Episode 64 - Magical Chutes and Moral Cahoots

The Supreme Blagwith is finding that The Supreme Blagwith’s worshipper-employees are not dying fast enough due to concerns of “not wanting to be dead” and The Supreme Blagwith would like advice on how to make The Supreme Blagwith’s worshipper-employees die more efficiently.

Management Consultants’ advice: A big grinder, tenants following the tenets of tennis, fright market activity FUTHER REPORT REDACTED BY LINE MANAGER HARTRO PILTZ

Content Warning for:

• Emotional abuse
• Bullying/taunting
• Arguments & shouting
• Hive mind
• Existential crisis & depression
• Discrimination & prejudice
• Discussions of: mass murder, cults, death, food
• Mentions of: innuendo, weapons, threats, blood, explosions, alcohol & alcoholism, emetophobia
• SFX: Screaming, squelching

Transcript: https://cutt.ly/jzw56R6

Special thanks to Nikolaj Ravn Jørgensen for this episode's Brief Submission and this week's Patrons: Laura Berry, Serena DeRosa, Dalia Quiroz, Vaughn S, Hannah Aroni, Sydni Zastre, Maia Montenegro, Ash, Jamy Eun, Faustina Pauwels, Ryan Mulgrew, Sarah Houghton, Sabrina B., Tristen, Just a girl, Gretal McCurdy, Eddie Sourboy, Jean, Ash Craig, mandabot, Lindsay Woodcock, Nick Ball, Emily Lalande, SternStundenSpirale, Max Sellers, Gale Love, C W, desiderius, Samantha Grant, Michael Lynn, Chani Mores, Paperweight Jellyfish, Kate, jasper, Ayu, Djorkus Day, CJ Craig, Norea Besman, iota, Gwen S., R. L Moses, Roggepan, Adrian Gergler, Agneskissme, Oliver Loupe, Katie Collins, Mika Stavropoulos, Lucas Bear, WhoopsieDaisy.

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Created by Tim Meredith and Ben Meredith

Produced by Katie Seaton

Executive Producer Alexander J Newall

Performances:

I.M.O.G.E.N: Imogen Harris

David 7: Ben Meredith

Trexel Geistman: Tim Meredith

Editing: Maddy Searle

Music: Samuel DF Jones

Artwork: Anika Khan

Mastering: Jeffrey Nils Gardner

Featured SFX: klankbeeld (attribution), InspectorJ (attribution), ighuaran, ahill86 & previously credited artists via freesound.org. Original Foley by Maddy Searle.

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