hear Dede tell the guys about 2015's hits and misses in horror. You can also learn the plural of Duplass and why THE HUMAN CENTIPEDE is "the most tasteful ass to mouth you can find in the theatre." While talking about horror, the gang swaps stories about movies that scared each of them growing up and Dede shares how she got into writing about horror. Everything gets wrapped up with discussion about TOMORROWLAND, which everyone thought was an overbearing pessimistic film with delusions of Randian and Orwellian grandeur.