The train eased to a stop at the Corwin station that Friday night, but John Quick didn’t move. Or couldn’t move. He continued staring blankly down the aisle. Most of his brain was on hold, and the anodyne on-hold music that seemed to be playing in it was a bit annoying. Not quite annoying enough to do anything about, however. In the working corner of his brain, he wasn’t at all sure that coming back to Corwin was a good idea anyway. Maybe at some later stop, he’d have a better plan. Maybe Chicago.
“Sir? This is your stop, isn’t it?”
That was a conductor. He pulled his gaze away from the middle distance—with a great effort—and tried to focus on the stout woman in uniform.
“Um … yes … Corwin,” he managed to say. His voice didn’t seem to be working too well.
“Are you all right, sir? Do you need some help?”
No, he didn’t want help. To avoid being helped by someone, he would make an effort.
“No, thanks,” he said, clearing his throat, “I’m fine. Just tired, is all. Sleeping with my eyes open, I guess.” Well, that was close enough. He stood up, unsteadily. He thought he could feel his joints creaking, after three motionless hours.
“I’ll just give you a hand, sir,” said the conductor cheerfully. Damn.
On the platform, he stood with his carry-on in one hand and his laptop bag in the other. It appeared that one had to wait for the train to pull away, before crossing the tracks to the station. While John Quick waited there, his feet rooted somehow; and long after the lights and rumble of the train had passed off into the east, he stood and stared. The November night was strangely soft and warm. Maybe it was good to be home.
Except that, well, he didn’t actually have any family here anymore.
He thought about whether he was hungry, and about whether he had eaten anything today. It occurred to him that he knew a good place to eat. He didn’t know who to call, though, and it was too much trouble to try to use a phone anyway. He took a step, and an age of the world seemed to pass while he did so. He took another, and began to walk toward the center of town, ever so slowly.
In the Rose and Feather, it was open mic night, and Mark was up. He sat on a chair on one side of the little stage, with a big hand drum and a microphone in front of him. Another standing microphone was set up on the other side of the stage.
“Good evening,” said Mark, adjusting his mic. “The last time I performed on this stage, I did a funny song. But the song I want to share with you tonight is more serious. I’ve been feeling sad this week about a certain old tree—a tree I’ve known since I was a boy. It’s dying now, and it has to come down, but I wanted to write a song for it first.
“This is just called ‘Treesong.’ My friends here are going to help me with the refrains. Come on up, guys.”
Sandra stepped up onto the stage, along with Rosa and Rick from church. They all gathered around the standing microphone. Mark started a slow, deep drumbeat and let the crowd settle into it. Then he began to sing:
I will not miss my voice, nor speak, nor sing,
Though all the earth in every corner ring.
Though every moment all my soul rejoice,
My prayer will be too deep for human voice.
Human voice, voice, voice! Too deep for human voice!
Voice—too deep for human voice.
Human voice, voice, voice! Too deep for human voice!
Voice—too deep for human voice, voice, voice.
I will not miss my legs, nor dance, nor leap.
What dance could bear the secret that I keep?
But I will brace myself deep in the earth,
And pour me up to God in one long breath.
One long breath, breath, breath! To God in one long breath!
Breath—to God in one long breath.