Although they’ve known each other for over a decade, it has not been easy for Andrew Stuck to find an opportunity to record a conversation with Richard White. An opportune moment arises as Richard comes to London for his granddaughter’s birthday and he joins Andrew Stuck on a walk together in Nonsuch Park on the outskirts of south west London.
Richard was an early pioneer in producing located media, uncovering overlooked or intentionally erased histories.
Walking is integral to every stage in Richard’s creative practice: he organises and hosts group walks as part of his research, and in recovering, processing and embedding memory. This embodied engagement with place and landscape is also key to the development and placement of media; sound is essential to the live experience and through which his audiences experience any final GPS located composition. Although still using locative media apps, Richard’s practice has evolved using handheld blue tooth speakers and silent disco kit as part of a live performative walking experience.
Richard recently co-edited and contributed to “Breaking the Dead Silence” a collection of essays published by Liverpool University Press on memoryscapes and obscured histories in the aftermath of the toppling of the Colston statue in Bristol. He recently undertook a research fellowship in south Australia walking the thread of empire and botany. Richard’s current project ‘Finding Country’ attends to the landscape and built environment of North Somerset (UK), terraformed by enslavers and colonial extraction. The project is a ‘walking-with’ the legacies of wealth extracted from colonised lands and peoples manifested in the English countryside and country house. In the project Richard draws on and seeks to articulate his walking research in Adelaide, South Australia, walking and asking questions, re-telling stories back into the landscape
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