September 1987. A woman named Cora Meeks spends three nights in a row at Moon Lake Marina, sitting alone in a green rowboat that hasn't moved from its slip in twelve years. She doesn't speak. She doesn't fish. She just sits, facing the deepest part of the lake, as the fog rolls in just before dawn. The night manager, a man named Harlan, tried to talk to her twice. The first time, she didn't blink. The second time, she told him something he still can't repeat aloud. Luna was there that third night, parked at the far end of the gravel lot with the engine off, watching through binoculars. By sunrise, Cora was gone — but the boat stayed. And something else stayed, too, just beneath the surface. A quiet, waterlogged horror about grief, repetition, and the places we go when we can't move forward.