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Access this entire 92-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/199-mcu-munich-2-121674522
In part two of our look at Munich, Corey Atad and I continue to discuss Spielberg’s masterpiece, and expand our discussion to other works that stem from the 1972 Munich Olympics massacre, including more on the 1986 Canadian TV movie Sword of Gideon, Kevin Macdonald’s Oscar-winning documentary from 1999 One Day in September and the effective new German docudrama starring Peter Sarsgaard, September 5, a detailed recreation of the hostage crisis from the perspective of the ABC Sports team there to cover the games who suddenly found themselves covering the terror attack as a live event for a worldwide audience, forcing the media to grapple in real time with the ethics of reporting on terrorism and how Black September and the West German police could also adapt their tactics to weaponize this live coverage, in this case with tragic consequences. The medium is the message, you could say….
Follow Corey Atad on Twitter and visit coreyatad.com
Trailer for September 5 (Tim Fehlbaum, 2024)
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4949 ratings
Access this entire 92-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/199-mcu-munich-2-121674522
In part two of our look at Munich, Corey Atad and I continue to discuss Spielberg’s masterpiece, and expand our discussion to other works that stem from the 1972 Munich Olympics massacre, including more on the 1986 Canadian TV movie Sword of Gideon, Kevin Macdonald’s Oscar-winning documentary from 1999 One Day in September and the effective new German docudrama starring Peter Sarsgaard, September 5, a detailed recreation of the hostage crisis from the perspective of the ABC Sports team there to cover the games who suddenly found themselves covering the terror attack as a live event for a worldwide audience, forcing the media to grapple in real time with the ethics of reporting on terrorism and how Black September and the West German police could also adapt their tactics to weaponize this live coverage, in this case with tragic consequences. The medium is the message, you could say….
Follow Corey Atad on Twitter and visit coreyatad.com
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