In today's episode we speak with superstar Doctor Brandi Cole. You may have seen Dr Brandi on your screens as she worked to keep the Matilda's on the field during the Women's World Cup in 2023, and then at the Paris Olympics. Doctor Brandi is a Sports & Exercise Physician, working with athletes of all types as an expert in the field. But she is more than that, before becoming a doctor, Brandi was a Physiotherapist, and an athlete in her own right—captaining the Australian Women’s Oztag team, as well as playing touch and hockey for NSW, and was also an Australian and World gold medalist in beach sprint relay in Surf Life Saving. In this most fascinating episode, we first explore Brandi's early life, what makes her tick, and how she juggles her roles as a doctor and mum. But then we dive into her work with aesthetic athletes, dancers and gymnasts, what improves returning from injury, and the difficulties that exist with body image and refueling.

Since we spoke to Brandi, she has travelled to Paris Olympics, to continue to work with the  Matilda's, all while running her Sports & Exercise Practice Shire Sport Medicine in Cronulla Sydney. To follow her journey, you can find her @doctor_brandi n Insta, or of course book appointments via at her website shiresportsmedicine.com.au

Brandi and I recorded on the land of the Gadigal People of the Eora nation, with production on the lands of the Awabakal and Gadigal peoples, to whom we pay our greatest respects.

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

For our Season Three bonus episode, we speak again with the divine Dana Stephensen. Dana and I initially spoke about 18 months ago, and in that conversation we covered Dana’s journey into the Australian Ballet, managing her hyperthyroidism and weight gain. We talked about promotions, meeting her now husband Lachie becoming a mom and returning to the stage. This time I speak to the newly retired Dana Stephensen, who after 19 years dancing with the Australian Ballet finally gave a farewell performance at the Royal Opera House in London. In this hugely inspiring episode, we reflect on the depth and the bravery of Dana speaking about postnatal depression after the birth of her twins, how she returned to the stage as a mom of three and clawed back both her confidence and sense of self. But we also talk about the struggles of juggling tour life with Lachie and her three children and how she came to the decision to retire before finally turning to her thoughts for the future.

Dana now lives in Brisbane and is settling into life with her husband Lachie and their three children. While she's newly retired from the Australian Ballet, Dana made a surprise appearance with the company in their Brisbane season of “Swan Lake.” You may catch her here and there as she continues to guest with the company. For Australian Ballet tickets and show times, head to their website, australianballet.com.au, or you can find them on Instagram at @ausballet. And to follow all of Dana’s adventures, you can find her on Instagram @danastephensen.

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

This week we head to Boston, where I'm speaking with Boston Ballet's legendary principal dancer, John Lam. John has the most incredible story: His Vietnamese parents were refugees who settled in the US and John, together with his brother and sister grew up in relative poverty in California. Traditional family values meant education was key in John's family, but he accidentally found dance as a young boy when his daycare offered it as an extra activity. And from there, the love affair began. John went on to train at Canada's National Ballet School, and on graduation was offered a position at the Boston Ballet. In this wondrous and beautiful conversation, John talks about the joys of dance, about finding his sexuality and the moment he came out to his parents. But we also talk about more about navigating race and racism in ballet, about meeting his husband, becoming a dad to their two boys, and John's hopes that his parents will one day see him dance.

Trigger Warning

This episode discusses ideas around suicide. For help for depression and anxiety, turn to Beyond Blue at beyondblue.org.au

Talking Points is produced on the lands of the Gadigal and the Wanegal peoples to whom we pay our greatest respects. Talking Points is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. If you like us, please leave a five-star review. On the next episode of Talking Points, you'll hear from Dana Stephenson.

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today we’re speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.

Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. And if you like us, please leave a five star review. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com.

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today we’re speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.

Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. 

Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. 

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today, I'm speaking with my lifelong friend, Adam Blanch. Adam's story has often been compared with Billy Elliot. He grew up in a tiny town in regional Australia called Weston. It's about an hours drive west of Newcastle. In this tiny town everyone can always remember that Adam was dancing. And so, at the age of six, Adam's mum and dad enrolled him in the local ballet class, held in a local hall. He was the only boy. And so, his life in dance began. In this very candid and courageous interview, Adam opens up about his childhood, the bullying he suffered, his sexuality, but also the joys and the adventures he's had along the way to ultimately create the career and the life of his dreams. 

For the latest in all things dance, head to fjordreview.com and follow us on Instagram at @fjordreview

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today we are speaking with the divine Brooke Casson. Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage. She was accepted into the Australian Ballet School by the age of 14, and then straight into the company on graduation. In this beautiful and brave interview, Brooke speaks about her career at the Australian Ballet. We speak about promotions, about being the face of the company, the perception of rank and about hard conversations, but we also talk about so much more about new careers, about meeting her husband, becoming a mom. 

Brooke continues to direct and teach at her Studio in Rose Bay in Sydney. For class times, and to sign up, head to studio696.com.au or @Studio696x on Instagram. And to continue to follow all of Brooke's wonderful adventures, you can find her on Instagram at @brookecassen.

Brooke and I recorded our conversation on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today we’re speaking with the phenomenal Shaun Parker. Shaun’s path to artistic director and choreographer of an internationally renowned contemporary dance company is totally unexpected. Shaun grew up on a farm in Mildura in regional Victoria, but he had a double life in dance, theatre and singing. After finishing high school, Shaun went on to study science at Monash University in Melbourne until a sliding doors moment— Shaun saw a dance rehearsal in a university lecture room, and the rest is history. In this wonderful interview, Shaun talks about dropping out of uni, returning to the studio to train in dance, and about dancing professionally with the likes of Meryl Tankard, Australian Dance Theater and Chunkymove. But Shaun also speaks about a lot more; of his marriage, later identifying as bisexual, about toxic masculinity, and finally about finding his purpose in starting the internationally acclaimed Shaun Parker & Company.  

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios

Today we're speaking with the divine Danielle Rowe. Dani grew up in South Australia, and by 14 she had moved interstate to train [in ballet] under Marie Walton Mann. Within a year of that, she'd been accepted into the Australian Ballet School, and on graduation, she was offered a position with the company, but the accolades didn't stop. Dani rose to principal artist, won the Telstra Ballet Dancer award twice, and represented the Australian Ballet company around the world from London to China. But in a move that defines the superstars trajectory, she wanted more. She left Australia and moved to the US, joining Houston Ballet as a principal artist. Less than a year later, she was offered a contract with a prestigious Netherlands Dance Theater. In this wondrous conversation, Dani and I talk about her career across three continents, how she found choreography, about managing long distance relationships, her want for a family, and ultimately how she became the first female artistic director of Oregon Ballet Theater. 

Production dream team ✨

Hosted by @byclaudialawson

Produced by @fjordreview

Additional Production @clinttopic

Sound & Editing @outputmedia

Studios @brightsidesydney

@sawtoothstudios