The Art of Giving; past Tate Britian conferencea exploring the art of giving from an artist-centred perspective; audio recordings.

Discover the vulgar history of Camden with Stephen Smith, as a part of the exhibition 'Modern Painters: The Camden Town Group'

The appeal of beauty is straightforward but what explains the appeal of tragic, comic or transgressive art? Tragic art asks that we contemplate horrifying events, evoking unpleasant emotions and feelings of disgust, ones we would avoid in real life. In co

Artist David Batchelor discusses his most recent work and his fascination with the omnipresence of colour as both a unique phenomenon and an everyday experience. Batchelor’s three-dimensional works typically combine brilliant colours, often using fluoresc

To coincide with Tate’s major Peter Doig retrospective exhibition, the artist is in conversation with Adrian Searle talking about his substantial body of work including paintings made in the last five years since his move to Trinidad in 2002.

Mat Collishaw talks about his work inspired by and reinterpreting myth. Plus, Architect and choreographer Ana Serrano is joined by architect of Return of the Gods Adam Caruso and dancer/choreographer Tom Sapsford to explore the relationship between archit

Curator of Return of the Gods, Martin Myrone is joined by Professor Richard Dyer and artist David Batchelor to explore the colour white.

Following his highly acclaimed retrospective 'As far as the eye can see' (Whitney Museum of American Art, New York), Lawrence Weiner discusses his work with art historian and critic John Slyce.

Art produced inside, outside and after the constraints of dictatorship is examined in the research that culminated in the publication Copying Eden: Recent Art from Chile edited by curator Gerardo Mosquera. The author presents an overview of thirty years o

In Latin America the practice of film co-production with Europe became significantly widespread in the 1990s. The event includes the screening of the 46-minute documentary Latin America in Co-production (Libia Villazana, UK/Peru 2007), which explores the