Tactical Cinematic Development

In this episode I discuss fear and how it applies in cinema and the effects it has in reality.

In this episode I briefly delve in what it takes to be a great fight choreographer in film and a great fighter in reality. I delve deep into the arts and science.

In this episode I briefly discussed the actual durability of the human body in reality versus what we see in cinema.

In this episode I discussed the significance of low-light situations in cinema choreography versus low light situations in reality and how both are dealt with.

In this episode I talk about the differences in difficulty and hazards in formulating a fight scene that is meant to demonstrate inexperienced people in a scene that illustrates a fight between Street people versus a scene that is meant to illustrate a fight between experience fighters. I also will talk about the differences in danger between fighting a Street fighter versus a well-rounded season fighter.

And this segment we talk about a martial arts posture versus a defensive posture in cinema and in reality, and we discuss the viability and effectiveness of each.

And this episode I break down the differences in reality and in cinema between Street fighters and traditional and classically trained fighters. I dispel some of the myths and speak on the reality of it all.

And this episode I talk about the transition from empty hand conflict to wielding a weapon. The difference between what I've spoken of in the past is not necessarily the use of the weapon but the transition itself.

You're going to delve into the truth about fancy moves and Cinema versus fancy moves in reality. Do all those fancy moves you learn in reality at a martial arts studio or combat gym actually work in a situation?

In this episode we delve into the use of obstacles and egresses in cinema as they are planned in orchestrated on purpose versus obstacles and egresses in reality which are not, and how to deal with them.