Polish artist Pawel Althamer discusses the performative elements of his work with curator and writer Polly Staple. Pawel Althamer’s multi-faceted practice includes sculptures, installations, autobiographical videos, and performances. Declaring that ‘we ar

The fourth interview in the Tate/Art Monthly Talking Art series is between acclaimed artist Christian Marclay, renowned for his collages of music, sculpture, film and image, and art historian, Gilda Williams.

Peter Märkli, one of Switzerland’s leading architects, talks about his design for a visitor centre, prominently positioned in a recent redevelopment of a pharmaceutical industrial site in central Basel.

Recent theories of women, sex and gender have challenged the category of woman. The value of literature (and the other arts) has also been called into question. Have the new gender theories made feminist criticism obsolete? Does it still make sense to cla

Bringing together leading artists, archivists and theorists, this study day explores why the archive has become a central issue in contemporary artistic strategy

Bringing together leading artists, archivists and theorists, this study day explores why the archive has become a central issue in contemporary artistic strategy

David Adjaye proposes a certain formation of 'publicness'. In this session of Real Architecture, Adjaye talks about the Denver project and the problem of architects to repropose the concept of the public space.

The third interview in the new Talking Art series is artist Joep van Lieshout, founder of Atelier Van Lieshout (AVL) a team of creatives based in Rotterdam, in conversation with critic Marcus Verhagen.

Real Architecture examines some of the most significant contemporary architects and projects and presents a dynamic cross-section of current trends in international architectural practice. In the first of the series, Architect Michiel Riedijk talks about

Los Angeles-based artist Mario Ybarra Jr draws attention to forms of culture that exist in the margins of the mainstream. Verging on the pseudo-anthropological, Ybarra’s work examines hidden cultural histories: often alluding to or parodying the street cu