October 1997. Luna works the night shift at St. Isidore's Hospital morgue in Millbrook, Vermont. It's a quiet town, and the dead are mostly peaceful — car accidents, heart attacks, the occasional overdose. But one night, a body is brought in from the old Meyer farmhouse. John Orris, sixty-seven, died alone in his bedroom. Except the paramedics say his jaw was dislocated, his hands were bruised, and his eyes were wide open. Luna preps him for the morning's autopsy, alone in the cold room with the fluorescent lights humming. She cleans his face, closes his eyes, labels his toe tag. And then she sees it — the faintest movement under his closed lids. His eyes are moving, like he's watching something from behind his own dead face. She tells herself it's a reflex, a muscle twitch, a trick of the light. But she doesn't sleep for three days. And the next night, when she opens the drawer to check on him, his eyes are open again. She closes them. She tapes them shut. The next morning, they're open. This is the story of the seven nights she spent with John Orris. And what she saw in his eyes on the seventh night.