"Life is uncertain, which many of us tend to forget, and there are many things we can't explain; for those things that are inexplicable, we have stories. I was born into conflict, and growing up in Shillong in the 1990s, literature was a lifeline. It allowed us to see that, whatever the past we had inherited, there were other possibilities. Literature gives clarity to the messy parts of life, even if it doesn't have all the answers. Stories tell us to not let life wear us down. A lot of the creative nuances of the storytelling from the northeast come from the oral context, things that are not readily available in print. It influences style and gives the sense that the narrator is talking to you, the reader. Oral traditions have a way, especially with storytelling, of not being fixed, of being fluid. They can move from context to context and generate a new meaning from each of these contexts. This is because they take the reader into account in terms of delivery and register. In the stories from the northeast, orality and print play off each other and what emerges is a hybridised writing where you have both traditions feeding into the new writing. I wanted to represent diverse perspectives; so representation was one of the things that drove me to these stories." 

- Jobeth Ann Warjri, editor, The Greatest Stories from the Northeast Ever Told, talks to me about the black humour of people from conflict zones, the rich oral traditions of storytelling being threatened by globalisation, and the task of putting together a volume of stories from an area as diverse as the northeast of India, 

Learn more about your ad choices. Visit megaphone.fm/adchoices