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Writer-producer Charlene Davis joins Sylvia and Michel to share how she pivoted from a 35-year legal career to make her debut feature Relative Control—casting Terry Polo, shooting through a pandemic and SAG strike, and landing distribution and an upcoming AARP screening. A candid, funny, and encouraging talk about caretaking, resilience, Delaware film hustle, and why creative “third acts” after 50 aren’t just possible—they’re powerful.
Sylvia revisits her solo trek through Nepal—where the beauty of the Himalayas collided with the shock of being iced out by her own Swiss group. The conversation shifts when Sylvia recalls a troubling note from a close friend, sparking a discussion about boundaries, encouragement, and continuing to create no matter your stage of life. They also unpack the emotional minefield of searching for Sylvia’s biological parents—privacy, contracts, and the risk of disrupting another family—along with the surreal DNA breadcrumbs.
Veterinarian-turned-producer Alysia Reid joins Sylvia and Michel to talk healing and filmmaking: from surviving cancer and embracing energy medicine to balancing Western care with holistic tools. The trio swap stories on producer stress, social media’s fantasyland, generational trauma, and the roll of the dice with DNA tests—plus a sidebar on movies made by algorithms vs.making something that actually has meaning
Picking up where they left off, Chelsea reveals the FBI’s “furnace leak” sting, the bug next door, and why she never lived in fear. She and Sylvia compare intuition, trust, and family fallout; trace medals and redactions; and tease a wild, never-aired roundtable with Oleg Kalugin, Boris Korczak, a CIA veteran, and her father, Jack Barsky. Part 2 closes with shared resources, next steps, and a promise that you’re not alone in the hunt for the truth.
In this powerful crossover episode, Sylvia and Michel sit down with Chelsea Dietrich, daughter of a former KGB agent and star of A&E’s The Spy Who Raised Me. Together, they explore what it means to grow up in the shadow of espionage—missing photos, false identities, and families built on secrets. From East Germany to New York to the FBI’s doorstep, two daughters of spies discover unexpected connections, truths, and trust issues that cross generations.
Producer Rachel drops in as Sylvia and Michel follow new leads on Sylvia’s elusive father—why his name is missing from her birth certificate, the Catholic gravesite he chose, and a shadow-witness who recalls African business deals and wartime intelligence ties. Between French-name pronunciation drills, a 1990s John Major-at-Medy Roc memory with stepfather Camille Rayon, and those infamous “matching towels,” the trio weighs love, cover, and what a life built on secrecy ultimately leaves behind.
Sylvia and Michel welcome “Tish” whose life has been intertwined with Sylvia’s since childhood. What begins as a reunion becomes a startling revelation: Tish’s grandmother once proposed that Robert Greif adopt her after her own mother’s death — before Sylvia herself was born. Together, the three women trace the echoes of destiny, adoption, and identity that link their families from Cap d’Antibes to Beverly Hills. Stories of Maria’s glamorous spy-era life, lost art on the Riviera, and long-buried family secrets blur the line between coincidence and fate in one of the series’ most intimate episodes yet.
Sylvia and Michel trade stormy weather for spa day confessions and a candid, restorative check-in on memory, secrecy, and the cost-of-living life off the record. Their conversation also explores the documentary’s evolving titles—drawn from CIA files that echo Maria’s private letters—and the realities of international research and legal hurdles.
Reminiscing on a Late-night in Delaware, Sylvia recalls the story when her mother sent a gold helicopter to bring her back to Medy Roc while on her honeymoon. A newly surfaced “diary” email from Sylvia’s former nanny reveals a hyper, athletic kid who hated homework, loved music, and needed her mother more than more nannies. Plus, a teenage sneak-out: a beauty contest in Nice gone wrong, a front-page photo, and a summer of grounding.
In this episode, Sylvia and Michel compare the unpredictable twists of documentary filmmaking to the fixed path of scripted films, sharing how new discoveries upended their edit and opened still more rabbit holes. They revisit stories of Sylvia’s father’s friendships with Dominican president Juan Bosch and the Kennedys, a mysterious woman spotted at Vienna’s 1955 reopening, mafia ties that once blurred with wartime resistance, and the surreal pace at which her parents moved between South America, Europe and the Middle East.
From the publisher's feed
American filmmaker Michel Grey and Swiss artist Sylvia Greif dive into the chaotic world of film and television production with their distinctive, offbeat style. In their first season, they explore…