"Passing Hours" is a melody-scape of sorts. Its base element is my guitar tuned in Cmaj with the capo on the 5th fret, creating a brighter melody of sorts. The theme is inspired from when I present to people around the country; many seem to act like life is a sitcom where you'll get a rerun . . . hence just letting the hours pass. When in reality, the only thing that truly matters is RIGHT NOW! Hope you all like it.

"Where I Fall" is a simplistic rock tempo song in Cmaj. What I truly am proud of is how its rock tempo early on turns into something inspirational when the violins crescendo. It's a nice little juxtaposition. It's kind of asking: "Will someone be there when and where I may fall?"

Close your eyes and let the astral plane take you on a 2:20 journey. Don't turn it up too loud though or the glass ceiling effect will shake the rafters (the E, F#, G# chorus). This song is layered like a cake with 4 guitar tracks, a piano, bass, and of course . . . the glass ceiling:)

"Rebirth" is unique as its guitar track is on the heavier side; however, there is no drum track per se. It has percussion backing, but its focus is the journey the guitar goes on . . . especially teetering between major and flat chords. Hope you like it!

"Neverland" is a creation I'm proud of. Slowly but surely, I'm allowing myself to set my fingers free and produce some lead runs. Not sure why I've waited this long, but I like the color the runs add to this track.

Cascade is the newest track to be added to my "Water" album/playlist. A cascade is a powerful flow, which is how this song feels to me. It builds up a current (if you will) and then unleashes in the chorus, only to recede back to its mellow verse structure.

Celestial is another of my mind-warping compositions. Set in the key of C major, it certainly takes you for an ethereal sort of ride. By coincidence, the intro bars sound similar to "Hey You" by Pink Floyd. Did not intend that, but I can certainly hear it. Apparently they've made a mark on my life:)

This is an interesting one that follows the basic line patterning of an A chord. However, during the bridge portions the A makes an entire run down to an E. I'm also proud of the choir addition. Gives it an airy feeling . . . so breathe it in!

"Willow Breeze" was a laid back night, laying down a laid back track. Some delay overdubs along with a sitar effect of all things create a pretty chill track in my opinion:)

"Restless Destination" was inspired about how as a species we seem to like running ourselves ragged . . . and for what? Where do we think we're actually getting to by tearing ourselves slowly apart by rushing everywhere. This bleak observation is matched by a heavy Nine Inch Nails/Trent Reznor aspirations here. Note I said aspirations:)