Welcome to another episode of Talking Sock,

In this week's episode I am joined by Sue Wallace, professional puppetry artist and co-artistic director of the Sydney Puppet Theatre. Sue was a puppeteer at the Marionette Theatre of Australia in Sydney during the 1980s. She engages in all aspects of puppetry including directing, building and designing workshops.

We discuss the Sydney Puppet Theatre and its initiation of the "One Van" International Festival of Puppetry in Blackheath NSW, which Sue directed over 10 years in association with the Blackheath Area Neighbourhood Centre.

In 2005 she was awarded The Winston Churchill Memorial Trust of Australia to research Puppet Centres in the USA, Europe, the UK and Japan in order to develop a working model for a Puppet Centre in Australia. Since 2010 she has been the director of ImaginArta – the Australian Puppet Centre, which is currently located in the Southern Highlands of NSW.

Sue and her partner Steve Coupe from Sydney Puppet Theatre have toured extensively in Australia and have performed at several international puppet festivals and events around the world.

We discuss puppet festivals among a tonne of other great stuff as we join Sue and Steve in their Southern Highlands home during one of the biggest and most terrifying great Aussie thunderstorms I have ever encountered while driving my little Mazda 3.

Make sure you check out the show notes on our website

And join the conversation on our socials

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In this week's episode, I am joined by President of UNIMA Australia and owner/ operator of Dram Puppets, Richard Hart.

Richard has been performing under Dream Puppets for nearly 25 years and has been the President of UNIMA Australia for the past 6 years.

Dream Puppet shows use black light puppetry where the signature character, Dreamer, adventures through time and space in Richard's highly visual and largely conceptual style. I visited him in his home where his elaborate studio that houses his 3x3 metre performance is out back. With his partner Julia, Richard has been delighting audiences all over Australia and the world, especially in China.

We discuss what its like to run your own independent business through a NEIS scheme and develop international partnerships. We discuss music as a core component of Richard's work and the ways in which he considers and is driven by his audience. We discuss the landscape of Australian puppetry and Richard's upcoming show in which he touches on our relationship with the environment.

Make sure you check out the show notes on our website

And join the conversation on our socials

@talkingsockcast (Twitter)

@oneorangesockproductions (Instagram)

Please consider becoming a Patron and support home grown creative content. Your support will help us make this podcast more accessible in creating Transcripts and will help us be able to sustain this cast!

You can now also buy us a coffee!

Thanks for listening to #TalkingSockPodcast

Support this show http://supporter.acast.com/talking-sock.

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In this week's episode, I am joined in Sydney by Kailah Cabanas.

A content warning for our listeners, this episode does include content related to mental health and disordered eating. If this content brings up sensitive thoughts or feelings, contact www.beyondblue.org.au / 1300 22 4636, www.kidshelpline.com.au / 1800 55 1800 or www.lifeline.org.au / 13 11 14

Kailah, is an independent actor and puppeteer and trainer who is kicking goals in theatre, film and TV. She has toured with The National Theatre Company’s production of War Horse Australia for the characters of Joey, Topthorne and Goose and recently, Kailah toured with Monkey Baa Theatre Company’s production of Diary of A Wombat in the USA. Her other credits include CPD’s Spot The Dog national tour of Australia and Cirque du Soleil’s production Tooruk, the First Flight.

I talk to Kailah about her experiences as a puppeteer in the industry of ‘big’ touring productions and working as a solo performing artist. I ask her how one auditions for a company like Cirque and what the process is. You'll find out - its a rigorous ride from start to finish! Kailah tells all about her personal struggles in coping with the demands brought on by the role and tells us how she has turned the experience into actions that benefit others.

Make sure you check out the show notes on our website

And join the conversation on our socials

@talkingsockcast (Twitter)

@oneorangesockproductions (Instagram)

Please consider becoming a Patron and support home grown creative content. Your support will help us make this podcast more accessible in creating Transcripts and will help us be able to sustain this cast!

Thanks for listening to #TalkingSockPodcast

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

In this second episode of our two-part interview with Richard Bradshaw, we discuss UNIMA Australia, a book about shadow puppets, Norman Hetherington of Mr Squiggle and how Richard makes his puppets so distinct and engaging for young audiences.

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World renowned shadow puppet master Richard Bradshaw needs no introduction to the international puppetry community. His work has been seen by millions through a life time of stage performances all over the world and through television appearances including “The Muppet Show” and an hour-long documentary in the series “Jim Henson Presents The World of Puppetry”. Australian children grew up with performances of his shadow artistry on ABC TV’s “Playschool”, where his shadow puppets were broadcast for over 30 years. 

From 1976 to 1983 Richard was Artistic Director of Australia’s then largest puppetry company, the Marionette Theatre of Australia. Under his directorship the company secured a permanent theatre space in The Rocks in Sydney. As Artistic Director, Richard introduced modern puppetry techniques to Australian audiences and inspired many young puppeteers who were given the opportunity to work and learn from some of Australia’s best puppeteers and puppet makers.

Richard has performed with his shadow puppets for audiences of children and adults for over 50 years to over 25 countries. 

In 1986 Richard received the Medal of the Order of Australia (OAM) “for services to the arts as a puppeteer” and in 1987 he shared the Sidney Myer Performing Arts Award “for sustained excellence in the field of puppetry”. 

Richard been a member of the international puppetry organisation, UNIMA, since 1964 and helped to establish UNIMA Australia in 1970. He is an honorary member of both organisations, and was President of UNIMA Australia from 2004 to 2008.

In 2015 he published his book “Richard Bradshaw’s Guide to Shadow Puppets”, where he shares his techniques for designing, constructing, and performing with silhouette shadow puppets.

Make sure you check out the show notes on our website

And join the conversation on our socials

@talkingsockcast (Twitter)

@oneorangesockproductions (Instagram)

Please consider becoming a Patron and support home grown creative content. Your support will help us make this podcast more accessible in creating Transcripts and will help us be able to sustain this cast!

Thanks for listening to #TalkingSockPodcast

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

In this first half of our two-part interview with Richard Bradshaw, we talk about his beginnings at The Clovelly Puppet Theatre and The Marionette Theatre of Australia, his travels as a touring performer and his time with Jim Henson and Caroll Spinney

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World renowned shadow puppet master Richard Bradshaw needs no introduction to the international puppetry community. His work has been seen by millions through a life time of stage performances all over the world and through television appearances including “The Muppet Show” and an hour-long documentary in the series “Jim Henson Presents The World of Puppetry”. Australian children grew up with performances of his shadow artistry on ABC TV’s “Playschool”, where his shadow puppets were broadcast for over 30 years. 

From 1976 to 1983 Richard was Artistic Director of Australia’s then largest puppetry company, the Marionette Theatre of Australia. Under his directorship the company secured a permanent theatre space in The Rocks in Sydney. As Artistic Director, Richard introduced modern puppetry techniques to Australian audiences and inspired many young puppeteers who were given the opportunity to work and learn from some of Australia’s best puppeteers and puppet makers.

Richard has performed with his shadow puppets for audiences of children and adults for over 50 years to over 25 countries. 

In 1986 Richard received the Medal of the Order of Australia (OAM) “for services to the arts as a puppeteer” and in 1987 he shared the Sidney Myer Performing Arts Award “for sustained excellence in the field of puppetry”. 

Richard been a member of the international puppetry organisation, UNIMA, since 1964 and helped to establish UNIMA Australia in 1970. He is an honorary member of both organisations, and was President of UNIMA Australia from 2004 to 2008.

In 2015 he published his book “Richard Bradshaw’s Guide to Shadow Puppets”, where he shares his techniques for designing, constructing, and performing with silhouette shadow puppets.

Make sure you check out the show notes on our website

And join the conversation on our socials

@talkingsockcast (Twitter)

@oneorangesockproductions (Instagram)

Please consider becoming a Patron and support home grown creative content. Your support will help us make this podcast more accessible in creating Transcripts and will help us be able to sustain this cast!

Thanks for listening to #TalkingSockpodcast

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

Kay Yasugi has fashioned herself into a staple of Australian puppetry. Based in Sydney, Kay brings her true sense of joy to every performance, workshop and puppet she brings to life. She is a powerhouse theatre maker, performer and builder trying to create as many opportunities for puppeteers in Australia as she can. In this episode we talk about Kay’s love of Puppets, but also her love of puns! We find out about the landscape for learning puppetry at a tertiary level in Australia and ask Kay about how her experiences at The London School of Puppetry shaped her career. We follow this with a huge chat about all things puppetry in Australia today, Kay's show - Haenyeo Women of The Sea and get really, really into bananas when we meet her puppet pal, Chee Chee.

Pupperoos: https://www.pupperoos.com/

Digital Seagull: http://www.digitalseagull.com/

Instagram: @kay_yasugi

Twitter: @pupperoos

Find show notes for this episode at: https://sites.google.com/view/oneorangesock/talking-sock/episode-3-kay-yasugi

Join the conversation on Twitter @talkingsockcast

And find us on Instagram @oneorangesockproductions

Do you create or collaborate? What is puppetry’s appeal to you in this age of DIY?

How many puppet puns can you deliver us on Twitter?

Tell us about a time where you’ve connected to some one using a puppet…

Puppeteers, Whats the BEST piece of feedback you’ve received about your work?

Where do you present new work in Australia? Give a shout out to great venues you know?

Could you write the book on Puppetry! Talk to us?

Would you attend a school of puppetry in Sydney? Tell us what you’d love to learn!

Thanks for listening to #talkingsockpodast.

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

This week, its all about Dinosaurs!

I think when you have a passion about something, and you've held that passion for a long time, that is something to be celebrated!

Philip Millar loves Dinosaurs. And boy I'm glad he does. He's brought dinosaurs back to life for Polyglot Puppet Theatre, Creature Technologies and through his own company, Puppet Vision.

In this week's episode of Talking Sock, we talk about Philip's history with puppets and his journey in taking Dinosaurs and other larger than life creatures to the next level in entertainment.

As a member of Creature Technologies, Philip helped developed Walking With Dinosaurs and also worked as a sculpture for Ron Mueck and Patricia Piccinini. Furthermore, he was the co-artistic director of Polyglot Puppet Theatre and started out working with Handspan Theatre Company.

Philip has found himself looking back on a career filled with creativity and has shown no signs of slowing down. With Puppetvision, he continues to work in building commercial puppets while producing and directing his own shows. Whats most impressive, I think, is the versatility and technical skill Philip applies to problem solving using new media.

Listen in to find out how Philip approaches producing new theatre and creating new puppets from every imaginable material.

And head to One Orange Sock's website for links and mentions related to this cast.

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.

Launching on Saturday March 21 World Puppetry Day

Welcome to Talking Sock! An originally Australian puppet podcast.

Created and Produced by Pete Davidson at One Orange Sock Productions, we can't wait to release our first episodes this coming Saturday.

Hear interviews with puppet builder Katherine Hannaford, Creature Technologies Alumni and creator of Puppetvision Philip Millar, UNIMA Australia General Secretary and owner operator at Pupperoos Kay Yasugi, and Shadow Puppetry legend, Richard Bradshaw.

Subsequent episodes will be released weekly throughout Autumn.

You can find out more at oneorangesock.com

and find us on our socials:

Insta: @oneorangesockproductions

Twitter: @talkingsockcast

Follow us! And join the conversation,

Here,

At Talking Sock

Support this show http://supporter.acast.com/talking-sock.

Hosted on Acast. See acast.com/privacy for more information.